- published: 11 Sep 2013
- views: 22746993
Robert Alan Johnson (born February 8, 1951) is a retired American football coach and former player. He was most recently the head football coach at Vanderbilt University, a position he held from the 2002 season until his retirement in 2010. In December 2001, Johnson became the Commodores' head coach, after leading Furman University to the NCAA Division I-AA national championship game. He coached the Paladins between 1994 and 2001, leading the team to a 60–36 overall record during his eight years. Prior to his hiring at Furman, Johnson was also the defensive coordinator for the Clemson Tigers. In 2008, Johnson led Vanderbilt to its first winning season since 1982. His team went 7–6 with a 16–14 win over Boston College in the Music City Bowl, Vanderbilt's first bowl victory since 1955 and only their second in school history at the time.
Johnson was a standout in football, basketball, and baseball during his time at Eau Claire High School in his native hometown of Columbia, South Carolina.
Bobby Johnson Born c. 1973) is an American football coach who is the tight ends coach for the Oakland Raiders of the National Football League (NFL). Johnson played college football for the Miami RedHawks football team of Miami University.
Bobby Lee Johnson (born December 14, 1961) is a former professional American football wide receiver in the National Football League for three seasons for the New York Giants. He played college football at the University of Kansas.
He is best known as the receiver who caught Phil Simms' 4th and 17 pass in Minnesota in week 12 of the 1986 season. It is the play that many football historians feel turned the tide of the Giants championship run. The play set up Raul Allegre's game winning 33-yard field goal. The Giants won the game 22 - 20.
Universal Motown Records was a record label that operated as a division of Universal Motown Republic Group. It was the contemporary incarnation of the legendary Motown Records label, and the "urban" half of UMRG, although there was some rock artists on the label (along with its sub-labels) as well.
In 2005 Motown Records was merged with the urban artists on Universal Records to create Universal Motown Records, headed by former CEO of Elektra Records Sylvia Rhone, and placed under the newly created umbrella division of Universal Motown Republic Group. Motown Records began celebrating its fiftieth anniversary (January 12, 2009) in late 2008, including the release of a The Complete No. 1's boxset containing Motown #1 hits from Billboard's pop, R&B, and disco charts, reissues of classic-era Motown albums on CD, and other planned events, which were released in collaboration with Universal Music Group's catalog division.
Changes were made at Universal Motown Republic Group in 2011, and Motown Records was separated from Universal Motown Records and the umbrella label and merged into The Island Def Jam Music Group, making Universal Republic Records a stand-alone label and shutting down Universal Motown Republic Group. In 2012, Universal Republic Records changed its name back to Republic Records. All Universal Republic Records artists were moved to Republic Records.
Og (Hebrew: עוֹג, ʿog ˈʕoːɡ; Arabic: عوج, cogh [ʕoːɣ]) according to The Torah, was an Amorite king of Bashan who, along with his army, was slain by Moses and his men at the battle of Edrei. In Arabic literature he is referred to as ‘Uj ibn Anaq (‘Ûj ibn ‘Anâq عوج بن عنق).
Og is mentioned in Jewish literature as being one of the very few giants that survived the Flood.
Og is introduced in the Book of Numbers. Like his neighbor Sihon of Heshbon, whom Moses had previously conquered at the battle of Jahaz he was an Amorite king, the ruler of Bashan, which contained sixty walled cities and many unwalled towns, with his capital at Ashtaroth (probably modern Tell Ashareh, where there still exists a 70-foot mound).
The Book of Numbers, Chapter 21, and Deuteronomy, Chapter 3, continues:
Og's destruction is told in Psalms 135:11 and 136:20 as one of many great victories for the nation of Israel, and the Book of Amos 2:9 may refer to Og as "the Amorite" whose height was like the height of the cedars and whose strength was like that of the oaks.
