Aurgasm

middle-eastern // electro-dream-pop

Yasmine Hamdan began her career in Beiruit in the late 90’s where she gained a reputation of a modern underground icon. Fast forward to past the naughts, Yasmine now resides in Paris where she teamed up with Nouvelle Vague’s mastermind Marc Collin for her album Ya Nass (2013). Throughout the album, Yasmine’s seductive and distinctly Middle Eastern vocals create an evocative blend of Oriental Soul, Dream Pop and acoustic folk. In “Samar”, Yasmine’s vocals seamlessly weave with swirling retro-synths and electronic vibes, while “Deny” is a mesmerizing dream-pop ballad.

Smoky, spine-tingling vocals.

Yasmine Hamdan – Samar
Yasmine Hamdan – Deny
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world jazz // cape verdean

The music of Lisbon-born and London-based songstress Carmen Souza is hard to categorize, but easy to love. In her recent studio-album Kachupada (2013), Carmen embodies the influences of traditional Cape Verdean sounds, American jazz, Latin, Afro-Caribbean rhythms and more. Carmen’s remarkably soulful voice is the center of it all, as she easily swings through exotic beats and mellow jazz tones with a feeling of saudade. Her version of Charlie Parker’s bebop classic “Donna Lee” sounds festive, danceable and extraordinary original.

Jazz-tingled tropical musical adventure.

Carmen Souza – Donna Lee

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Township bass // Globalista Punk

Producer Crypto.Jori (Jori Collignon) and vocalist/visual artist Cata.Pirata (Catarina Aimée Dahms) wrote and recorded “Riots in the Jungle” while traveling urban townships of South Africa, forming an unheard melting pot of original music that blends traditional sounds from Africa, South America and Europe into explosive electro-punk attitude and modern day wobble. Showing a typical Dutch blunt open-mindedness, coupled to schizophrenic traditions still present in South Africa, Skip & Die draws from their personal experiences to tell a story spanning multiple continents in a waterfall of languages.

World music on acid brings the noise.
Skip&Die – Jungle Riot
Skip&Die – Lihlwempu Lomlungu (with Driemanskap)
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Bollywood // Funk

Everything about Melbourne outfit The Bombay Royale screams over the top, too much guilty pleasure. A crazy mash-up of genres you would find in a Tarantino soundtrack propells the Hindi and Bengali vocals. Synth sounds on the border of hypnotism and cheese, mexican trumpets battling tabla rhythms, surf guitars flowing into cinematic string arrangements, all completed with a dash of hammond soul. This genre-defying joyride should never work but is evidently forged with such a love of music that it sounds awesome.

Hitting you in the guts like a vindaloo of funk.
The Bombay Royale – Monkey Fight Snake
The Bombay Royale – Sote Sote Adhi Raat
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acoustic jazz // world

Moroccan-born, Paris-based songstress and multi-instrumentalist Hindi Zahra is truly a world artist. Her debut album Handmade (2011) embodies the spirit of American jazz and blues traditions, Django Reinhardt’s gypsy guitar rhythms and North African beats. Sung nearly entirely in English with occasional Berber whispers, Handmade ranges from smoky ballads to soulful urban blues. In “Beautiful Tango” Hindi’s sweet vocals, acoustic guitar, light hand percussion, and overall easy jazz style steal your heart away.

Soulful grooves with a tinge of Morocco.

Hindi Zahra – Beautiful Tango
Hindi Zahra – Imik Si Mik
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