- published: 02 Mar 2014
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"Darlin' Cory" (or "Darling Corey") (Roud 5723) is a well-known folk song about love, loss, and moonshine. It is similar in theme to "Little Maggie" and "The Gambling Man" but is not considered the same as those songs.
The earliest published version of "Darlin' Corey" occurs as verses within the song "The Gambling Man", collected from oral tradition by folklorist Cecil Sharp, as sung by Mrs. Clercy Deeton, at Mine Fork, Burnsville, N.C., on Sept. 19, 1918. The text (without tune) was also published as "Little Cora" in Harvey H. Fuson's Ballads of the Kentucky Highlands (London, 1931). A version from the singing of Aunt Molly Jackson appears in the book Our Singing Country (1941) by John A. Lomax and Alan Lomax. It is also included in Folk Song, U.S.A. by John A. and Alan Lomax and Charles Seeger and Ruth Crawford Seeger (Duell, Sloan and Pearce, 1947), pp. 310–311.
The first known commercial audio recording was made by Clarence Gill as "Little Corey" on January 6, 1927, but was rejected by the record company and never released. A few months later, folk singer Buell Kazee recorded it as "Darling Cora" on April 20, 1927 (Brunswick 154). Later the same year, on July 29, 1927, at the famous Bristol Sessions an influential version was recorded by B. F. Shelton as "Darlin' Cora" (Victor 35838). Other early recordings are "Little Lulie" by Dick Justice (1929) and "Darling Corey", released as a single by the Monroe Brothers in 1936.
The Seldom Scene is an American bluegrass band formed in 1971 in Bethesda, Maryland.
The band formed out of the weekly jam sessions in the basement of banjo player Ben Eldridge. These sessions included John Starling on guitar and lead vocals, Mike Auldridge on Dobro and baritone vocals, and Tom Gray on bass. Then mandolinist John Duffey, who had previously played with the Country Gentlemen, was invited to the jam sessions at the time when Auldridge arranged for the group to play as a performing band.
Each of the band members had a job during the week; Duffey repaired musical instruments, Eldridge was a mathematician, Starling a physician, Auldridge a graphic artist, and Gray a cartographer with National Geographic. They agreed to play one night a week at local clubs, perform occasionally at concerts and festivals on weekends, and make records. The band's first home scene was the Red Fox Inn in Bethesda, Maryland, where they spent six years before starting weekly performances at The Birchmere Music Hall in Alexandria, Virginia.
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Peter "Pete" Seeger (May 3, 1919 – January 27, 2014) was an American folk singer and activist. A fixture on nationwide radio in the 1940s, he also had a string of hit records during the early 1950s as a member of the Weavers, most notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, he re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture and environmental causes.
A prolific songwriter, his best-known songs include "Where Have All the Flowers Gone?" (with Joe Hickerson), "If I Had a Hammer (The Hammer Song)" (with Lee Hays of the Weavers), and "Turn! Turn! Turn!" (lyrics adapted from Ecclesiastes), which have been recorded by many artists both in and outside the folk revival movement and are sung throughout the world. "Flowers" was a hit recording for the Kingston Trio (1962); Marlene Dietrich, who recorded it in English, German and French (1962); and Johnny Rivers (1965). "If I Had a Hammer" was a hit for Peter, Paul & Mary (1962) and Trini Lopez (1963), while the Byrds had a number one hit with "Turn! Turn! Turn!" in 1965.
Cedric Watson on gourd banjo "Darlin Cori"
Bill Monroe-Darling Corey
Darlin' Corey By The Kingston Trio
Chris Thile and Michael Daves - Darlin' Corey - 7/31/2011 - Newport Folk Festival
The Seldom Scene - Darlin Corey
Jesse Stewart - Darling Cory (Live on Incorrect Thoughts)
Darling Corey - Appaloosas
Clifton Hicks - Darling Cora
Amythyst Kiah - "Darling Cora"
Pete Seeger - "Darling Corey"
One of my favorite old time tunes. I play Darlin Cori in low "c" tuning. I love the warm mellow sound of a gourd banjo. It's a more similar instrument to the original banjo made on plantations by African slaves all through out the southern US and carribean. My Banjo was created by Barry Sholder in Georgia.
Bill Monroe 1959-1969 Bear Family Records, The FATHER of bluegrass
The original Kingston Trio of Dave Guard, Bob Shane, and Nick Reynolds perform an old American folk standard from their second studio album, 1959's "At Large." The KT derived their version fairly closely from that of The Weavers, especially in the manner that Guard's banjo work reflects that of Pete Seeger - remarkable in that Guard had been playing the banjo for less than two years at the time and was becoming (as the song shows) proficient at the extremely difficult folk banjo technique called "frailing."
Chris Thile and Michael Daves - Darlin' Corey Recorded Live: 7/31/2011 - Newport Folk Festival (Newport,RI) Subscribe to Paste on YouTube: http://goo.gl/AU2nKB Visit Paste Magazine: http://www.pastemagazine.com
The Seldom Scene perform at the Joe Val Bluegrass Festival (http://www.bbu.org/jvhome.htm) on Saturday, Feb. 16, 2013. For more videos, photos and articles, visit http://folkbluegrass.com or on Facebook at http://facebook.com/folkbluegrass. The Seldom Scene (http://www.seldomscene.com) consists of Ben Eldridge (banjo), Ronnie Simkins (bass), Lou Reid (mandolin), Dudley Connell (guitar) and Fred Travers (dobro).
http://www.appaloosasmusic.com https://www.facebook.com/appaloosasband http://appaloosas.bandcamp.com/ to get the album! From way out in the Wild West - of Dartmoor - come Appaloosas. We play Old-Time and Appalachian, the music that became American music. Rooted in songs and tunes carried by settlers from the British Isles, familiar musical home comforts for generations of emigrants. Music from tough times telling of the unchanging human condition, from anonymous, long-dead voices but still resonant today. Appaloosas are: Eliza Acty: Voice, guitar Peter Acty: Banjo, guitar Stephen Potter: Fiddle, mandolin Camera: Dan Pomroy Edit/direction: Stephen Potter
Performance of "Darling Cory" (B.F. Shelton), arr. by Amythyst Kiah
This video features Pete Seeger's "Darling Corey" from the 1993 album "Darling Corey/Goofing-Off Suite" on Smithsonian Folkways. For more information about this album, click here: http://www.folkways.si.edu/albumdetails.aspx?itemid=2288 and for more information about Smithsonian Folkways , the non-profit record label of the national museum, click here: http://www.folkways.si.edu/index.aspx Digital Downloads are available of this album in both MP3 and FLAC format. The content and comments posted here are subject to the Smithsonian Institution copyright and privacy policy (www.si.edu/copyright/). Smithsonian reserves the right in its sole discretion to remove any content at any time. ©2008 Smithsonian Institution
Wake up, wake up Darlin’ Cora
Wanna see you one more time
The sheriff and his hound dogs a coming
I gotta move on down the line
I don’t know why darlin’ Cora
Don’t know what the reason can be
But I never had found a single town
Where me and my boss-man agree
I ain’t a man to be played with
I ain’t nobody’s toy
Been working for my pay for a long, long time
How come he still calls me boy
Well I’d rather drink muddy water
And sleep in a hollowed out log
Than to hang around in this old town
And be treated like a dirty dog
Well I whopped that man darlin’ Cora
And he fell down where he stood
Don’t know if I was wrong darlin’ Cora
But Lord it sure felt good
If it wasn’t so dark darlin’ Cora
You’d see tears trickling down my face
It breaks my heart darlin’ Cora
But I got to leave this place