The OG-107 was the basic work utility uniform of all branches of the United States Armed Forces from 1952 until its discontinuation in 1989. The designation came from the U.S. Army's coloring code "Olive Green 107" and "Olive Green 507", which were shades of dark green, the OG-107 being cotton and OG-507 polyester-cotton blend introduced in the early 1970s. Regardless of the fabric, the two shades were almost identical. The OG-107 was superseded by the Battle Dress Uniform (BDU) throughout the 1980s, and was also used by several other countries, including ones that received military aid from the United States.
All versions of the OG-107 shared several basic design features. They were made out of an 8.5 ounce cotton sateen. The shirt could be tucked in or worn outside the trousers depending on the preference of the local commander. If sufficiently hot and humid, troops could be permitted to roll up the sleeves (seldom) and unblouse the trousers. It consisted of a button front and two simple patch pockets on the upper chest that closed by means of a buttoned flap. The trousers were straight leg pants intended to be bloused (tucked in) into boot tops with two simple patch pockets in the front with slash openings and two simple patch pockets on the back with a button flap. The cotton versions tended to fade quickly to greenish grey while the poly-cotton variant used in the OG-507 stayed darker much longer.
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🌟 Dive into the captivating tale of Bumpy Johnson, the legendary Godfather of Harlem! From his early struggles in Charleston to his epic battles against the Mafia, witness the rise and fall of this iconic figure in American organized crime history. 🏙️ 👉 Learn about Bumpy's alliances, conflicts, and the epic showdowns that shaped his legacy. Discover the true extent of his influence in Harlem and the profound impact he left on the criminal underworld. 🚀 Uncover the secrets, scandals, and triumphs that defined Bumpy's journey, from his strategic moves against Dutch Schulz to his historic negotiation with Lucky Luciano. 🤝 🔍 Explore the complex relationships, unexpected twists, and the ultimate betrayal that led to Bumpy's imprisonment. Find out how he fought against the odds, earned respec...
OG Bobby Johnson - Choreography by Tricia Miranda Produced by Tim Milgram Filmed by Donovan Okimura Follow us: http://instagram.com/1triciamiranda http://instagram.com/tmillytv Dancers: Gabe DeGuzman, Sean Lew, Josh Price, Will Simmons, Richard "Lil Swagg" Curtis, Zach Hudson, Angelo Saunders, Ramon Wilkinson, Kaycee Rice, Julian Carmolinga, Taylor Thomas, Samantha Long, Deja Carter, Ashanti Ledon, Jared Jenkins, Jeremy Copeland, Denzel Alexander Subscribe to T.Milly TV! ► http://bit.ly/2fbFda4 ►► For video production inquiries: info@tmilly.com Visit us at: http://www.tmilly.com
'Herstory' out now. Available for purchase at the following retailers: http://smarturl.it/HERSTORYiTunes http://smarturl.it/HERSTORYApple http://smarturl.it/HERSTORYSpotify http://smarturl.it/HERSTORYAmazon Download Young M.A's 'SleepWalkin' project for free here: http://bit.ly/SleepWalkin Fans can also support by purchasing the project on iTunes: http://smarturl.it/sleepwalkin Purchase official Young M.A clothing here: https://shopyoungma.com/
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"Godfather of Harlem" is a gripping crime drama series based on the true story of Bumpy Johnson, a powerful crime boss in Harlem during the 1960s. Witness the ruthless world of organized crime and the intricate power struggles as Bumpy navigates the turbulent era. Follow the iconic journey of Bumpy Johnson, portrayed brilliantly by Forest Whitaker, as he tries to regain control of Harlem amidst the changing political and social landscape of the time. The series delves into the complex characters, historical events, and the captivating tension that keeps viewers on the edge of their seats. Don't forget to like, comment, and subscribe to our channel for more thrilling clips and updates from "Godfather of Harlem." Share your thoughts and favorite moments from the series in the comments belo...
