G.L.O.R.I.A

If you drop a guitar down a flight of stairs, it'll play 'Gloria' on its way to the bottom- Dave Barry.
This is for all you people who are starting groups- Woody (The 101ers)

Curmudgeonly Belfast bluesman Van Morrison penned this song in 1964 and it appeared as the B side to his band Them's single Baby Please Don't Go.

It's eminently playable simple 3 chord structure made it a staple of the booming garage scene on both sides of the Atlantic. There are versions here by US garage bands The Gants (the first recorded cover), The Squires, and Robb London and Soul Unlimited. In 1965 Chicago's The Shadows of Knight released a slightly bowdlerized version that made the Billboard top ten.

Garage rock had a global appeal and we have here two Latin American interpretations of the song, from Columbia's Los Ampex and Mexico's Miguel Angel and Los Sharps.

Meanwhile down in Adelaide notorious hedonists The Masters Apprentices were giving Gloria their own treatment.

As the beat music of the era gained a more acid tinged, psychedelic feel, bands such as The 13th Floor Elevators emerged from the garage scene . The song's simple structure and sexual overtones made it an ideal backdrop for the meandering poetic improvisations of Jim Morrison of The Doors and a backbone for the inspired guitar noodlings of Jimi Hendrix.

Patti Smith opened her 1975 LP Horses (one of the most influential records in the history of popular music) with her take on Gloria, featuring a trademark poetic ramble.

This outing propelled Gloria into the proto punk garage scene that spawned pub rock , two versions here- The 101ers and Eddie and the Hot Rods. In that other great populist music boom of the 70's, Disco, Santa Esmeralda funked up the track for a spin under the glitterballs (to be honest it isn't as funky as you'd expect).
The first time that Melbourne's The Boys Next Door were recorded was a live set featuring Gloria in 1977 .
Van Morrison teamed up with John Lee Hooker to take the song back into the charts in 1993.

The appeal of the three chord bash that typified garage music is enduring as well as far reaching- contemporary Magnitude 3 from Japan come up with by far the most primitive take of the song here, and The Crushers from Moscow give us a massive 21 st century version .

Bear in mind:
Variable bitrate.
Some of original recordings rudimentary.
Van Morrison is known to employ 10,000 monitors in five continents working 24 hours a day to ensure that his work is not circulated via the internet.

Rowland S. Howard 1959 –2009

The Boys Next Door- Shivers/ Dive Position 7” (1979)

Nick Cave had knocked around Melbourne with a nebulous band since 1973. Mick Harvey and Phil Calvert had been with him since the outset- Tracy Pew appeared on the scene in 1975. By 1977 the band, by then known as The Boys Next Door, had abandoned their earlier models such as Roxy Music and Alex Harvey, in favour of a punkier sound. In 1978 guitarist Roland S Howard joined and the sound underwent a further significant change.
Shivers was written by Howard and released in Australia in 1979. (Their previous release, a cover of These Boots Were Made For Walking, was limited to 1,500 copies).
Its interesting to contrast these songs with the Hee Haw recordings (credited initially to The Boys Next Door and later to The Birthday Party), when they were beginning to adopt a more uncompromising approach to their work. I ripped these two tracks off the Door Door album in the interests of sound quality.
Line up:
Nick Cave- vocals
Mick Harvey- guitar
Tracy Pew- bass
Roland S Howard- guitar
Phil Calvert- drums