- published: 08 Oct 2013
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Arthur Terence Galt MacDermot (born December 18, 1928) is a Canadian composer, pianist and writer of musical theatre. He won a Grammy Award for the song "African Waltz" in 1960. His most successful musicals have been Hair (1967; its cast album also won a Grammy) and Two Gentlemen of Verona (1971). MacDermot has also written music for film soundtracks, jazz and funk albums, and classical music, and his music has been sampled in hit hip-hop songs and albums.
MacDermot was born in Montreal, Quebec, the son of a Canadian diplomat. He was educated at Upper Canada College and Bishop's University (Sherbrooke, Quebec, Canada). He received a Bachelor of Music from Cape Town University, South Africa and made a study of African music his specialty. He also studied the piano privately with Neil Chotem.
MacDermot won his first Grammy Award for the Cannonball Adderley recording of his song "African Waltz" (the title track of the album of the same name) in 1960. He moved to New York City in 1964 where, three years later, he wrote the music for the hit musical Hair, which he later adapted for the 1979 film. Its Broadway cast album won a Grammy Award in 1969. His next musicals were Isabel's a Jezebel (1970) and Who the Murderer Was (1970), which featured British progressive rock band Curved Air. MacDermot had another hit with the musical Two Gentlemen of Verona (1971), which won the Tony Award for Best Musical. For that show, MacDermot was nominated for a Tony for best music and won the Drama Desk Award for Outstanding Music. His later musicals, however, including Dude and Via Galactica (both 1973) and The Human Comedy (1984), have not been successful on Broadway.
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"Kampf ohne Anlass" Vocals, Lyrics: Lady Lazy https://www.facebook.com/pages/Lady-Lazy/252233201613174?fref=ts Beat, Recording, Postpro, Master: Subtractor Audiolith, Brazed http://www.brazed.net Lyrics: Du denkst dir, was soll die ganze Hysterie? Alle reden von Sexismus und Homophobie Du sagst: Dieser Kampf ist ein Kampf ohne Anlass Du fragst: Was macht ihr Dampf, nur weil einer euch anfasst? Alle Rapper hier soll'n Toleranz und Respekt ehr'n. Doch gegen die, die nicht da sind, kann ja trotzdem gehetzt wer'n. Wenn du dein' Gegner inner Punchline Schwuchtel nennst, z' z' z' zeigt dis nur, dass du's Problem noch nicht erkennst. Denn - wenn du "schwul" sagst, obwohl du "scheiße" meinst, merkst du dann nicht, dass du Liebe mit nem Schimpfwort vereinst? Ihr behauptet, ihr hättet nix mit Sc...
Marina und ihr Ehemann Oleg leben mit ihrer 19-Jährigen Tochter Kristina zusammen in ärmlichen Verhältnissen. Marina arbeitet mit mäßigem Erfolg als Immobilien-maklerin, Oleg ist Musiker und hat dem Familienleben nahezu keine Einkünfte beizutragen. Eines Tages kommt Natalja Stepanowna zu Besuch, Olegs Mutter. Sie ist gläubige Christin und entsetzt über die Zustände in der ihrer Ansicht nach ungläubigen Familie, in der es für sie zum vollkommenen Sittenverfall gekommen ist. Sie bekehrt zunächst Bootsmann, einen versoffenen Nachbarn, den die Familie schon lange kennt, mit ihrem Glauben, und überzeugt ihn so dem Alkohol abzuschwören. Indem sie Marina und Oleg besser bezahlte Arbeit verschafft, bringt sie sie dazu, ihr in ihrer Gottesfurcht nachzueifern. Nur die Enkelin Kristina bereitet ihr e...
