- published: 11 Nov 2012
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HMS Bickerton was a Captain-class frigate of the Buckley type during World War II. Named after Sir Richard Bickerton commander of HMS Terrible at the First Battle of Ushant during the American Revolutionary War.
Originally this ship was provisionally given the name USS Eisele (this name was reassigned to DE-34) however the delivery was diverted to the Royal Navy before launch. The Commanding Officers were Lieutenant EM Thorpe RN and Commander D. MacIntyre, (Senior Officer 5th Escort Group).
Bickerton served exclusively with the 5th Escort Group earning battle honours for service in the Arctic (Russian Convoys), North Atlantic, off Normandy and in the English Channel.
On 6 May 1944, the German submarine U-765 was sunk in the North Atlantic — in position 52°30′N 28°28′W / 52.500°N 28.467°W / 52.500; -28.467 — by depth charges from Bickerton, operating alongside two Fairey Swordfish (No. 825 Squadron) of the escort carrier Vindex and frigates Bligh and Aylmer. Of the crew of U-765, 37 died and 11 survived.
A piano concerto is a concerto written for a piano accompanied by an orchestra or other large ensemble.
Keyboard concerti were common in the time of Johann Sebastian Bach. Occasionally, Bach's harpsichord concerti are played on piano.
In the 17th and 18th centuries, typical concertos for keyboard were organ concertos and harpsichord concertos, such as those written by George Friedrich Handel and Johann Sebastian Bach.
As the piano developed and became accepted, composers naturally started writing concerti for it. This happened in the late 18th century, during the Classical music era. Wolfgang Amadeus Mozart was the most important composer in the early development of the form. Mozart's body of masterly piano concerti put his stamp firmly on the genre well into the Romantic era.
Mozart wrote many piano concertos for himself to perform (his 27 piano concertos also include concerti for two and three pianos). With the rise of the piano virtuoso, many composer-pianists did likewise, notably Ludwig van Beethoven, Frédéric Chopin, and Robert Schumann—and also lesser-known musicians like Johann Nepomuk Hummel, Joseph Wölfl, Carl Maria von Weber, John Field, Ferdinand Ries, and F. X. Mozart.
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B♭, and C. In the harmonic minor, the C is raised to C♯. Its key signature has one flat (see below: Scales and keys).
Its relative major is F major, and its parallel major is D major. D minor is one of the two flat-signature keys whose melodic and harmonic scale variations require the addition of a written sharp; the other is G minor.
Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. Nigel Tufnel, one of the members of the musical spoof megagroup Spinal Tap speaks of "a musical trilogy I'm working on in D minor which is the saddest of all keys, I find. People weep instantly when they hear it, and I don't know why."
J. S. Bach's entire The Art of Fugue is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Mozart's chromatic fugue in D minor. Mozart's Requiem is also written primarily in D minor, as is the aria "Der Hölle Rache". Of the two piano concertos that Mozart wrote in a minor key, one of them is in D minor, No. 20, K. 466. Sibelius's Violin Concerto is in D minor, as is Schumann's. The tonality of D minor held special significance for Helene and Alban Berg.
The Piano Concerto No. 20 in D minor, K. 466, was written by Wolfgang Amadeus Mozart in 1785. The first performance took place at the Mehlgrube Casino in Vienna on February 11, 1785, with the composer as the soloist.
A few days after the first performance, the composer's father, Leopold, visiting in Vienna, wrote to his daughter Nannerl about her brother's recent success: "[I heard] an excellent new piano concerto by Wolfgang, on which the copyist was still at work when we got there, and your brother didn't even have time to play through the rondo because he had to oversee the copying operation."
It is written in the key of D minor. Other works by the composer in that key include the Fantasia K. 397 for piano, Requiem, a Kyrie, the aria "Der Hölle Rache kocht in meinem Herzen" from the opera The Magic Flute and parts of the opera Don Giovanni. It is the first of two piano concertos written in a minor key (No. 24 in C minor being the other).
The young Ludwig van Beethoven admired this concerto and kept it in his repertoire. A bass run from the first movement appears for comic effect in Variation 22 of the Diabelli Variations. Daniel Barenboim contends that this concerto was Joseph Stalin's favorite piece of music. Composers who wrote cadenzas for it include Beethoven (WoO 58), Charles-Valentin Alkan, Johannes Brahms (WoO 16), Johann Nepomuk Hummel, Ferruccio Busoni, and Clara Schumann.
Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeːʊs ˈmoːtsaʁt], English see fn.; 27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty.
At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mitsuko Uchida, Piano & Conductor Camerata Salzburg
Filmed live May 20, 2012, Freiburg im Breisgau ,Germany Cadenzas by Mozart's favorite student - and billiards pal, Jan Nepomuk Hummel :-) I
Wolfgang Amadeus Mozart (1756-1791). Piano Concerto No. 20 in D minor, K 466. (Cadenzas, L. v. Beethoven) I. Allegro II. Romance 13:32 III. Allegro Assai 22:18 Alexandre Rabinovitch, Orchestra di Padova e del Veneto. Martha Argerich, piano. Palazzo Giusti, Padova, September 1998.
