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The Fourth Plinth is the northwest plinth in Trafalgar Square in central London. It was originally intended to hold an equestrian statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1998, the Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA) commissioned three contemporary sculptures to be displayed temporarily on the plinth. Shortly afterwards, Chris Smith, the then Secretary of State for Culture, Media and Sport commissioned Sir John Mortimer to conduct a public enquiry that sought opinions from public art commissioners, critics and members of the public as to the future of the plinth. The final report recommended that the commissions remain a rolling programme of temporary artworks rather than settling permanently on one figure or idea to commemorate. In 2003, the ownership of Trafalgar Square was transferred from Westminster City Council to the Mayor of London and this marked the beginning of the Mayor of London’s Fourth Plinth Commission as it is now known.
Trafalgar Square (/ˌtrəˈfælɡər/ trə-FAL-gər) is a public square in the City of Westminster, Central London, built around the area formerly known as Charing Cross. Its name commemorates the Battle of Trafalgar, a British naval victory in the Napoleonic Wars with France and Spain that took place on 21 October 1805 off the coast of Cape Trafalgar, Spain.
The site of Trafalgar Square had been a significant landmark since the 13th century and originally contained the King's Mews. After George IV moved the mews to Buckingham Palace, the area was redeveloped by John Nash but progress was slow after his death and the square did not open until 1844. Nelson's Column at its centre is guarded by four lion statues. A number of commemorative statues and sculptures occupy the square but the Fourth Plinth, left empty since 1840, has been host to contemporary art since 1999.
The square has been used for community gatherings and political demonstrations including Bloody Sunday, the first Aldermaston March, anti-war protests and campaigns against climate change. A Christmas tree has been donated to the square by Norway since 1947 and is erected for twelve days before and after Christmas Day. The square is a centre of annual celebrations on New Year's Eve. It was well known for its feral pigeons until their removal in the early-21st century.
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the public of the United Kingdom and entry to the main collection is free of charge. It is among the most visited art museums in the world, after the Musée du Louvre, the British Museum, and the Metropolitan Museum of Art.
Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein, an insurance broker and patron of the arts, in 1824. After that initial purchase the Gallery was shaped mainly by its early directors, notably Sir Charles Lock Eastlake, and by private donations, which comprise two-thirds of the collection. The resulting collection is small in size, compared with many European national galleries, but encyclopaedic in scope; most major developments in Western painting "from Giotto to Cézanne" are represented with important works. It used to be claimed that this was one of the few national galleries that had all its works on permanent exhibition, but this is no longer the case.
Fourth or 4th may refer to:
Sir Antony Mark David Gormley, OBE (born 30 August 1950) is a British sculptor. His best known works include the Angel of the North, a public sculpture in Gateshead in the North of England, commissioned in 1994 and erected in February 1998, Another Place on Crosby Beach near Liverpool, and Event Horizon, a multi-part site installation which premiered in London in 2007, around Madison Square in New York City, in 2010, in São Paulo, in 2012, and in Hong Kong in 2015-16.
The youngest of seven children born to a German mother and an Irish father, Gormley has stated that his parents chose his initials, "AMDG" to have the inference Ad maiorem Dei gloriam - "to the greater glory of God".Gormley grew up in a Roman Catholic family living in Hampstead Garden Suburb. He attended Ampleforth College a Benedictine boarding school in Yorkshire, before reading archaeology, anthropology and the history of art at Trinity College, Cambridge, from 1968 to 1971. He travelled to India and Sri Lanka to learn more about Buddhism between 1971 and 1974. After attending Saint Martin's School of Art and Goldsmiths in London from 1974, he completed his studies with a postgraduate course in sculpture at the Slade School of Fine Art, University College, London, between 1977 and 1979.
Sadiq Khan unveils David Shrigley's fourth plinth in Trafalger Square. Report by Jessica Wakefield.
Antony Gormley introduces his next project 'One and Other', where 2400 people from across the UK get to stand on the 4th plinth in Trafalgar Square for an hour at a time. You can find out more about the project and register your interest at www.oneandother.co.uk.
