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Friedrich Nietzsche (1844-1900) Professor Dreyfus

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• published: 07 Jul 2013
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Friedrich Nietzsche (1844--1900) was a German philosopher of the late 19th century who challenged the foundations of Christianity and traditional morality. He was interested in the enhancement of individual and cultural health, and believed in life, creativity, power, and the realities of the world we live in, rather than those situated in a world beyond. Central to his philosophy is the idea of "life-affirmation," which involves an honest questioning of all doctrines that drain life's expansive energies, however socially prevalent those views might be. Often referred to as one of the first existentialist philosophers along with Søren Kierkegaard (1813--1855), Nietzsche's revitalizing philosophy has inspired leading figures in all walks of cultural life, including dancers, poets, novelists, painters, psychologists, philosophers, sociologists and social revolutionaries. The title, Twilight of the Idols, or How One Philosophizes with a Hammer (Götzen-Dämmerung, oder Wie man mit dem Hammer philosophiert, August-September 1888), word-plays upon Wagner's opera, The Twilight of the Gods (Die Götterdämmerung). Nietzsche reiterates and elaborates some of the criticisms of Socrates, Plato, Kant and Christianity found in earlier works, criticizes the then-contemporary German culture as being unsophisticated and too-full of beer, and shoots some disapproving arrows at key French, British, and Italian cultural figures such as Rousseau, Hugo, Sand, Michelet, Zola, Renan, Carlyle, Mill, Eliot, Darwin, and Dante. In contrast to all these alleged representatives of cultural decadence, Nietzsche applauds Caesar, Napoleon, Goethe, Dostoevski, Thucydides and the Sophists as healthier and stronger types. The phrase "to philosophize with a hammer" primarily signifies a way to test idols by tapping on them lightly; one "sounds them out" to determine whether they are hollow, or intact, etc., as physician would use a percussion hammer upon the abdomen as a diagnostic instrument. In The Antichrist, Curse on Christianity (Der Antichrist. Fluch auf das Christentum, September 1888 [published 1895]), Nietzsche expresses his disgust over the way noble values in Roman Society were corrupted by the rise of Christianity, and he discusses specific aspects and personages in Christian culture — the Gospels, Paul, the martyrs, priests, the crusades — with a view towards showing that Christianity is a religion for weak and unhealthy people, whose general historical effect has been to undermine the healthy qualities of the more noble cultures. The Antichrist was initially conceived of as the first part of a projected four-part work for which Nietzsche had in mind the title, Revaluation of All Values (the second part was to be entitled, "The Free Spirit"). As in most of his 1888 works, Nietzsche criticizes, either implicity or explicitly, the anti-Semitic writers of his day. In this particular study, one of his main targets is the French, anti-Semitic, Christian historian, Ernest Renan (1823-1892), who was known for works such as The Life of Jesus (1863) and History of the Origins of Christianity (1866--1881), the fourth book of which was entitled The Antichrist (1873). Some interpret Nietzsche's title for his book as meaning, "the Antichristian." It should be noted that in an 1883 letter to his friend, Peter Gast [Johann Heinrich Köselitz], Nietzsche does describe himself self-entertainingly as "the Antichrist," and also more seriously as "the most terrible opponent of Christianity." Nietzsche describes himself as "a follower of the philosopher Dionysus" in Ecce Homo, How One Becomes What One Is (Ecce Homo, Wie man wird, was man ist, October-November 1888) — a book in which he examines retrospectively his entire corpus, work by work, offering critical remarks, details of how the works were inspired, and explanatory observations regarding their philosophical contents. He begins this fateful intellectual autobiography — he was to lose his mind little more than a month later — with three eyebrow-raising sections entitled, "Why I Am So Wise," "Why I Am So Clever," and "Why I Write Such Good Books." Nietzsche claims to be wise as a consequence of his acute aesthetic sensitivity to nuances of health and sickness in people's attitudes and characters; he claims to be clever because he knows how to choose the right nutrition, climate, residence and recreation for himself; he claims to write such good books because they allegedly adventurously open up, at least for a very select group of readers, a new series of noble and delicate experiences. After examining each of his published works, Nietzsche concludes Ecce Homo with the section, "Why I Am a Destiny."