14th International Tchaikovsky Competition Round 2 Phase 2 Mozart Concerto for Piano and Orchestra No. 20 in D minor, K.466 Piano : Seong-jin Cho (He was 17 years old, 3rd Prize) Conductor : Alexey Utkin Great Hall of the Moscow Conservatory, June 24, 2011
Amadeus: The Director's Cut - The Original SoundTrack by Academy of St. Martin in the Fields, conducted by Sir Neville Marriner
MOZART-CONCERTO #20 K466 1-ALLEGRO 2-ROMANCE 3-RONDO,ALLEGRO ASSAI - ASHKENAZY 1983 -PHILHARMONIA ORCHESTRA -------------------------------------------------- REMASTERED AUDIO (reverb, noise, clicks, crackles, hiss, hum have been removed) -------------------------------------------------- - disclaimer - This video is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, considers that a video appearing in this channel violates copyrights, please inform me immediately before submitting a claim to Youtube, and I will take care of removing it accordingly. Thank you.
Domenico Scarlatti Keyboard Sonata in F Minor K.466 / L.118 Emil Gilels: piano
Wolgang Amadeus Mozart (1756-1791) Concierto para piano y orquesta Nº 20 en re menor, K466 (Viena, 10 de febrero de 1785) 1. Allegro 2. Romanza en SI♭ 3. Rondó: Allegro assai Ivan Klánský, piano Virtuosi di Praga Jiří Bělohlávek, director ---
Edith Fischer - piano Orquesta Filarmónica de Santiago de Chile - Max Valdés
Okay
If you shed blood with me to this point, you deserve an explanation
For all the hell you've endured, while helping me reach my destination
And this effort to bless the nation
I've might had did more harm than good
But I've always showed you heart, this is just my but apart from would
Man I love the darkest hood
But also the brightest suburb
To think I would just despise the folks because I'm broke and white it's absurd
I'm told be tight you get hurt, but I don't hear my spinal spinning
Yeah we found some distribution, but bet the crying is just beginning
Cause these bright nights, could lead to dark days and vice versa
Even if Greg Street don't play, I guarantee you a nice purchase
Frankly, I'm quite certain I'm the livest fucker out there
I'm making love to the truth, inside that vocal booth without care
I won't even talk about stare
From angry illogic rappers
Cause every time they get confronted, they'll give you head than dap ya
This one don't really need a hook, but Shannon said it'll be a single
So I devote this to my life, so much more than a catch of a jiggle
Dark days, bright nights
For that outside in the night, you know what Bubba's life is like
Bright nights, dark days
For them broads that truly love me and hate to see me live this way
Dark days, bright nights
For when they say you can't live, fuck them, do it just out of spite
Bright nights, dark days
For every person without a voice that got something they need to say
See it's apparent that you know, there's a lot of folks that love Bubba
Not cause of any rap I wrote, they see something above gutter
Though, my pockets don't reflex that
It's my vision, and they respect that
Love comes in a form of a various drug, and I can't neglect that
So me and my folks get fucked up like six nights out of seven
That's the bright light of our lives
Like God's shinning light right out of Heaven
But at the conclusion of every session
I wish that Dark Day to expose
The plight of my situation, no blow, no dough for big shows
But still they see we this close from seeing the promise land
So that leads to another bright night, when all of us is college grand
Being loved by the moms and dads
Which some of us wasn't blessed with
You think we all born with two lovin' parents and a treasure chest
Shit, I was fortunate to be loved, by my paternal units
I'm gonna make their son a winner, fuck how bad it'll hurt I'm doing it
Even if I was to ruin it
Never with me and my heart part ways
We developed too strong of a bond, turning bright nights into dark days
Yeah it's true, I also do get praise from the other side of the tracks
You know, that dark days part of town, when they intentionally hide the blacks
Ain't got no reply to that, I said I'm sorry if I'm to blame
I tried like hell to sooth your soul by planting the facts inside your brain
I never once lied to the game, the acceptance of not one black dude
It's just Bubba that country fucker smoking swages and eating snack foods
Now every time they ask you, "why you live the way you choose too?"
Say cause Bubba set you right, the only one they loved, knew you
That leaves you with no excuse to settle with what they offer
He try to pay you the slave wagers, play that role, and tell them naw, sir
I'll probably won't even falter if you dismiss me as the demon
It is true, I am not you, my skin's the tone of piss and seamen
But if we fight this evening, I assure you, we'll both bleed red
And it'll take your whole slum and all your guns to leave me dead
Plus all that blood we shed what do nothin' but server their purpose