London Mayor Boris Johnson has unveiled a sculpture of a blue cockerel on the fourth plinth in Trafalgar Square. The sculpture, created by German artist Katharina Fritsch, will remain in place for 18 months. "I will not lapse into double entendres and ask how long this wonderful creature will 'stay up' in the square", the Mayor joked to the crowd, as he announced the arrival of the "big, blue... bird." The fourth plinth remained empty between 1841 and 1999, and recently has been used to showcase modern sculptures. It has been suggested that the reason for the long delay in choosing a permanent sculpture for the plinth is that it will be used for a commisssion of the Queen riding a horse. The speculation was backed up by former London Mayor Ken Livingstone, who earlier this year co...
Subscribe: https://goo.gl/AVC4jE Curious which art work will be next on Trafalgar Square's Fourth Plinth? Here is a shortlist. Please click on this link to vote for your favourite candidate and art work: http://bit.ly/trafplinth The Fourth plinth was originally intended to hold an equestrian statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1998, the Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA) commissioned three contemporary sculptures to be displayed temporarily on the plinth. The Fourth Plinth Commission is led by the Mayor of London’s Culture Team, under the guidance of the Fourth Plinth Commissioning Group. The Fourth Plinth commissions have become an anticipated and much-deba...
Watch The National Gallery’s Young Producers share their thoughts on the shortlisted proposals for the 2018 and 2020 Fourth Plinth commissions in London’s Trafalgar Square. Watch more episodes here: http://bit.ly/2mdGHGg Rebekah Barlow responds to contemporary artist Damián Ortega’s celebration of creativity, ‘High Way’. Fourth Plinth Shortlist Exhibition 19 January – 26 March 2017 Learn more: http://bit.ly/2lcn1Dy The Fourth Plinth commissions have become a hotly anticipated and much-debated fixture in Trafalgar Square. They bring ambitious contemporary art to the heart of the historic square. Following the unveiling of David Shrigley’s ‘Really Good’ in Trafalgar Square, London, the ‘Fourth Plinth Shortlist Exhibition’ presents, for the first time, the shortlisted proposals for 2018 ...
Watch The National Gallery’s Young Producers share their thoughts on the shortlisted proposals for the 2018 and 2020 Fourth Plinth commissions in London’s Trafalgar Square. Watch more episodes here: http://bit.ly/2mdGHGg Harr-Joht Kaur Takhar explores the meaning of the robe in the sculpture ‘The Emperor’s Old Clothes’ by Raqs Media Collective. Fourth Plinth Shortlist Exhibition 19 January – 26 March 2017 Learn more: http://bit.ly/2lcn1Dy The Fourth Plinth commissions have become a hotly anticipated and much-debated fixture in Trafalgar Square. They bring ambitious contemporary art to the heart of the historic square. Following the unveiling of David Shrigley’s ‘Really Good’ in Trafalgar Square, London, the ‘Fourth Plinth Shortlist Exhibition’ presents, for the first time, the shortli...
Watch The National Gallery’s Young Producers share their thoughts on the shortlisted proposals for the 2018 and 2020 Fourth Plinth commissions in London’s Trafalgar Square. Watch more episodes here: http://bit.ly/2mdGHGg Chloe Lim Ning explores the connection between contemporary artist Heather Phillipson’s ‘The End’ and paintings in the National Gallery’s collection Fourth Plinth Shortlist Exhibition 19 January – 26 March 2017 Learn more: http://bit.ly/2lcn1Dy The Fourth Plinth commissions have become a hotly anticipated and much-debated fixture in Trafalgar Square. They bring ambitious contemporary art to the heart of the historic square. Following the unveiling of David Shrigley’s ‘Really Good’ in Trafalgar Square, London, the ‘Fourth Plinth Shortlist Exhibition’ presents, for the ...
Here is the stop motion animation I produced during my time on the Fourth Plinth in Trafalgar Square for Antony Gormley's One & Other project. Thanks to all the team there for helping to make it a fantastic experience and a special thank you to Gudrun for her amazing photographs!
http://www.vernissage.tv | At 9 a.m. on Wednesday 14th October 2009, the last participant of British artist Antony Gormley's One & Other project, Emma Burns, stepped onto the Fourth Plinth in Trafalgar Square in London. The 30 year old medical photographer from Darlington is one of 2,400 people of all ages, backgrounds and cultures and from all over the UK which have participated in this unique piece of art. They have travelled from as far afield as Kirkwall on the Orkney Islands to Belfast, Northern Ireland to be part of this collective portrait of the UK of 2009. One & Other has seen a different person take their place on the Fourth Plinth every hour, 24 hours a day for 100 days. The project has been commissioned by the Mayor of London and produced by Artichoke in partnership with Sky...
