![Claire Maria Fox in Menage.](/web/20160923042854im_/http://www.smh.com.au/content/dam/images/g/r/m/p/z/n/image.related.wideLandscape.300x169.grm2qm.png/1474592589430.jpg)
Menage review: sex worker's secrets make for gripping theatre
Ryan Good's conversations with sex workers in the UK and Australia are fodder for immersive theatre at its best.
Ryan Good's conversations with sex workers in the UK and Australia are fodder for immersive theatre at its best.
If you thought dating – online dating, Tinder dating, plain old 'regular' dating – was awkward, you ain't seen nothing yet.
Emily Taylor's not short on charisma or acting chops but her script lacks sophistication.
Daniel Keene's new one-woman play is about a homeless woman on the streets of Melbourne but she could be anywhere.
Ryan Good's conversations with sex workers in the UK and Australia are fodder for immersive theatre at its best.
Emily Taylor's not short on charisma or acting chops but her script lacks sophistication.
What a fascinating piece of dance theatre – unique and thought-provoking. The main thrust of this review is compliments – and regrets that it has only three performances.
Luke Currie-Richardson comes from a family of athletes but, bound for Paris as a member of Bangarra, he has no regrets about choosing dance over basketball.
The interplay between movement, human physicality and complex projections are brought to the fore across the two works that make up Metadata.
The Canberra premiere of the musical presenting an alternative take on a famous story has some experienced talent for the lead roles.
Playing conjoined triple threats is no easy thing. "We are on a diagonal the entire show, so it's a challenge to even walk straight ahead let alone dance."
Could Muriel Heslop's musical debut in Sydney be the first step towards the global stage?
On Saturday, after half a century of neglect, came the big thaw.
The stolen generations has become a central story in contemporary Australia and this telling, by a member of that generation, goes to the heart of our sense of self.
Using the "silent disco" model, in which clubbers dance to music sent wirelessly to headphones, Sydney Opera House – The Opera: The Eighth Wonder will be performed on the Opera House steps with the sound relayed to the audience via headsets.
Penny Parsins is every white 20-something on a beach in a bikini on Instagram.
For years Zoe Coombs Marr felt out of place and uncomfortable working Australia's comedy club scene, now she is basking in the adoration of crowds at the Fringe Festival in Edinburgh.
Being confined to a wheelchair hasn't slowed Tim Ferguson down. He's back in a reunited Doug Anthony All Stars, he's directed his first movie and he just might have a new TV show too.
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