- published: 24 Apr 2016
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Ernst Wilhelm "Wim" Wenders (German pronunciation: [vɪm vɛndəɐs]; born 14 August 1945) is a German filmmaker, playwright, author, photographer, and a major figure in New German Cinema. In a career spanning over four decades, he has received some of the highest international film awards, including the Palme d'Or at the 1984 Cannes Film Festival for his drama Paris, Texas; the Golden Lion for the drama The State of Things at the Venice Film Festival (1982); and Best Director for the romantic fantasy film Wings of Desire at the 1987 Cannes Film Festival. He has been nominated for the Academy Awards three times, for his documentaries Buena Vista Social Club, about the music of Cuba, Pina, about the contemporary dance choreographer Pina Bausch, and The Salt of the Earth, about Brazilian photographer Sebastião Salgado. Since 1996, Wenders has been the president of the European Film Academy in Berlin.
Alongside filmmaking, Wenders works with the medium of photography, emphasizing images of desolate landscapes.
Keywords: filmmaking, heidegger, philosophy
Actors: Edouard Baer (actor), François Morel (actor), Volker Schlöndorff (actor), Bruno Solo (actor), Michael Lonsdale (actor), Hans Meyer (actor), Denis Lavant (actor), Manoel de Oliveira (actor), Patrick Chesnais (actor), Theodoros Angelopoulos (actor), Dominique Besnehard (actor), Emir Kusturica (actor), Andrey Konchalovskiy (actor), Jacques Weber (actor), Hubert Toint (actor),
Plot: A bio-doc about Micheline Presle changes into a thrilling investigation of the long hidden truth about European cinema. This mockumentary thriller uncovers Hollywood's unsuspected plot against the European motion picture industry. Numerous directors and stars appear in the film, making it a choice morsel for all film lovers.
Genres: Drama,Lisbon Story (1994) The director Friedrich Monroe has trouble with finishing a silent b&w; movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks later, Monroe is disappeared but has left the unfinished film. Winter decides to stay, because he is fascinated of the city and the Portuguese singer Teresa, and he starts to record the sound of the film. At the same time Monroe cruises through the city with a camcorder and tries to catch unseen pictures. Later they meet and Winter convinces Monroe of finishing the film.
“The world was such a better world in paintings than in reality.” Growing up in post-war Düsseldorf, it was through paintings that German filmmaker Wim Wenders initially discovered the possibility of a different world. This would later come to define him not only as a painter, but also as a filmmaker and photographer, as he shares with us in this personal interview. A painter at heart, Wenders initially regarded film and photography as a simple way to record his surroundings and the camera as an extension of his painting tools. What he discovered, however, was that the camera could depict something that paintings could not - time. To Wenders, each photograph is a sort of time capsule, frozen in time but with an incredible relation to its own past and future, inviting the spectator to se...
Janus Films' theatrical retrospective WIM WENDERS: PORTRAITS ALONG THE ROAD opens August 28, 2015.
A beautiful summer day. A garden. A terrace. A woman and a man sit at a table beneath the trees, with a soft summer wind. In the distance, in the vast plain, the silhouette of Paris. A conversation begins: questions and answers between the woman and the man. It deals with sexual experiences, childhood, memories, the essence of summer and the difference between men and women. It illustrates both, feminine perspective and masculine perception. In the background, inside the house that opens onto the terrace, on the woman and the man: the writer, in the process of imagining this dialogue and typing it down. Or is it the other way around? Might it be that those two characters over there tell him what he's putting down on paper: a long, final dialogue between a man and a woman? Director: Wim We...
Wim Wenders (Director of WINGS OF DESIRE and PARIS, TEXAS) stopped by the Criterion Collection office and product closet. Check out what he picked!
"If you make a film, you must be sure that nobody else can do it...that this particular story or documentary, nobody can do it as good as you." We caught up with filmmaker Wim Wenders at Cannes 2014, where he revealed his toughest moment as a director, his working methods, and how he thinks people starting out in the industry can "touch the world". Stay up to date with the latest news from BAFTA: Twitter: @BAFTAGuru: https://twitter.com/BAFTAGuru @BAFTA: https://twitter.com/BAFTA @BAFTAGames: https://twitter.com/BAFTAGames Facebook: https://www.facebook.com/bafta Instagram: http://instagram.com/bafta Tumblr: Film: http://bafta-film.tumblr.com/ TV: http://bafta-television.tumblr.com/ Games: http://bafta-games.tumblr.com/ Pinterest: http://www.pinterest.com/bafta/ Google+ : htt...