The Fourth Plinth is the northwest plinth in Trafalgar Square in central London. It was originally intended to hold an equestrian statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1998, the Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA) commissioned three contemporary sculptures to be displayed temporarily on the plinth. Shortly afterwards, Chris Smith, the then Secretary of State for Culture, Media and Sport commissioned Sir John Mortimer to conduct a public enquiry that sought opinions from public art commissioners, critics and members of the public as to the future of the plinth.
A giant 4m high bronze child on a rocking horse is the latest Fourth Plinth commission in Trafalgar Square. Powerless Structures, Fig 101, by Scandinavian artistic duo Elmgreen & Dragset, celebrates the heroism of growing up and questions the tradition of monuments predicated on military victory or defeat. The boy's features gently mimic the authoritarian pose often found in equestrian sculptures, but his gesture is one of pure excitement. There will be no tragic consequences resulting from his imaginary conquest.
Create your own video on http://studio.stupeflix.com/?w=1 ! Trafalgar Square viewed from the northeast corner. Trafalgar Square viewed from the north. Trafalgar Square and Canada House. Canada House, in the west. South Africa House, in the east. Fountain detail. Trafalgar Square at night. The current statue on the fourth plinth: Marc Quinn's Alison Lapper Pregnant (2005). View across the square from the southeast to the National Gallery. People feeding the pigeons, circa 1993. Trafalgar Square from the National Gallery (looking south). Trafalgar Square, 1908. Members of the public read plans to pedestrianise part of the square, February 2003. Anti-war Rally in Trafalgar Square.
The mayor of London, Boris Johnson, unveils the latest art commission to stand on the fourth plinth in Trafalgar Square
http://everydaylifestyle.wordpress.com/2009/10/02/the-fourth-plinth-antony-gormley-trafalgar-square
A look around the famous square, where a giant thumbs up statue is currently located on the fourth plinth. Be sure to subscribe for more content (^_^) Music: Antarctica by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Artist: http://audionautix.com/
Trafalgar square fourth plinth by Antony Gormley. - Man playing with balloons.
Tony Playford arrives at the Plinth on Tuesday 1 September. He wanted to help improve public awareness of mental health and the charity chicks - who provide respite breaks for disadvantaged children
Sadiq Khan unveils David Shrigley's fourth plinth in Trafalger Square. Report by Jessica Wakefield.
Antony Gormley introduces his next project 'One and Other', where 2400 people from across the UK get to stand on the 4th plinth in Trafalgar Square for an hour at a time. You can find out more about the project and register your interest at www.oneandother.co.uk.
London Mayor Boris Johnson has unveiled a sculpture of a blue cockerel on the fourth plinth in Trafalgar Square. The sculpture, created by German artist Katharina Fritsch, will remain in place for 18 months. "I will not lapse into double entendres and ask how long this wonderful creature will 'stay up' in the square", the Mayor joked to the crowd, as he announced the arrival of the "big, blue... bird." The fourth plinth remained empty between 1841 and 1999, and recently has been used to showcase modern sculptures. It has been suggested that the reason for the long delay in choosing a permanent sculpture for the plinth is that it will be used for a commisssion of the Queen riding a horse. The speculation was backed up by former London Mayor Ken Livingstone, who earlier this year co...
Subscribe: https://goo.gl/AVC4jE Curious which art work will be next on Trafalgar Square's Fourth Plinth? Here is a shortlist. Please click on this link to vote for your favourite candidate and art work: http://bit.ly/trafplinth The Fourth plinth was originally intended to hold an equestrian statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1998, the Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA) commissioned three contemporary sculptures to be displayed temporarily on the plinth. The Fourth Plinth Commission is led by the Mayor of London’s Culture Team, under the guidance of the Fourth Plinth Commissioning Group. The Fourth Plinth commissions have become an anticipated and much-deba...
Watch The National Gallery’s Young Producers share their thoughts on the shortlisted proposals for the 2018 and 2020 Fourth Plinth commissions in London’s Trafalgar Square. Watch more episodes here: http://bit.ly/2mdGHGg Rebekah Barlow responds to contemporary artist Damián Ortega’s celebration of creativity, ‘High Way’. Fourth Plinth Shortlist Exhibition 19 January – 26 March 2017 Learn more: http://bit.ly/2lcn1Dy The Fourth Plinth commissions have become a hotly anticipated and much-debated fixture in Trafalgar Square. They bring ambitious contemporary art to the heart of the historic square. Following the unveiling of David Shrigley’s ‘Really Good’ in Trafalgar Square, London, the ‘Fourth Plinth Shortlist Exhibition’ presents, for the first time, the shortlisted proposals for 2018 ...
