- published: 05 Oct 2010
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Sichuanese opera (Chinese: 川劇; Sichuanese Pinyin: Cuan1ju4; pinyin: Chuānjù) is a type of Chinese opera originating in China's Sichuan province around 1700. Today's Sichuan opera is a relatively recent synthesis of 5 historic melodic styles. Regionally Chengdu remains to be the main home of Sichuanese opera, while other influential locales include Chongqing, Guizhou, Yunnan, Hubei and Taiwan.
Initially there were 5 distinct opera styles. The history of each style varies greatly.
At least one of the Chinese operatic styles began as early as the Three Kingdoms period with some form of Canjun opera. During the Tang dynasty, a band of five came about in Chengdu. In the Song dynasty, the opera developed into zaju. In the Ming dynasty, artists performed the skill in Jinling (modern-day Nanjing). During the reign of Yongzheng and Qianlong emperor in the Qing dynasty, in the Huabu areas, Kunqu, Yiyang, Bangzi and Pihuang melody merged with local languages, folk customs, ditties, yang-kos and Lantern theatre (Dengdiao) in Sichuan.
Sichuan (Chinese: 四川; pinyin: Sìchuān, formerly Szechwan or Szechuan) is a province in southwest China. The capital is Chengdu, a key economic centre of Western China.
The name of the province is an abbreviation of Sì Chuānlù (四川路), or "Four circuits of rivers", which is itself abbreviated from Chuānxiá Sìlù (川峡四路), or "Four circuits of rivers and gorges", named after the division of the existing circuit into four during the Northern Song dynasty.
Throughout its prehistory and early history, the region and its vicinity in the Yangtze region was the cradle of unique local civilizations which can be dated back to at least the 15th century BC and coinciding with the later years of the Shang and Zhou dynasties in North China. Sichuan was referred to in ancient Chinese sources as Ba-Shu (巴蜀), an abbreviation of the kingdoms of Ba and Shu which existed within the Sichuan Basin. Ba included Chongqing and the land in eastern Sichuan along the Yangtze and some tributary streams, while Shu included today's Chengdu, its surrounding plain and adjacent territories in western Sichuan.
"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise.
The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either passively, openly or via sabotage.
As a phrase meaning "the boss" it dates from at least 1918.
In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.
The use of this term was expanded to counterculture groups and their battles against authority, such as the Yippies, which, according to a May 19, 1969 article in U.S. News and World Report, had the "avowed aim ... to destroy 'The Man', their term for the present system of government". The term eventually found its way into humorous usage, such as in a December 1979 motorcycle ad from the magazine Easyriders which featured the tagline, "California residents: Add 6% sales tax for The Man."