Dancer and choreographer Gabrielle Nankivell believes that writing is integral to dance: "What the body can do is infinite and what words can do is infinite."

"It's a big year for the ladies," says the Australian Ballet's artistic director David McAllister.​ "Our program really reflects the strength of our women and not just in the principal ranks."

The Australian Ballet has dug into its archives to present Coppelia.

The latest work from renowned Melbourne choreographer Lucy Guerin makes its international premiere at Melbourne Festival next week.

It was only a short piece, but it was utterly memorable. Walking through the Botanic Garden will never be the same again.

What a fascinating piece of dance theatre – unique and thought-provoking. The main thrust of this review is compliments – and regrets that it has only three performances.

Luke Currie-Richardson comes from a family of athletes but, bound for Paris as a member of Bangarra, he has no regrets about choosing dance over basketball.

The interplay between movement, human physicality and complex projections are brought to the fore across the two works that make up Metadata.

The ninth season of Next Move, a Chunky Move initiative aimed at providing opportunities to the next generation of dance makers, features two new works by three artists.

If Vaslav Nijinsky reclaimed the centre stage for male dancers in the early 20th century, the men of the Australian Ballet certainly claim it here.

A free Bollywood workshop will be held in front of the Sydney Opera House as part of the Confluence Festival of India.

A community celebrating an ancient Indian dance form has won international acclaim.

Is this the tragedy that the world is becoming? Conformity leading to chaos?

Design and technology meet the moving human form to create a sense of flying through space.

The Kibbutz Contemporary Dance Company, making its Sydney debut, has all the physical power we have come to expect of an Israeli company.

North east Arnhem Land artist Nyapanyapa Yunupingu sat quietly in a corner, painting  in her community in Yirrkala when she caught Stephen Page's eye.

Performance installation blasts the problem of subjectivity to pieces by deliberately making every 'viewing' unique.

This combination of projected images and front-of-screen choreography has been an international success.

Off the Record is the first work by Force Majeure under its new artistic director, Danielle Micich, and it's interesting to note the similarities and differences.

Jarryd Madden has been nominated for the Telstra Ballet Dancer Award for a second time; his wife Amy Harris won in 2012.

An exquisite performance of Odissi dance.

How much of your life do you prefer to keep off the record? And what if you didn't have much choice?

Shadowland offers us a peek into the way that the magic is created

Dancer Alison Plevey has been making a mark in Canberra.