- published: 12 Feb 2014
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Asco was an East Los Angeles based Chicano artist collective, active from 1972 to 1987. Asco adopted its name as a collective in1973, making a direct reference to the word’s significance in Spanish ("asco"), which is disgust or repulsion. Asco’s work throughout 1970s and 1980s responded specifically to socioeconomic and political problems surrounding the Chicano community in the United States, as well the Vietnam War.Harry Gamboa, Jr., Glugio "Gronk" Nicandro, Willie Herrón and Patssi Valdez form the core members of the group.
The term Asco functions as a means of contextualizing and responding to the effects of the Vietnam war. This era, which art historian Arthur C. Danto has described as an era of revulsion, compelled young people to seek a new vocabulary for opposition through the growing importance of media, the impact of public mobilization, and new modes drawn from Happenings and spontaneous “be-ins”. Socio-economic and regional factors additionally gave cause for revulsion. The shifting landscape of East Los Angeles during the 70s was particularly influential in Asco’s work. The construction of freeway interchanges and the retention of walls dividing formerly connected neighborhoods fostered a hostile environment. Asco as a group was part of what Raul Homero Villa deems the “expressway generation”, a generation aware and affected by how public policies and urban planning could create conditions of disparity and stratification both economically and geographically.
An artist collective is an initiative that is the result of a group of artists working together, usually under their own management, towards shared aims. The aims of an artist collective can include almost anything that is relevant to the needs of the artist, this can range from purchasing bulk materials, sharing equipment, space or materials, through to following shared ideologies, aesthetic and political views or even living and working together as an extended family. Sharing of ownership, risk, benefits, and status is implied, as opposed to other, more common business structures with an explicit hierarchy of ownership such as an association or a company.
Artist collectives have occurred throughout history, often gathered around central resources, for instance the ancient sculpture workshops at the marble quarries on Milos in Greece and Carrara in Italy. Collectives featured during both the Russian revolution when they were set up by the state in all major communities, and the French Revolution when the Louvre in Paris was occupied as an artist collective.
Los Angeles (i/lɒs ˈændʒəlᵻs/ loss AN-jə-ləs or loss AN-jə-liss) (Spanish for "The Angels"), officially the City of Los Angeles and often known by its initials L.A., is the second-largest city in the United States after New York City, the most populous city in the state of California, and the county seat of Los Angeles County.
Situated in Southern California, Los Angeles is known for its mediterranean climate, ethnic diversity, sprawling metropolis, and as a major center of the American entertainment industry. Los Angeles lies in a large coastal basin surrounded on three sides by mountains reaching up to and over 10,000 feet (3,000 m).
Historically home to the Chumash and Tongva, Los Angeles was claimed by Juan Rodríguez Cabrillo for Spain in 1542 along with the rest of what would become Alta California. The city was officially founded on September 4, 1781, by Spanish governor Felipe de Neve. It became a part of Mexico in 1821 following the Mexican War of Independence. In 1848, at the end of the Mexican–American War, Los Angeles and the rest of California were purchased as part of the Treaty of Guadalupe Hidalgo, thereby becoming part of the United States. Los Angeles was incorporated as a municipality on April 4, 1850, five months before California achieved statehood. The city experienced rapid growth with the discovery of oil.
Asco can refer to:
Art is a diverse range of human activities in creating visual, auditory or performing artifacts – artworks, expressing the author's imaginative or technical skill, intended to be appreciated for their beauty or emotional power. In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art.
The oldest form of art are visual arts, which include creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Architecture is often included as one of the visual arts; however, like the decorative arts, it involves the creation of objects where the practical considerations of use are essential—in a way that they usually are not in a painting, for example. Music, theatre, film, dance, and other performing arts, as well as literature and other media such as interactive media, are included in a broader definition of art or the arts. Until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts.
Asco were formed in the early 1970s by four Chicano artists - Harry Gamboa Jr, Gronk, Willie F. Herrón III and Patssi Valdez - who met in high school in East LA, the centre of Los Angeles's Mexican American community. They emerged from the Chicano civil rights movement of the late 60s and early 70s, which fought labour exploitation, the Vietnam draft, police brutality, and other forms of discrimination and deprivation. Their name means disgust or nausea in Spanish, and their work had a low budget look reflecting their circumstances -- Gronk called it aesthetics of poverty. In the 70s, a Chicano artist was expected to paint murals -- the Chicano Movement borrowed from the Mexican political mural tradition of the early 20th century. While sharing the Movement's opposition to racial discrimi...