Pilot show for Spotlight on the Arts 1995. Interview with Galt MacDermot and Tom O'Horgan
An interview with composer and playwright Galt MacDermot. In this interview MacDermot is asked about his latest work 'Isabel 's a Jezebel' and also one of his most famous works - the controversial musical 'Hair' First shown: 08/12/1970 If you would like to license a clip from this interview please e mail: archive@fremantlemedia.com Quote: VT61898
Playwright and lyricist James Rado, composer Galt MacDermot and actor Gavin Creel discuss the critically acclaimed revival of "Hair." Theater Talk is a series devoted to the world of the stage. It began on New York television in 1993 and is co-hosted by Michael Riedel (Broadway columnist for the New York Post) and series producer Susan Haskins. The program is one of the few independent productions on PBS and now airs weekly on Thirteen/WNET in New York and WGBH in Boston. Now, CUNY TV offers New York City viewers additional opportunities to catch each week's show. (Of course, Theater Talk is no stranger to CUNY TV, since the show is taped here each week before its first airing on Thirteen/WNET.) The series is produced by Theater Talk Productions, a not-for-profit corporation and is funded...
Pilot show for Spotlight on the Arts 1995. Interview with Galt MacDermot and Tom O'Horgan Part 2 of 3
BADBADNOTGOOD and Mike D performs a cover of Galt MacDermt's "Coffee Cold" on The Echo Chamber. Listen more on Apple Music. Try it free for three months, cancel anytime: http://apple.co/Trial Explore Beats 1 for free: http://apple.co/B1 About Beats 1: Worldwide. Always on. Listen for free on Apple Music or on demand with a subscription. Subscribe on YouTube: https://apple.co/B1YouTube Follow Beats 1 on Instagram: https://apple.co/B1Instagram Follow Beats 1 on Twitter : https://apple.co/B1Twitter LIKE Beats 1 on Facebook: https://apple.co/B1Facebook Tumblr: https://apple.co/B1Tumblr About Apple Music: Listen to over 45 million songs, online or off, totally ad-free. Plus create and share your own playlists, get exclusive content and personalized recommendations, and stream radio station...
Hair is the most popular Musical of all time. It has been translated in every language and staged all over the world, generating pyramids of arab money. Its composer lives an intensely private life somewhere in New York. He never gave any interview and seem to ignore the cult going on about him. His name? Galt MacDermot. Our mission? "Lookin4Galt" . ************************************************************* Subscribe to Gasface science : http://bit.ly/1GVHBuZ Gasface website : http://www.gasface.net follow Groswift on twitter : https://twitter.com/groswift follow Nico on twitter : https://twitter.com/kungfoutre Gasface is extraordinaire on Facebook : https://www.facebook.com/gasface.extraordinaire *************************************************************
The couch literally buckled under the weight of Bernard Purdie and the huge number of heavy breaks he's unleashed upon the world. Whether it's James Brown or Aretha Franklin, jazz heavyweights like Jimmy Smith or Galt MacDermot, firing Latin leaders like Pucho and Mongo Santamaria or even - controversially - The Beatles, his innate timekeeping has provided the foundation for innumerable hit tracks, and the Purdie break has become the stuff of drum folklore. But growing up in the '40s in a family of fifteen meant the young Purdie had to get out there and make some corn - and he took that work ethic from group to group, whether carrying 'water' for band leader Leonard Hayward, pestering people for whatever session work he could get, or putting up his 'if you need me, call me' hitmaker signs ...
Actor Gavin Creel, librettist Jim Rado and composer Galt MacDermott perform "Where Do I Go?" a song, (composed by MacDermott, Rado & the late Gerry Ragni), which Rado performed in the original production of HAIR and Creel performs in the 2009 Broadway revival. Vince MacDermot is on bongos.
Marco Benevento - piano Andrew Barr - drums Dave Dreiwitz - bass Sam Cohen - guitar April 8th, 2011 Bridge Street Live Collinsville, CT "Mashed #5" by B. Bumble and the Stingers "Coffee Cold" by Galt MacDermot produced by Clinton Vadnais Two songs the band learned very late the night before.
Galt MacDermot -- Stockyard appears on the album "Cotton Comes To Harlem" OST. United Artist Records, 1970. No copyright infrigement intended. All rights reserved to the relative owners. I do not own the copyrights of the song, nor the lyrics.
