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The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites á Violoncello Solo senza Basso (Suites for cello solo without bass).
These suites for unaccompanied cello are remarkable in that they achieve the effect of implied three- to four-voice contrapuntal and polyphonic music in a single musical line. As usual in a Baroque musical suite, each movement is based around a baroque dance type; the cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue. The Bach cello suites are considered to be among the most profound of all classical music works.Wilfrid Mellers described them in 1980 as "Monophonic music wherein a man has created a dance of God."
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which around two hundred survive. His music is revered for its technical command, artistic beauty, and intellectual depth.
Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.
Bach was born in Eisenach, in the duchy of Saxe-Eisenach, into a great musical family. His father, Johann Ambrosius Bach, was the director of the town musicians, and all of his uncles were professional musicians. His father probably taught him to play the violin and harpsichord, and his brother, Johann Christoph Bach, taught him the clavichord and exposed him to much contemporary music. Apparently at his own initiative, Bach attended St. Michael's School in Lüneburg for two years. After graduating, he held several musical posts across Germany: he served as Kapellmeister (director of music) to Leopold, Prince of Anhalt-Köthen, and as Thomaskantor in Leipzig, a position of music director at the main Lutheran churches and educator at the Thomasschule. He received the title of "Royal Court Composer" from Augustus III in 1736. Bach's health and vision declined in 1749, and he died on 28 July 1750.
A surname or family name is a name added to a given name. In many cases, a surname is a family name and many dictionaries define "surname" as a synonym of "family name". In the western hemisphere, it is commonly synonymous with last name because it is usually placed at the end of a person's given name.
In most Spanish-speaking and Portuguese-speaking countries, two or more last names (or surnames) may be used. In China, Hungary, Japan, Korea, Madagascar, Taiwan, Vietnam, and parts of India, the family name is placed before a person's given name.
The style of having both a family name (surname) and a given name (forename) is far from universal. In many countries, it is common for ordinary people to have only one name or mononym.
The concept of a "surname" is a relatively recent historical development, evolving from a medieval naming practice called a "byname". Based on an individual's occupation or area of residence, a byname would be used in situations where more than one person had the same name.
Suite No. 1 (or Fantaisie-Tableaux for two pianos), Op. 5, is a composition for two pianos by Sergei Rachmaninoff. Composed in the summer of 1893 at the Lysikofs estate in Lebeden, Kharkov, this suite was initially titled Fantaisie-Tableux since Rachmaninoff intended it, as he explained in a letter to his cousin Sofia Satin, to consist "of a series of musical pictures." While François-Rene Tranchefort asserts that the music illustrates four extracts of poems (written by Mikhail Lermontov, Lord Byron, Fyodor Tyutchev and Aleksey Khomyakov), Rachmaninoff biographer Max Harrison counters that while the poems "convey something of the emotional tone of the music," the music itself is not programmatic.
This work was first performed on November 30, 1893, by Rachmaninoff and Pavel Pabst in Moscow, and is dedicated to Tchaikovsky. Rachmaninoff composed a second suite in 1901.
The four movements are:
I. Barcarolle. Allegretto, in G minor.
II. La nuit... L'amour... Adagio sostenuto, in D major. (The night...the love...)
III. Les Larmes. Largo di molto, in G minor. (The Tears)
IV. Pâques. Allegro maestoso, in G minor. (Easter)
The cello (/ˈtʃɛloʊ/ CHEL-oh; plural cellos or celli) or violoncello (/ˌvaɪələnˈtʃɛloʊ/ VY-ə-lən-CHEL-oh;Italian pronunciation: [vjolonˈtʃɛllo]) is a bowed string instrument with four strings tuned in perfect fifths. It is a member of the violin family of musical instruments, which also includes the violin and viola.
The cello is used as a solo musical instrument, as well as in chamber music ensembles, string orchestras, as a member of the string section of symphony orchestras, and some rock bands. It is the second-largest bowed string instrument in the modern symphony orchestra, the double bass being the largest.
