Pyotr Ilich Tchaikovsky, (1840-1893), born in
Votkinsk,
Russia was the most popular
Russian composer of all time. His music has always had great appeal for the general public in virtue of its tuneful, open-hearted melodies, impressive harmonies, and colorful, picturesque orchestration, all of which evoke a profound emotional response. His works includes 7 symphonies, 11 operas, 3 ballets, 5 suites, 3 piano concertos, a violin concerto, 11 overtures, 4 cantatas, 20 choral works, 3 string quartets, a string sextet, and more than
100 songs and piano pieces.
Tchaikovsky was born into a family of five brothers and one sister. He began taking piano lessons at age four and showed remarkable talent, eventually surpassing his own teacher's abilities. By age nine, he exhibited severe nervous problems, not least because of his overly sensitive nature.
The following year, he entered the prestigious
Imperial School of Jurisprudence in
St. Petersburg, a boarding institution for young boys, where he spent nine years. He proved a diligent and successful student who was popular among his peers. At age 17 Tchaikovsky came under the influence of the
Italian singing instructor
Luigi Piccioli, the first person to appreciate his musical talents, and thereafter Tchaikovsky developed a lifelong passion for
Italian music.
Wolfgang Amadeus Mozart's
Don Giovanni proved another revelation that deeply affected his musical taste
.
In the summer of 1861 he traveled outside Russia for the first time, visiting
Germany,
France, and
England, and in October of that year he began attending music classes offered by the recently founded
Russian Musical Society. When
St. Petersburg Conservatory opened the following fall, Tchaikovsky was among its first students. After making the decision to dedicate his life to music, he resigned from the
Ministry of Justice, where he had been employed as a clerk. He spent nearly three years at St. Petersburg Conservatory, studying harmony and counterpoint with musical theorist
Nikolay Zaremba and composition and instrumentation with pianist, composer and conductor
Anton Rubinstein.
After graduating in December 1866, the composer relocated to
Moscow, accepting a professorship of harmony at the new conservatory, and shortly afterward turned out his
First Symphony. His opera
The Voyevoda came in 1867-1868 and he began another,
The Oprichnik, in
1870, completing it two years later. Other works were appearing during this time, as well, including the
First String Quartet (
1871), the
Second Symphony (1873), and the ballet
Swan Lake (1875). In 1876, Tchaikovsky traveled to
Paris with his brother, Modest, and then visited
Bayreuth, where he met
Franz Liszt. By 1877, Tchaikovsky was an established composer. This was the year of Swan Lake's premiere and the time he began work on the
Fourth Symphony. In the summer of 1877 Tchaikovsky married
Antonina Ivanovna Milyukova, an obsessed admirer but their disastrous union lasted just months.
Near the end of that year,
Nadezhda von Meck, a woman he would never meet, became his patron and frequent correspondent.
Further excursions abroad came in the
1880s, along with a spate of successful compositions, including the
Serenade for Strings (1881),
1812 Overture (
1882), and the
Fifth Symphony (
1888). In both 1888 and 1889, Tchaikovsky went on successful
European tours as a conductor, meeting
Johannes Brahms,
Edvard Grieg,
Antonín Dvořák,
Charles-François Gounod, and other notable musical figures.
Sleeping Beauty was premiered in 1890, and
The Nutcracker in 1892, both with great success. He then wrote his
Sixth Symphony, Pathétique, in 1893, and it was successfully premiered in October, that year.
For most of the
20th century, critics were profoundly unjust in their severe pronouncements regarding Tchaikovsky's life and music. During his lifetime, Russian musicians attacked his style as insufficiently nationalistic. In the
Soviet Union, however, he became an official icon, of whom no adverse criticism was tolerated; by the same token, no in-depth studies were made of his personality. But in
Europe and
North America, Tchaikovsky often was judged on the basis of his sexuality, and his music was interpreted as the manifestation of his deviance. His life was portrayed as an incessant emotional turmoil, his character as morbid, hysterical, or guilt-ridden, and his works were proclaimed vulgar, sentimental, and even pathological. This interpretation was the result of a fallacy that over the course of decades projected the current perception of homosexuality onto the past.
Romeo and Juliet (Fantasy Overture)
Performed by the
Philadelphia Orchestra
Eugene Ormandy,
Conductor
- published: 24 Nov 2013
- views: 2486