Watch The National Gallery’s Young Producers share their thoughts on the shortlisted proposals for the 2018 and 2020 Fourth Plinth commissions in London’s Trafalgar Square. Watch more episodes here: http://bit.ly/2mdGHGg Harr-Joht Kaur Takhar explores the meaning of the robe in the sculpture ‘The Emperor’s Old Clothes’ by Raqs Media Collective. Fourth Plinth Shortlist Exhibition 19 January – 26 March 2017 Learn more: http://bit.ly/2lcn1Dy The Fourth Plinth commissions have become a hotly anticipated and much-debated fixture in Trafalgar Square. They bring ambitious contemporary art to the heart of the historic square. Following the unveiling of David Shrigley’s ‘Really Good’ in Trafalgar Square, London, the ‘Fourth Plinth Shortlist Exhibition’ presents, for the first time, the shortli...
Watch The National Gallery’s Young Producers share their thoughts on the shortlisted proposals for the 2018 and 2020 Fourth Plinth commissions in London’s Trafalgar Square. Watch more episodes here: http://bit.ly/2mdGHGg Chloe Lim Ning explores the connection between contemporary artist Heather Phillipson’s ‘The End’ and paintings in the National Gallery’s collection Fourth Plinth Shortlist Exhibition 19 January – 26 March 2017 Learn more: http://bit.ly/2lcn1Dy The Fourth Plinth commissions have become a hotly anticipated and much-debated fixture in Trafalgar Square. They bring ambitious contemporary art to the heart of the historic square. Following the unveiling of David Shrigley’s ‘Really Good’ in Trafalgar Square, London, the ‘Fourth Plinth Shortlist Exhibition’ presents, for the ...
Here is the stop motion animation I produced during my time on the Fourth Plinth in Trafalgar Square for Antony Gormley's One & Other project. Thanks to all the team there for helping to make it a fantastic experience and a special thank you to Gudrun for her amazing photographs!
http://www.vernissage.tv | At 9 a.m. on Wednesday 14th October 2009, the last participant of British artist Antony Gormley's One & Other project, Emma Burns, stepped onto the Fourth Plinth in Trafalgar Square in London. The 30 year old medical photographer from Darlington is one of 2,400 people of all ages, backgrounds and cultures and from all over the UK which have participated in this unique piece of art. They have travelled from as far afield as Kirkwall on the Orkney Islands to Belfast, Northern Ireland to be part of this collective portrait of the UK of 2009. One & Other has seen a different person take their place on the Fourth Plinth every hour, 24 hours a day for 100 days. The project has been commissioned by the Mayor of London and produced by Artichoke in partnership with Sky...
Jane Fielder on the Trafalgar Square Fourth Plinth. 27 September 2009. 10am.
Antony Gormley in conversation with Professor John Hutnyk and Hugh Brody on the subject of Gormley's Fourth Plinth commission - 'One & Other' in 2009.
