- published: 26 Sep 2017
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Rebecca (also spelled Rebekah) (Hebrew: רִבְקָה, Modern Rivká, Tiberian Riḇqā ISO 259-3 Ribqa,(AssyrianːܪܲܦܩܵܐːRapqa) from the Hebrew ribhqeh (lit., "connection"), from Semitic root r-b-q, "to tie, couple or join", "to secure", or "to snare") appears in the Hebrew Bible as the wife of Isaac and the mother of Jacob and Esau. Rebecca and Isaac were one of the four couples believed to be buried in the Cave of the Patriarchs, the other three being Adam and Eve, Abraham and Sarah, and Jacob and Leah.
The news of her birth was told to her uncle Abraham before Akeidat Yitzchak (the Binding of Isaac), the episode in which Abraham was told by God to bring Isaac as a sacrifice on a mountain.
Many years after the Binding of Isaac, Sarah, Abraham's wife, died. After taking care of her burial, Abraham went about finding a wife for his son Isaac, who was already 37 years old. He commanded his servant (whom the Torah commentators identify as Eliezer of Damascus) to journey to his birthplace of Aram Naharaim to select a bride from his own family, rather than engage Isaac to a local Canaanite girl. Abraham sent along expensive jewelry, clothing and dainties as gifts to the bride and her family. If the girl had refused to follow him, Abraham stated that Eliezer would be absolved of his responsibility.
2005 (MMV) was a common year starting on Saturday (dominical letter B) of the Gregorian calendar, the 2005th year of the Common Era (CE) and Anno Domini (AD) designations, the 5th year of the 3rd millennium, the 5th year of the 21st century, and the 6th year of the 2000s decade.
2005 was designated as:
The year 2005 was the end of the International Decade of the World's Indigenous People (1995–2005).
Fundación MAPFRE presenta en su Sala Recoletos 'Zuloaga en el París de la Belle Époque.1889-1914', una gran exposición comisariada por Leyre Bozal Chamorro y Pablo Jiménez Burillo que ofrece una nueva visión del pintor, cuya obra, que en gran parte se desarrolla en el París de cambio de siglo, se muestra en perfecta sintonía con el mundo moderno en el que se inscribe y excede los límites que la historiografía tradicional del arte ha establecido: ligada a la generación del 98 y por lo tanto a la conocida como “España negra”.