This post at Maria's Wish I Could Reach You In Belgrade blog about a travel book on the Balkans, which was written at the turn of the 20th century, got me wondering how Belgrade looked in the early(ish) 1900s?
So I did a quick search and found some interesting videos of Belgrade from the 1930s and thought I'd share them with you. You should be able to recognise some of the sights:
Update on new address
I'm still tweaking the new Balkan File site and it should be complete by Monday at the latest. So expect the new address then. If you're already subscribed to Balkan File via the RSS feed, it should automatically pick up the new site so you won't have to subscribe again. :-)
Showing newest posts with label culture. Show older posts
Showing newest posts with label culture. Show older posts
Saturday, October 4, 2008
Belgrade: A Step Back In Time
Thursday, August 7, 2008
No Limit?
During one of my far too regular trawls through YouTube, which can keep you amused for hours you don't have, I stumbled across 200 na sat (200 miles per hour) by Ivan Gravilović, which was released in 1994. I immediately noticed that the music was strangely familiar - in fact, almost entirely the same as eurodance band 2 Unlimited's 'No Limit' (released in 1993 during the rave culture of the 90s in the UK and Europe). Hopefully, most of you would remember this song - whether you despised its repetitive beats and limited vocabulary or fully embraced it as a huge hit.
At first I was mortified and repulsed by the mutilation inflicted upon this 'classic dance hit', but as usual, the more I listen to 1990's Serbian dance music/turbo-folk, the more it grows on me and I no longer wish to fall into a deep, dark hole. 200 na sat, is a pretty pointless song about cars and speed, and is generally accepted to be the song that began the Serbian 1990's phenomenon known as turbo-folk. Turbo-folk is a sub genre of music which emerged in Serbia during the crisis years of the 1990s and is a mixture of contemporary (at the time) dance beats and Serbian folk music.
It became immensely popular with urban youth, in particular the dizelaši (dieselites), a group of ultra-macho, sporty young males who were fond of wearing Diesel brand clothing, and particularly fueled the 'macho culture' of Serbia during the 1990s. It produced a whole host of other famous turbo-folk singers such as the infamous Ceca and Jelena Karleuša. Turbo-folk today is regarded to epitomise ultra-nationalism and the Milošević regime.
Regardless of the dark connotations associated with turbo-folk music, it can be quite enjoyable and amusing to watch and listen to them. Here's Ivan Gravilović's version of 'No Limit'. Enjoy, but don't be too critical of their music video budget - hyper-inflation was in full swing!
At first I was mortified and repulsed by the mutilation inflicted upon this 'classic dance hit', but as usual, the more I listen to 1990's Serbian dance music/turbo-folk, the more it grows on me and I no longer wish to fall into a deep, dark hole. 200 na sat, is a pretty pointless song about cars and speed, and is generally accepted to be the song that began the Serbian 1990's phenomenon known as turbo-folk. Turbo-folk is a sub genre of music which emerged in Serbia during the crisis years of the 1990s and is a mixture of contemporary (at the time) dance beats and Serbian folk music.
It became immensely popular with urban youth, in particular the dizelaši (dieselites), a group of ultra-macho, sporty young males who were fond of wearing Diesel brand clothing, and particularly fueled the 'macho culture' of Serbia during the 1990s. It produced a whole host of other famous turbo-folk singers such as the infamous Ceca and Jelena Karleuša. Turbo-folk today is regarded to epitomise ultra-nationalism and the Milošević regime.
Regardless of the dark connotations associated with turbo-folk music, it can be quite enjoyable and amusing to watch and listen to them. Here's Ivan Gravilović's version of 'No Limit'. Enjoy, but don't be too critical of their music video budget - hyper-inflation was in full swing!
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