While not as egregiously baffling as Indie Cindy, the latest from the ’90s indie icons is nonetheless a middling effort missing all kinds of dynamics the Pixies used to offer.
After big-name co-signs for the smooth, self-made producer and vocalist Francis Farewell Starlite, his latest album doesn't quite live up to expectations.
The heavy Bay Area band’s eleventh and latest full-length is also their briefest by a sizable margin. It sags often, but Fires With Fires ends with a staggering exhibition of quiet power.
Like James Ferraro or Dean Blunt, the Turin-based artist uses unsettling percussive loops and field recordings to create a mood as if lost in a strange urban landscape.
The visionary director has not only changed how we see movies across the last four decades, he’s changed how we hear them too. Collaborators including Trent Reznor and composer Angelo Badalamenti—along with the man himself—talk about the secrets to unsettling soundtrack success.
Technological and creative advancements are currently rearranging the very idea of live music, offering exciting new possibilities for electronic performance in the process.
Solange’s new record is stunning, a thematically unified and musically adventurous statement on the pain and joy of black womanhood.
Following 2013’s bludgeoning The Things We Think We’re Missing, the Doylestown, P.A. band returns with a cleaner, efficient, and more stylish sound.
With 13 albums under their belt, the Norwegian experimentalists continue to haunt the dark, underexplored basements of electro-improvisational music.
In the 1960s and ’70s, Bruce Haack led a double life. By day, he made children’s music. By night, demonic electronica. This reissue presents his most accomplished work in all its end-times glory.