Arthur Terence Galt MacDermot (born December 18, 1928) is a Canadian composer, pianist and writer of musical theatre. He won a Grammy Award for the song "African Waltz" in 1960. His most successful musicals have been Hair (1967; its cast album also won a Grammy) and Two Gentlemen of Verona (1971). MacDermot has also written music for film soundtracks, jazz and funk albums, and classical music, and his music has been sampled in hit hip-hop songs and albums.
MacDermot was born in Montreal, Quebec, the son of a Canadian diplomat. He was educated at Upper Canada College and Bishop's University (Sherbrooke, Quebec, Canada). He received a Bachelor of Music from Cape Town University, South Africa and made a study of African music his specialty. He also studied the piano privately with Neil Chotem.
MacDermot won his first Grammy Award for the Cannonball Adderley recording of his song "African Waltz" (the title track of the album of the same name) in 1960. He moved to New York City in 1964 where, three years later, he wrote the music for the hit musical Hair, which he later adapted for the 1979 film. Its Broadway cast album won a Grammy Award in 1969. His next musicals were Isabel's a Jezebel (1970) and Who the Murderer Was (1970), which featured British progressive rock band Curved Air. MacDermot had another hit with the musical Two Gentlemen of Verona (1971), which won the Tony Award for Best Musical. For that show, MacDermot was nominated for a Tony for best music and won the Drama Desk Award for Outstanding Music. His later musicals, however, including Dude and Via Galactica (both 1973) and The Human Comedy (1984), have not been successful on Broadway.
Dead End or dead end may refer to:
Dead End (stylized as DEAD END) is an influential Japanese heavy metal/hard rock band formed in Tokyo in 1984. They were one of few Japanese metal bands who had international exposure in the United States during the eighties. Originally disbanded in 1990, Dead End reunited in 2009 after almost two decades.
Although they achieved only limited commercial success in their homeland, Dead End had a significant impact on its rock scene, influencing numerous musicians in, or related to, the developing visual kei scene in the 1990s. Specifically Morrie who inspired the visual appearance and rough vocal style of many prominent singers.
"The name Dead End to us implied that we will be the last of something. Nothing like us would come after us, really the end, definitive."
Dead End was formed in December 1984 by singer Morrie and guitarist Takahiro, both previously in the band Liar, bassist Crazy Cool Joe coming from the band Rajas, and drummer Tano from Terra Rosa. They had their first show in March 1985, at the Osaka Bourbon House in front of almost 500 people.
Dead End is a 1937 crime drama film. Directed by William Wyler, it is an adaptation of the Sidney Kingsley 1935 Broadway play of the same name. It stars Humphrey Bogart, Joel McCrea, and Sylvia Sidney. It is notable as being the first film appearance of the Dead End Kids.
In the filthy slums of New York, wealthy people have built luxury apartments there because of the view of the picturesque East River. While they live in opulence, the destitute and dirt poor live nearby in crowded, filthy tenements.
At the end of the street is a dock on the East River; to the left are the luxury apartments and to the right are the slums. The Dead End Kids, led by Tommy Gordon (Billy Halop), are a petty gang of street urchins who are already well onto a path to a life of crime. Members of the gang besides Tommy include, Dippy (Huntz Hall), Angel (Bobby Jordan), Spit (Leo Gorcey), T.B. (Gabriel Dell), and Milty (Bernard Punsly), the new kid on the block in search of friends. Spit is a bit malicious with a cruel streak and initially bullies the newcomer and takes his pocket change. However, Tommy eventually lets Milty join the gang, and he turns out to be both a loyal and generous friend.
We starve-look
At one another
Short of breath
Walking proudly in our winter coats
Wearing smells from laboratories
Facing a dying nation
Of moving paper fantasy
Listening for the new told lies
With supreme visions of lonely tunes
Somewhere
Inside something there is a rush of
Greatness
Who knows what stands in front of
Our lives
I fashion my future on films in space
Silence
Tells me secretly
Everything
Everything
Manchester England England
Manchester England England
(Eyes look your last)
Across the Atlantic Sea
(Arms take your last embrace)
And I'm a genius genius
(And lips oh you the
Doors of breath)
I believe in God
(Seal with a righteous kiss)
And I believe that God believes in Claude
(Seal with a righteous kiss )
That's me, that's me, that's me
(The rest is silence
The rest is silence
The rest is silence)
We starve-look
At one another
Short of breath
Walking proudly in our winter coats
Wearing smells from laboratories
Facing a dying nation
Of moving paper fantasy
Listening for the new told lies
With supreme visions of lonely tunes
Singing
Our space songs on a spider web sitar
Life is around you and in you
Answer for Timothy Leary, dearie
Let the sunshine
Let the sunshine in
The sunshine in
Let the sunshine
Let the sunshine in
The sunshine in
Let the sunshine
Let the sunshine in