- published: 20 Dec 2011
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James Stanley Brakhage (/ˈbrækədʒ/ BRAK-əj; January 14, 1933 – March 9, 2003), better known as Stan Brakhage, was an American non-narrative filmmaker. He is considered to be one of the most important figures in 20th-century experimental film.
Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal in the particular, exploring themes of birth, mortality, sexuality, and innocence.
Brakhage's films are often noted for their expressiveness and lyricism.
Born Robert Sanders in Kansas City, Missouri on January 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.
Reflecting thought : Stan Brakhage (1985) creator & writer : Howie Movshovitz; producer & director : Jason Starr; executive producer : KRMA-TV (Television station : Denver, Colorado) italian subtitles : Sara Canciani http://www.nomadica.eu/reflecting-thought-stan-brakhage-1985/ Si immagini un occhio non governato da leggi prospettiche artificiali, un occhio non pregiudicato da logiche compositive, un occhio che non risponda al nome di ogni cosa ma debba conoscere ogni oggetto incontrato nella vita attraverso un'avventura percettiva. Quanti colori ci sono in un prato per il bambino che gattona inconsapevole del "verde"? Quanti arcobaleni può creare la luce per l'occhio non istruito? [...] Si immagini un mondo prima del "Principio era la parola". (Stan Brakhage, Metafore della visione, 19...
like a moth to a flame
MURDER PSALM è costituito principalmente da immagini di found footage, in particolare, da un film educativo circa un bambino epilettico. Come Brakhage, si muove attraverso una varietà di impostazioni, la violenza e l'orrore sembrano esplodere da ogni lato. Il potere di trasformazione della luce in questo caso è abbandonato, esiliato dalle terribili illusioni e mezze verità della cultura di massa. Il suo opposto trasforma Toronto in una dimora di illuminazione stessa. Brakhage 'canta' la città con campi di luce il cui solo significato risiede nella propria esistenza, e che non potrebbe esistere altrove. Uno splendidamente orchestrato insieme folle di film scientifici e didattici, tv e cartoni animati elaborati e rigenerati in negativo costituiscono un mito che è la versione dostoevskiano, ...
An interview from 1964 with Stan Brakhage, who is considered to be one of the most important figures in 20th-century experimental film.
Great Stan Brakhage interview about an engineering student who stumbles into a screening of the Text of Light.
Renowned filmmaker Phil Solomon just shared something very special with us for our fundraiser to bring in Stan Brakhage's "The Art of Vision" to Austin (among other things) - a conversation of the filmmaker discussing the four hour film at his Sunday Film Salons! Solomon recorded these salons over many years, and is transcribing them for a Book/DVD titled "A Snail's Trail in the Moonlight". Thank you Phil! You can donate to Experimental Response Cinema at www.indiegogo.com/ercatx You can find out more about Phil Solomon (and more tapes of the Brakhage films salons) on his website at www.philsolomon.com
The interviewed late experimental filmmaker Stan Brakhage's wife. Facebook: www.facebook.com/CUTV.FadeToBlack Tumblr: www.cutvfadetoblack.tumblr.com/ Twitter: www.twitter.com/CUTVfadetoblack
This clip from the television series Filmmakers explores how world-famous film artist Stan Brakhage paints on film.
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective. Derek Cianfrance began making movies at age 13. He later attended The University of Colorado where he studied under avant-garde film legends Stan Brakhage and Phil Solomon. His first three films, 'Five O'clock Shadow', 'Raw Footage', and Brother Tied (1998), won consecutive Goldfarb Awards for best film. Raw Footage went on to be awarded a Special Deans Grant for Achievement in the Arts, as well as The Independent Film Channel's Award for Excellence in Student Filmmaking. He directed, wrote, shot, and edited his first feature, Brother Tied, at the age of ...
By Brakhage: An Anthology, Volumes One and Two: http://www.criterion.com/boxsets/722-by-brakhage-an-anthology-volumes-one-and-two
Read your free e-book: http://installapp.us/mebk/50/en/B003UYTKV8/book Stan Brakhage: Filmmaker is a collection of essays, photographs, personal statements, and reminiscences about the celebrated avant-garde filmmaker who died in 2003. The director of nearly four hundred short films, including Dog Star Man, Parts I-iv, and the Roman Numeral Series, Brakhage is widely recognized as one of the great artists of the medium. His shorts eschewed traditional narrative structure, and his innovations in fast cutting, hand-held camerawork, and multiple superimpositions created an unprecedentedly rich texture of images that provided the vocabulary for the explosion of independent filmmaking in the 1960s. Stan Brakhage: Filmmaker chronicles both the director's personal and formal development. The essa...
If Stan Brakhage had a GoPro and lived at the beach with a two year old daughter . . .
Collaborative Lyrical Film created for an Experimental Film course. A film inspired most by Stan Brakhage with some other techniques of the experimental such as repetition and dual perspectives included. My piece appears as the top image, while Seb Bowden's is the bottom piece.
"Interim", una pieza corta que narra sin palabras el encuentro de un joven y una muchacha bajo los pilares de un viaducto en Denver, ciudad natal de Brakhage. En esta obra primeriza los referentes del cineasta todavía se encontraban en el registro neorrealista, con un recurrente paisaje urbano periférico, si bien la imagen se impone rápidamente a la leve trama argumental, detectándose ciertas influencias del naciente experimental americano, especialmente del cine de Maya Deren.
Stan Brakhage in conversation with The New Yorker critic Pauline Kael - talking about his contemporaries in American film, his approach to film-making and touching on influences including those of Webern and Bach. I think the feature he talks about, what became Dog Star Man, but also this 4-hour feature, is his "Art of Vision", rarely shown work of the mid-60s - hope to do a screening of this in Sydney sometime soon -Video Upload powered by https://www.TunesToTube.com
Stan Brakhage's "Mothlight" with live accompaniment by the Flushing Remonstrance, recorded 8/4/16 at The Whiskey Room at Maggie Mae's in Sunnyside, Queens, NYC. Visit our Facebook page for information on The Flushing Remonstrance, including performance videos and upcoming shows. https://www.facebook.com/FlushingRemonstrance/
"O Ato de ver-se com os próprios olhos" nada mais é do que a transcrição literal do termo "Autópsia". O documentário, realizado por Stan Brakhage, é parte de uma trilogia do diretor chamada "Pittsburgh Trilogy" - as cenas sintetizam um dia na rotina do necrotério local. Intencionalmente sem áudio (talvez para 'amenizar' as imagens ou, do contrário, ressaltar), o filme devassa o ser humano em suas mais obscuras minúcias, descarnando (literalmente) um fato inerente a todo ser vivo que geralmente optamos por ignorar: a morte. Fascinante para interessados em anatomia, tanatologia, necrópsia ou mesmo curiosos. Os procedimentos necroscópicos deverão chocar aos 'desabiatuados', no entanto (na cultura ocidental 'morto' significa tabu, superstição, antinatural, etc). A edição também leva a refletir...
Stan Brakhage's war movie: it's worth seeing.