![Bangarra Dance Theatre: Nyapanyapa, from <i>Our Land People Stories</i>.](/web/20160902035907im_/http://www.theage.com.au/content/dam/images/g/r/7/5/0/d/image.related.wideLandscape.300x169.gr74qe.png/1472786445048.jpg)
Moving tales of violence, grief and beauty
Yet another terrific performance signals Bangarra Dance Theatre's legacy is in safe hands.
Yet another terrific performance signals Bangarra Dance Theatre's legacy is in safe hands.
Jane Montgomery Griffiths' rendition of a dying academic is so good it subverts the message of Margaret Edson's play.
Marta Dusseldorp's performance holds Gloria together even as Gloria falls apart. It's a privilege to observe her work in the merciless close-up of the Griffin stage.
Jane Montgomery Griffiths' rendition of a dying academic is so good it subverts the message of Margaret Edson's play.
A secret passion that inspired one of the most famous books in English literature led to this one-woman play.
In broad daylight, a stealthy band of rebels armed with headphones came to Parliament House. And nobody noticed.
Design and technology meet the moving human form to create a sense of flying through space.
The Kibbutz Contemporary Dance Company, making its Sydney debut, has all the physical power we have come to expect of an Israeli company.
North east Arnhem Land artist Nyapanyapa Yunupingu sat quietly in a corner, painting in her community in Yirrkala when she caught Stephen Page's eye.
The veteran musical theatre composer on why he hasn't been tempted to go back to purely instrumental writing.
The ABBA jukebox musical will be starting its Australian tour in Canberra next year.
A droll showbiz lampoon, full of killer one-liners and highly confected backstage farce, with an occasional moment of genuine poignancy thrown in.
Using the "silent disco" model, in which clubbers dance to music sent wirelessly to headphones, Sydney Opera House – The Opera: The Eighth Wonder will be performed on the Opera House steps with the sound relayed to the audience via headsets.
The plot is about as crazy as a plot can get, with much to say about love and marriage and gender and class in an 18th-century setting.
Michael Gow's new translation of Mozart's comic opera will make it accessible to new audiences.
The South African comedian's profile has risen quickly and he has broadened his material to match it.
Forget the Olympics. Our new national expertise is in taking the piss.
Three Australians are among the nominees for the distinguished Edinburgh Comedy Awards.
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