Coviello (French: Covielle) is a minor character in the Commedia dell'arte. He falls into the category of the zanni. His name is a double diminutive of the name Giacomo (Jacob or James). In English, he might be called Jimmy or Jackie.
The character dates back to at least the 16th century. He was typically from the southern part of Italy, and could apparently dance and play the mandolin quite well.
His mask usually portrays him with a ridiculously long beak-like nose, often near as long as his whole face. His nose and cheeks are usually painted red. He sometimes wears glasses, and is frequently shown with plumes in his hat. Callot shows him dancing with a slapstick and a sword on his belt.
Niccolo Barbieri says that Coviello entertains the audience by his "grimaces and affected language." Salvator Rosa says that Coviello is "sly, adroit, supple, and conceited." In Molière's "The Bourgeois Gentleman" he disguises his master as a Turk and pretends to speak Turkish. He could apparently be stupid or clever as the actor and scenario saw fit to portray him.
(Don Black/Mark London) EMI Publishing Music
Those school girl day
if telling tales and bitting nails are gone
But in my mind I know they still live on and on
But how do you thank someone
who was taken you from crayons to perfume
It isn't easy but I'll try
If you wanted the sky
I'd write across the sky in letters
That would soar a thousand feet high
To sir with love
The time has come
For closing books and lock less looks like stares
And as I leave I know that I am leaving my best friend
A friend who taught me right from wrong
And weak from strong that's a lot to learn
What can I give you in return
If you wanted the moon
I would try to make a start but I
Would rather you let give my heart
Coviello (French: Covielle) is a minor character in the Commedia dell'arte. He falls into the category of the zanni. His name is a double diminutive of the name Giacomo (Jacob or James). In English, he might be called Jimmy or Jackie.
The character dates back to at least the 16th century. He was typically from the southern part of Italy, and could apparently dance and play the mandolin quite well.
His mask usually portrays him with a ridiculously long beak-like nose, often near as long as his whole face. His nose and cheeks are usually painted red. He sometimes wears glasses, and is frequently shown with plumes in his hat. Callot shows him dancing with a slapstick and a sword on his belt.
Niccolo Barbieri says that Coviello entertains the audience by his "grimaces and affected language." Salvator Rosa says that Coviello is "sly, adroit, supple, and conceited." In Molière's "The Bourgeois Gentleman" he disguises his master as a Turk and pretends to speak Turkish. He could apparently be stupid or clever as the actor and scenario saw fit to portray him.
WorldNews.com | 14 Sep 2018
WorldNews.com | 14 Sep 2018
Zeenews | 14 Sep 2018
WorldNews.com | 13 Sep 2018
WorldNews.com | 14 Sep 2018
WorldNews.com | 14 Sep 2018