The title song from Broadway's only trampoline musical, "Via Galactica". Played by guitarist Billy Butler, apparently without the aid of a trampoline. Conducted by the composer (also of "Hair") on his own private label. Not cleaned because in this case the LP ambiance adds something to the experience.
Actor Gavin Creel, librettist Jim Rado and composer Galt MacDermott perform Where Do I Go? a song, (composed by MacDermott, Rado & the late Gerry
Karaoke video for "Frank Mills", as performed by Suzette Charles from the 1979 soundtrack album to the movie "Hair". This song is on the soundtrack, but was cut from the film. It's longer than the version from the Broadway cast album. Another YouTube channel had this karaoke version up, but it had the lead vocal. I removed it. I also made some adjustments to the levels to make it easier to balance a karaoke singer with it. You're welcome...
I was very mad that I can't find a good guality of the song on YouTube, so I did this. I don´t claim any rights for this song. Enjoy!
I don't own the music. Sorry at the end Imade a mistake: flow not folw
Download "Where Do I Go?" in the style of Hair (Broadway Version) in MP4 or MP3+G formats available here: https://karaoke.stingray.com/search/song?searchText=Where%20Do%20I%20Go%3F&karaokeId;=KAR:G:10339 Sing, record and share this karaoke song online: http://www.thekaraokechannel.com/online/#sid=14502 For more karaoke songs with lyrics, SUBSCRIBE: http://www.youtube.com/user/TheKARAOKEChannel?sub_confirmation=1 Website: http://www.thekaraokechannel.com/ Karaoke Download Store: http://karaoke.stingray.com Facebook: https://www.facebook.com/TheKARAOKEChannel Twitter: https://twitter.com/karaokelounge Get The KARAOKE Channel Mobile App, and take this karaoke song to go! http://www.thekaraokechannel.com/mobile/
The song Manchester from the 1979-movie HAIR sung by Treat Williams and John Savage, and a background qoir. *FanMade* *I Own Nothing* Enjoy watching xx
Many westerners covered the songs Aquarius and Let The Sunshine In, including Julie Driscoll, The 5th Dimension, Little Anthony & The Imperials, Johnny Mathis, The American Group, Jennifer Warnes, even Galt MacDermot has another version, I don't blame them, what incredible songs they are to cover! Few know that these compositions made it into the USSR, and were picked up by the biggest instrumental group and the house band for the Melodiya Label. Don't know how many other soviet artists covered these songs, as I'm still looking. But take a listen to these two recordings, taken from an instrumental LP by the Melodiya band. 0:00 Aquarius 3:10 Let The Sunshine In Artists: Instrumental Ensemble "Melodiya" Composer: Galt MacDermot Track Titles: Aquarius, Let The Sunshine In Source: 12", 33 ...
We starve-look
At one another
Short of breath
Walking proudly in our winter coats
Wearing smells from laboratories
Facing a dying nation
Of moving paper fantasy
Listening for the new told lies
With supreme visions of lonely tunes
Somewhere
Inside something there is a rush of
Greatness
Who knows what stands in front of
Our lives
I fashion my future on films in space
Silence
Tells me secretly
Everything
Everything
Manchester England England
Manchester England England
(Eyes look your last)
Across the Atlantic Sea
(Arms take your last embrace)
And I'm a genius genius
(And lips oh you the
Doors of breath)
I believe in God
(Seal with a righteous kiss)
And I believe that God believes in Claude
(Seal with a righteous kiss )
That's me, that's me, that's me
(The rest is silence
The rest is silence
The rest is silence)
We starve-look
At one another
Short of breath
Walking proudly in our winter coats
Wearing smells from laboratories
Facing a dying nation
Of moving paper fantasy
Listening for the new told lies
With supreme visions of lonely tunes
Singing
Our space songs on a spider web sitar
Life is around you and in you
Answer for Timothy Leary, dearie
Let the sunshine
Let the sunshine in
The sunshine in
Let the sunshine
Let the sunshine in
The sunshine in
Let the sunshine
Let the sunshine in