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Kida The Great Killed The Nae Nae Dancing To OG Bobby Johnson Beat
Robert Alan Johnson (born February 8, 1951) is a retired American football coach and former player. He was most recently the head football coach at Vanderbilt University, a position he held from the 2002 season until his retirement in 2010. In December 2001, Johnson became the Commodores' head coach, after leading Furman University to the NCAA Division I-AA national championship game. He coached the Paladins between 1994 and 2001, leading the team to a 60–36 overall record during his eight years. Prior to his hiring at Furman, Johnson was also the defensive coordinator for the Clemson Tigers. In 2008, Johnson led Vanderbilt to its first winning season since 1982. His team went 7–6 with a 16–14 win over Boston College in the Music City Bowl, Vanderbilt's first bowl victory since 1955 and only their second in school history at the time.
Johnson was a standout in football, basketball, and baseball during his time at Eau Claire High School in his native hometown of Columbia, South Carolina.
[Intro: Corté Ellis]
Stuntin like a muh'fucker
I be I be I be, I be on that on that (Slaughterhouse!)
On that on that on that on that
[Crooked I (Corté):]
Yo, million dollar +Playboy+, bunny ears and all
The reason for the long ears, money hears it all
She say "I love you papa, " then I grab my chopper
Tell her pull over to box the lights, honey here's the mall
(Money on the floor) I tear it down wall-to-wall
If I'm not spendin Kobe paper at least I'm Pau Gasol
I spend to live lavish, I get to the cabbage
I'm sicker than average, I'll give your chick my stimulus package, uhh
[Corté Ellis:]
I got a lot of cars, got a lot of jewels
Spend a lot of money women say I act a fool
When I'm in the club, bottles in my hand
Stuntin like a (muh'fucker) watch me do my do my do my (dance)
Is this your girl? Cause homie if it is
Get her from my table cause you know what it is
I'm tryin to get her home, when she done with that Patrón
She don't pick up the phone, then you know what's goings on
She lookin at my watch, and not just for the time
Attracted to the shine, she attracted to the grind
I'm 'bout to make her mine, then get up in her mind
Then get up in her spine, man she better recognize I got
[Chorus x2: Corté Ellis]
(Got) Money on the floor (got) money on the floor
(Got) Money on the floor (got) money on the floor
(Got) Money on the floor (got) money on the floor
You get that girl? I get that girl; you get that girl? I get that girl
[Joe Budden]
Okay, uhh, get this paper, uhh
Look, look look; she told me she couldn't help it
So then it's a overload maybe somethin you gon' need help with
Like soon as we weld it (ohh)
Heated up, melt it (or) beat it up, welt it
When she scream that she never felt it I knew it's a job I well did
I ain't on no wealth shit but the V is like a stealth shit
(Or) Or aircraft, my share cash got her near fast
Way she wear that, I threw the dough in the air
Enough to keep you off that blow for a year, let's get it clear
Joey!
[Chorus: w/ ad libs]
[Royce Da 5'9":]
Nickel (woo!)
Nickel-Nine I'm so ghetto, fo', metal
Walk around on money like I'm Akeem and them dollars is rose petals
And I keep that dough handy - that sweet smell of money
I sniff it, I get high, I call it nose candy
Mama take a flick – 20 thousand on me
Every G that's in my pocket separated by a paper clip
Every G that's with me separated by a AK clip
We 'bout that white, okay-K-K
Step back, my niggaz throwin
[Chorus: w/ ad libs]
[Joell Ortiz:]
Uhh, first it starts in my pockets in thick rubber bands
Then it makes it's way to the bar next to my cup of Grand
Marnier, wish it would stay there but it can't parlay
When it sees a runway, it takes flight, and lands by they lingerie
Especially when they body's sweet like, crème brûlée
And that booty puts they thong away
I'm havin fun, all you haters can keep lookin
Matter fact, don't keep on lookin, I'm from Brooklyn
We gon' end up puttin money on the flo'
[Chorus: w/ ad libs]
[Corté Ellis:]
Now what I'm 'posed to do, with all this money
Ridin in a spaceship, they look at me funny
Donald Trump money, that Bill Gates money
Warren Buffett money, can't take nuttin from me
Now what I'm 'posed to do, with all this money
Ridin in a spaceship, they look at me funny
Donald Trump money, that Bill Gates money