In this video, award-winning Chicana artist Patssi Valdez discusses the early years of Asco, an avant-garde Chicano art collective that worked together from the early 1970s to the mid-1980s. The talk is followed by a conversation with English Professor Genaro Padilla. Professor Marcial González gives the introduction. Valdez received a Bachelor of Fine Arts degree in 1985 from the Otis Art Institute of Los Angeles. She also studied at the Parsons School of Design in New York. Like so many other artists of her generation, Valdez's artistic career was influenced by her participation in the political movements of the late 1960s and early 1970s. Valdez launched her artistic career with the Chicano art group ASCO (Spanish for "nausea"). Significantly, she was the only female among the foundi...
Asco: Elite of the Obscure Symposium Saturday, March 3, 2012 Keynote Address: Amalia Mesa-Bains, artist, cultural critic, and Professor Emerita of Visual and Public Art at California State University, Monterey Bay This symposium, hosted by the Williams College Museum of Art (WCMA), brings together artists and scholars to discuss the wide-ranging work of the Chicano performance and conceptual art group Asco. Asco began as a tight-knit core group of artists from East Los Angeles composed of Harry Gamboa, Jr., Gronk, Willie F. Herrón III, and Patssi Valdez. Taking their name from the forceful Spanish word for disgust and nausea, Asco used performance, public art, and multimedia to respond to social and political turbulence in Los Angeles and beyond. The exhibition Asco: Elite of the Obscur...
cuisson raku réductrice
Author of Race, Place, and Reform in Mexican Los Angeles and Lecturer in American History, Stephanie Lewthwaite examines Asco through the lens of her work on Chicano culture.
Asco: Elite of the Obscure Symposium Saturday, March 3, 2012 Conversation with Mario Ontiveros, Harry Gamboa, Jr., and Sean Carrillo This symposium, hosted by the Williams College Museum of Art (WCMA), brings together artists and scholars to discuss the wide-ranging work of the Chicano performance and conceptual art group Asco. Asco began as a tight-knit core group of artists from East Los Angeles composed of Harry Gamboa, Jr., Gronk, Willie F. Herrón III, and Patssi Valdez. Taking their name from the forceful Spanish word for disgust and nausea, Asco used performance, public art, and multimedia to respond to social and political turbulence in Los Angeles and beyond. The exhibition Asco: Elite of the Obscure, A Retrospective, 1972--1987, on view at WCMA February 4--July 29, 2012, was orga...
Directed by Eric Minh Swenson Gronk (born 1957 in East Los Angeles, California, USA) is the artistic name of Chicano painter, printmaker, and performance artist Glugio Nicandro. According to Gronk, his widely-repeated birth year of 1954 is false and directly attributed to his long-time dealer, Daniel Saxon, who wanted his young artist to "be older" and "taken seriously." The artist also states that "Gronk" is a name his mother found in an article on a Brazilian tribe in National Geographic while resting shortly before his birth. Gronk was a founding member of ASCO, a multi-media arts collective in the 1970s. Influenced by European film, existentialism, and literature (i.e., Camus, Beckett) Gronk and his early teenage cohorts made "movies without film", farcical "happenings" on the st...
In conjunction with the Asco exhibition, LACMA commissioned Willie Herrón to create a mural, Asco: East of No West, based on Harry Gamboa Jr.’s photograph of the 1972 Asco performance Walking Mural. Walking Mural was a street performance in which the artists created elaborate costumes and paraded silently along Whittier Boulevard. The new mural recalls and reinterprets that performance. It is part of a series of mural by Herrón in the alley at City Terrace Drive, behind Alvarez Bakery near Cal State LA. More about the exhibition: http://www.lacma.org/art/exhibition/asco On view at LACMA September 4, 2011–December 4, 2011
From crazy drawings at parties to more complex, epic artwork, East London art collective LE GUN tell Crane.tv about the journey so far from their early days at the RCA to Unknown Room, an installation inspired by a discovered briefcase once belonging to George Melly. Address: LE GUN studio, Buzzer #3, 19 Warburton Road, London, E8 3RT, www.legun.co.uk
A short documentary about Plymouth-based art collective Flameworks and their annual "Art2Go" exhibition, produced in collaboration with Jeff White.
An opportunity to reveal both the original context of Asco's production and its current place within a history of contemporary art practice in Los Angles and beyond. The evening will opens with a presentation by Rita Gonzalez, Associate Curator of Contemporary Art at the Los Angles County Museum of Art, and Co-Curator of the landmark 2011-12 survey of Asco's work, Elite of the Obscure. Asco member Harry Gamboa Jr. will then discuss the group's formation, their strategic use of the photographic image, and the social dynamics involved in producing works in East LA in the period 1972-85.