Cellos were derived from other mid- to large-sized bowed instruments in the 16th century, such as the viola da gamba, and the generally smaller and squarer viola da braccio, and such instruments made by members of the Amati family of luthiers.
Cello parts are generally written in the bass clef, but both tenor and treble clefs are used for higher-range parts.
A person who plays the cello is called a cellist or violoncellist.
J.S. Bach Cello Suites No.1-6 BWV 1007-1012, Ralph Kirshbaum 1. Cello Suite No.1 in G major BWV 1007 0:00-18:07 Prelude Allemande Courante Sarabande Minuet Gigue 2. Cello Suite No.2 in D minor BWV 1008 18:07-38:02 Prelude Allemande Courante Sarabande Minuet Gigue 3. Cello Suite No.3 in C major BWV 1009 38:02-1:00:39 Prelude Allemande Courante Sarabande Bourree Gigue 4. Cello Suite No.4 in E flat major BWV 1010 1:00:39-1:24:47 Prelude Allemande Courante Sarabande Bourree Gigue 5. Cello Suite No.5 in C minor BWV 1011 1:24:47-1:51:02 Prelude Allemande Courante Sarabande Gavotte Gigue 6. Cello Suite No.6 in D major BWV 1012 1:51:02 Prelude Allemande Courante Sarabande Gavotte Gigue Painting: Jean Raoux, Orpheus and Eurydice, Oil on Canvas, 1709
J.S. Bach - The six cello suites Pau Casals, cello (1936/39) Suite I 00:00:00, Suite II 00:16:13, Suite III 00:36:16, Suite IV 00:56:52, Suite V 01:19:43, Suite VI 01:42:11. Personal audio restoration (2015)
Yo-Yo Ma plays the entire Six Unaccompanied Suites by Johann Sebastian Bach at the BBC Proms at the Royal Albert Hall on the 5th of September, 2015. He played for nearly three hours. A truly remarkable performance. Hope you all enjoy it! 0:00 Introduction 3:49 Suite I in G Major 22:25 Suite II in D Minor 42:51 Suite III in C Major - with interview and short break 1:13:09 Suite IV in E-Flat Major 1:40:50 Suite V in C Minor 2:08:46 Suite VI in D Major
The painting is "The Ninth Wave" by Ivan Aivazovsky. Suite No. 1 in G major, BWV 1007 Suite No. 2 in D minor, BWV 1008 16:23 Suite No. 3 in C major, BWV 1009 35:21 Suite No. 4 in E-flat major, BWV 1010 56:01 Suite No. 5 in C minor, BWV 1011 1:18:51 Suite No. 6 in D major, BWV 1012 1:42:28
www.rostropovich2017.com Mstislav Rostropovich - Slava - would have turned 90 on 27 March 2017. The 27th April, 2017 marks the tenth anniversary of the legendary cellist's death. These glorious performances of possibly the most challenging and inspiring pieces in the cello repertory were recorded in the Abbey Church at Vezelay in France and released on CD in May 1995. Here at last was one of the true greats of the instrument finally taking on the ultimate challenge for a cellist and delivering a recording that met every expectation and more of both public and press.
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JOHANN SEBASTIAN BACH (1685-1750) Six Suites for Unaccompanied Cello, Suite No. 1 in G Major BWV 1007 1. Prelude 2. Allemande 3. Courante Performed by Yo-Yo Ma
Johann Sebastian Bach, six suites for cello solo Antonio Janigro, cello (1954)
deep in my soul a tender secret dwells
lonely and lost to sight for evermore
save when to you my heart responsive swells
then trembles into silence as before
there in its center a sepulcharal lamp
burns the slow flame eternal but unseen
which not the darkness of despair can damp
though vain its ray as it had ever been
in some hidden crevice, of this grim cadaver
comes from the deep a cry for fates graceful
favour
the only thought that my heart, dare not brave
is my last love, cannot grant my last wish
my fondest, faintest memories hear
grief for the dead, no virtue can reprove
then give me all I ever asked, a tear