A panel discussion on the role of public art within architecture, to coincide with Genius Loci -- Spirit of Place, Lisson Gallery's exhibition in Venice, produced with Berengo Studio. Chaired by Ekow Eshun, of the Fourth Plinth Commissioning Group, featuring: Lewis Biggs, Folkestone Triennial Kevin Carmody, Architect Tamsin Dillon, Curator Spencer Finch, Artist Greg Hilty, Curatorial Director Deyan Sudjic, Design Museum Filmed on 31st May, 2014 at King Solomon Academy
On December 8, 2010, NCPC co-hosted Beyond Granite the Smithsonian American Art Museum, the British Council, and the Trust for the National Mall. The discussion, moderated by Thomas Luebke, Secretary, U.S. Commission of Fine Arts, explored how dynamic designs and materials can serve as powerful examples of temporary commemoration in Washington, not only alleviating pressure on the Mall, but paying tribute to important events beyond the granite monument narrative. Featured speakers were Julian LaVerdiere, Designer, World Trade Center Tribute in Light; Justine Simons, Director, London’s Fourth Plinth in Trafalgar Square; and Krzysztof Wodiczko, Harvard professor, artist in temporary and interactive light installations. Video courtesy of the Smithsonian American Art Museum
Anlässlich der Präsentation der Arbeit "Gift Horse" von Hans Haacke in der Mittelhalle des Haus der Kunst spricht Ulrich Wilmes, Hauptkurator des Haus der Kunst, mit dem politischen Konzeptkünstler. Hans Haacke, 1936 in Köln geboren, lebt seit 1965 in New York und löste vor allem durch die gesellschaftskritischen Aspekte seines Werks lebhafte Debatten aus. Seine Werke sind stets in einem konkreten politischen Kontext angesiedelt und provozieren den Dialog mit dem Betrachter. Mit der ursprünglich für die "Fourth Plinth" auf dem Londoner Trafalgar Square entworfene Installation "Gift Horse" kommentiert Haacke die krisenhaften Entwicklungen der Finanzwirtschaft. Dabei drapiert er um den Fuß eines skelettierten Bronzepferds eine Schleife mit einem Live-Ticker, auf dem die Aktienkurse zu lese...
On September 7th 2009 I spent an hour on the fourth plinth in Trafalgar Square as part of Antony Gormley's "One & Other" project. I chose to spend my time up... Hey Guys hope you enjoy the video A Few minor rendering problems, but i'll have them sorted out by the end of the game, anyway , Also some Out of sync ... This is a video I had already uploaded to my channel but had been deleted by accident there are part 3 to 5 coming right now. Subscribe for more ! :) five nights at freddys one and two at the same time ---------------------------------------------------------------- Playing both games at once ... Boodle Box: Coupon Code: 2100 will give both of us 100 pts to use towards future purchases. If you want to see more unboxings, . five#one&two; five#one&two;
The New York-based artist Hans Haacke is known for legendary works with social and political overtones—some of which have been subject to censorship and public debate at a national level. Perhaps his most iconic work was Germania, his 1993 installation at the German pavilion of the Venice Biennale that made explicit reference to Nazi-era politics and won him the Golden Lion (shared with Nam June Paik). Other works engage with topics like the shady dealings of real estate groups in New York, the activities of multinational corporations, and the consequences of corporate sponsorship of museums. Haacke has been awarded the 2015 commission of the Fourth Plinth in Trafalgar Square in London and is one of the central artists in the 56th Venice biennial. He is currently a part of the exhibition I...
Antony Gormley Art Documentary Imagine meets sculptor Antony Gormley, creator of the iconic Angel of the North, and uncovers the influences that have shaped his life and work. Across a career spanning more than 40 years, Gormley has used sculpture as a means to examine the human condition. He explains how his strict Catholic childhood and his subsequent search for enlightenment in India influenced his decision to become a sculptor. 'If you are brought up a Catholic you may lose your Catholicism but the fact is it has marked you for life. And the need to replace its belief system with something else becomes your life's work.' Imagine shows rare archive footage of the creation of Gormley's key works, including the sculptor being fully encased in plaster to create casts of his own body, as...
White Cubes Lena Mohamed, Rovianne Matovu, Esther Stanford-Xosei 01 November 2014 Cities are good for some but almost always create and incubate inequality for the majority world’s peoples. This discussion will focus on the ways in which museums and galleries in London are used to further entrench white supremacy in to the everyday life of the city. Using the South London Gallery, Barbican's 'Exhibit B', and Trafalgar Square's Fourth Plinth as case studies this session will show how the space, programming and community participation projects continue the historic and systematic exclusion of people of colour. The aim of the event is to unpack the way in which museums and galleries set themselves up as intellectual institutions that act as guardians of 'our' culture.
White Cubes Lena Mohamed, Rovianne Matovu, Esther Stanford-Xosei 01 November 2014 Cities are good for some but almost always create and incubate inequality for the majority world’s peoples. This discussion will focus on the ways in which museums and galleries in London are used to further entrench white supremacy in to the everyday life of the city. Using the South London Gallery, Barbican's 'Exhibit B', and Trafalgar Square's Fourth Plinth as case studies this session will show how the space, programming and community participation projects continue the historic and systematic exclusion of people of colour. The aim of the event is to unpack the way in which museums and galleries set themselves up as intellectual institutions that act as guardians of 'our' culture.