Harry Gamboa Jr. is an internationally recognized writer and visual artist. As co-founder of the Chicano art group ASCO (1971-1987), he developed such multi-media forms as the no-movie and fotonovela, which drew attention to the workings of mass culture. In the mid-1980s, working through cable access, Gamboa produced a series of "conceptual dramas" that explored both stereotypical and traditional notions about the Latino family. In these works, collected here for the first time, Gamboa combined the political influences of the Chicano Movement with the narrative excess of film noir, Bmovies, and Mexican telenovelas. Gamboa's writings and image-text art are published in Urban Exile: The Collected Writings of Harry Gamboa Jr. ( Minnesota , 1998).
Follow WFAC on Spotify: https://open.spotify.com/artist/7szKhrlzEjnbJ74ttyL76r The debut video from Wild Fruit Art Collective. Wishful is a song about resigning your mind into a pattern you might not inherently agree with.
NO COPYRIGHT INFRINGEMENT INTENDED. THIS IS AN ARCHIVAL DEMO REEL FOR ACTOR DEL ZAMORA. THIS CHANNEL IS NOT INTENDED FOR ANY COMMERCIAL USE WHATSOEVER. NO EMBEDS ALLOWED. Produced and directed by Juan Garza, who also directed Del Zamora, in "Never Trust A Serial Killer". Del is the narrator of this documentary, on the seminal Chicano Art group, known as ASCO. These artists are some of Del's personal heroes. Harry Gamboa, Willie Herron, Pattsi Valdez, and Gronk, are the subjects of this well made, documentary on the Chicano Artists group, known as ASCO. Contact info: delzamora@hotmail.com Edited content on this channel by Chliad Inc., at the request of Del Zamora and delzamoraactor channel. Chilad Inc. is not responsible for any of the content on this channel. chliadinc@gmail.com...
In this paper I’ll define the critical term ‘The Necropastoral’ –an Anthropocene ecopoetics interested in such ecological dynamics as decomposition, contamination, proliferation, waste, mutancy, metastasis commingling, leaks and inflammation. I’ll examine the topography (and the topology) of the Necropastoral by looking at works by Marosa DiGiorgio, Kim Hyesoon, Wilfred Owen, the Smiths, the artist Nick Cave (of Chicago), the filmmaker Jack Smith, and the art collective Asco. I’ll argue for the political potential of the Necropastoral as a strategy of ex-termination-- a re-crossing of borders and boundaries, whereby the Dead and/or obscured move through media to stage spectacular productions and eruptions in the precincts of the living. Presented by the Program in Poetry and Poetics and P...
Hear the St. Patrick's Day, Thursday, March 17, 2016, Muletrain News now at http://muleshoetv.com/ Obits for Dee Chitwood and Becky Gonzales, Weather Forecast, Dr. Claborn, New Doctor at MAMC, Muleshoe Group Performs in San Antonio, Sunday First Day of Spring, St. Patrick's Day, Holy Week Services, School Board Agenda, Mules Selected for ASCO Football Game, Sr. Center, Spring Break at Library, Art Show, Spring Collection at BK, Ireland, Sinking of the Andrea Doria, Prayer List, Market Report and much more!
Launching CD & Live Music Collective Compilation Album “JOGEDE PENGUOSO 2014” Ascos – Asmara Art & Coffee Shop 13 Oktober 2014 Berangkat dari kegelisahan Bp. Djawis Masruri (pengasuh pondok pesantren Amumarta, Jejeran, Bantul) atas kondisi pemilu di Indonesia, yang dinamis memanas, seolah-olah perebutan kekuasaan itu sendiri jauh lebih penting daripada proses demokrasi untuk menghasilkan pemimpin terbaik bagi bangsa dan negara. Jogede atau tariannya/goyangannya penguasa, segala tingkah laku penguasa, baik dalam pemilu maupun yang sudah berkuasa, akan memberi efek kepada kondisi rakyatnya. Lahirlah lagu, Jogede Penguoso. Lagu Gelang Dahono (Lingkaran Api / Ring of Fire) dan Doa Merapi, menyinggung soal kondisi alam berapi di Indonesia, dimana sebaiknya pemimpin maupun masyarakat mampu ...
In this video, award-winning Chicana artist Patssi Valdez discusses the early years of Asco, an avant-garde Chicano art collective that worked together from the early 1970s to the mid-1980s. The talk is followed by a conversation with English Professor Genaro Padilla. Professor Marcial González gives the introduction. Valdez received a Bachelor of Fine Arts degree in 1985 from the Otis Art Institute of Los Angeles. She also studied at the Parsons School of Design in New York. Like so many other artists of her generation, Valdez's artistic career was influenced by her participation in the political movements of the late 1960s and early 1970s. Valdez launched her artistic career with the Chicano art group ASCO (Spanish for "nausea"). Significantly, she was the only female among the foundi...