Wim Wenders discusses "Pina" at the 49th New York Film Festival. The Directors Dialogues series at NYFF is sponsored by HBO®. More info: http://filmlinc.com/NYFF Subscribe: http://www.youtube.com/subscription_center?add_user=filmlincdotcom Like: http://facebook.com/filmlinc Follow: http://twitter.com/filmlinc
Un beau jour d’été. Un jardin. Une terrasse. Une femme et un homme sous les arbres, avec un vent d’été doux... ★ Les Meilleurs Films Français ICI ► https://goo.gl/pe6b1q ★ Abonne-toi à la chaine Youtube ► https://goo.gl/zqsTO4 Un beau jour d’été. Un jardin. Une terrasse. Une femme et un homme sous les arbres, avec un vent d’été doux. Au loin, dans la vaste plaine, la silhouette de Paris. Un dialogue commence, des questions et des réponses entre la femme et l’homme. Il s’agit d’expériences sexuelles, d’enfance, de souvenirs, de l’essence de l’été et de ce qui différencie les hommes et les femmes, la perspective féminine et la perception masculine. Derrière, dans la maison qui donne sur la terrasse, sur la femme et l’homme: l’écrivain, en train d’imaginer ce dialogue et de le taper à la ma...
Summer in the City is the first full-length feature film by director Wim Wenders, released in 1970 and starring Hanns Zischler. Wenders' first full-length film was produced as his graduation project at the Academy of Film and Television in Munich ("Hochschule für Fernsehen und Film München") which he attended from 1967 to 1970. Shot in 16 mm black and white by subsequent long-time Wenders collaborator Robby Müller, the movie exhibited many of Wenders' later trademark themes of aimless searching, running from invisible demons, and persistent wandering toward an indeterminate goal. In this case the journey is that of protagonist Hans (Zischler) after he is released from prison. Searching through seedy West German streets and bars, he finally winds up visiting an old friend in Berlin. Accor...
On the Road: The Films of Wim Wenders January 28 – March 6 This essential retrospective devoted to one of the giants of the New German Cinema features new digital restorations of Wenders' essential early works.
A conversation about the documentary "Buena Vista Social Club," inspired by a musical group of the same name. See more on the Directors Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I04OH5IZee3L8FHY-Kt3I92
Photographer, Richard Avedon on his gift for capturing the private side of public figures and his book, 'An Auto-biography Richard Avedon.' See more on the Artists and Art Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I3Awxq23UZKyGAzqzAJiUhN
Richard Avedon on his return to fashion editorial work with the portfolio, 'In Memory of the Late Mr. and Mrs. Comfort.' See more on the Artists and Art Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I3Awxq23UZKyGAzqzAJiUhN
Photographer Richard Avedon on capturing fashion, history, and art. See more on the Artists and Art Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I3Awxq23UZKyGAzqzAJiUhN
Interview with photographer Richard Avedon and writer Doon Arbus on their book, "The Sixties." See more on the Artists and Art Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I3Awxq23UZKyGAzqzAJiUhN
Director Helen Whitney and photographer Richard Avedon share their experiences collaborating on a documentary, "Richard Avedon: Darkness & Light," about Avedon's life and career. See more on the Artists and Art Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I3Awxq23UZKyGAzqzAJiUhN
Playwright David Hare talks politics and gives insight into writing and acting in his latest play, "Via Dolorosa," a monologue about his experiences in the Middle East. See more on the Authors Playlist: https://www.youtube.com/playlist?list=PLIZqvqbtz9I30kDK7RrKXxtLK9WxA33-T
Oscar-winning director Sam Mendes discusses Wim Wenders' Paris, Texas (1984) and explains how it inspired his own American Beauty (1999) and Road to Perdition (2002). Mendes also talks about adapting Charlie and the Chocolate Factory for the theatre and teases details on the next James Bond film. This BFI members' event series is presented in partnership with American Express.
Jonathan Kim interviews Wim Wenders, whose 3D documentary 'Pina' was nominated for the 2012 Best Documentary Oscar. 'Pina' is about German choreographer Pina Bausch and her new style of modern dance known as "dance theater". Jonathan and Wenders discuss the future of 3D, how crappy 3D almost killed it, and why dance is so perfect for capturing in 3D. Check out Jonathan's new Netflix-based movie review and political show, ReThink Reviews! https://www.youtube.com/rethinkreviews Follow ReThink Reviews on Facebook and Twitter https://www.facebook.com/ReThinkReviews http://twitter.com/rethinkreviews Support What The Flick?! for FREE by doing your Amazon shopping through this link (bookmark it!) http://www.amazon.com/?tag=whattheflick-20