Anamorphosis is a distorted projection or perspective requiring the viewer to use special devices or occupy a specific vantage point (or both) to reconstitute the image. The word "anamorphosis" is derived from the Greek prefix ana‑, meaning back or again, and the word morphe, meaning shape or form.
There are two main types of anamorphosis: perspective (oblique) and mirror (catoptric).
Examples of perspectival anamorphosis date to the early Renaissance (fifteenth century). Examples of mirror anamorphosis were first seen in the late Renaissance (sixteenth century).
With mirror anamorphosis, a conical or cylindrical mirror is placed on the drawing or painting to transform a flat distorted image into a three-dimensional picture that can be viewed from many angles. The deformed image is painted on a plane surface surrounding the mirror. By looking uniquely into the mirror, the image appears undeformed. This process of anamorphosis makes it possible to diffuse caricatures, erotic and scatological scenes and scenes of sorcery for a confidential public.
An illusion is a distortion of the senses, revealing how the brain normally organizes and interprets sensory stimulation. Though illusions distort reality, they are generally shared by most people. Illusions may occur with any of the human senses, but visual illusions (optical illusions), are the most well-known and understood. The emphasis on visual illusions occurs because vision often dominates the other senses. For example, individuals watching a ventriloquist will perceive the voice is coming from the dummy since they are able to see the dummy mouth the words. Some illusions are based on general assumptions the brain makes during perception. These assumptions are made using organizational principles (e.g., Gestalt theory), an individual's capacity for depth perception and motion perception, and perceptual constancy. Other illusions occur because of biological sensory structures within the human body or conditions outside of the body within one’s physical environment.
The term illusion refers to a specific form of sensory distortion. Unlike a hallucination, which is a distortion in the absence of a stimulus, an illusion describes a misinterpretation of a true sensation. For example, hearing voices regardless of the environment would be a hallucination, whereas hearing voices in the sound of running water (or other auditory source) would be an illusion.
Anamorphic format is the cinematography technique of shooting a widescreen picture on standard 35 mm film or other visual recording media with a non-widescreen native aspect ratio. It also refers to the projection format in which a distorted image is "stretched" by an anamorphic projection lens to recreate the original aspect ratio on the viewing screen. (It should not be confused with anamorphic widescreen, a different video encoding concept that uses similar principles but different means.) The word "anamorphic" and its derivatives stem from the Greek words meaning formed again. As a camera format, anamorphic format is losing popularity in comparison to "flat" (or "spherical") formats such as Super 35 mm film shot using spherical lenses; however, because most movie projectors use anamorphic projection format, spherical format negatives are commonly converted into anamorphic prints for projection.
In the years since digital cinema cameras became commonplace, anamorphic has experienced a considerable resurgence of popularity, due in large part to the higher base ISO sensitivity of digital sensors which allows shooting at deeper stops.