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The Vegetarian: A Novel Hardcover – Deckle Edge, February 2, 2016

3.7 3.7 out of 5 stars 9,315 ratings

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WINNER OF THE INTERNATIONAL BOOKER PRIZE • “[Han] Kang viscerally explores the limits of what a human brain and body can endure, and the strange beauty that can be found in even the most extreme forms of renunciation.”—Entertainment Weekly

One of the New York Times’s 100 Best Books of the 21st Century

“Ferocious.”—
The New York Times Book Review (Ten Best Books of the Year)
“Both terrifying and terrific.”—Lauren Groff
“Provocative [and] shocking.”—The Washington Post

Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself. 
 
Celebrated by critics around the world,
The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.

A Best Book of the Year:
BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly

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Editorial Reviews

Review

“Surreal . . . [A] mesmerizing mix of sex and violence .”—Alexandra Alter, The New York Times

“[Han Kang] has been rightfully celebrated as a visionary in South Korea . . . Han’s glorious treatments of agency, personal choice, submission and subversion find form in the parable. . . . Ultimately, though, how could we not go back to Kafka? More than
The Metamorphosis, Kafka’s journals and ‘A Hunger Artist’ haunt this text.”—Porochista Khakpour, New York Times Book Review

“Indebted to Kafka, this story of a South Korean woman’s radical transformation, which begins after she forsakes meat, will have you reading with your hand over your mouth in shock.”
O: The Oprah Magazine

The Vegetarian has an eerie universality that gets under your skin and stays put irrespective of nation or gender.”—Laura Miller, Slate

“Slim and spiky and extremely disturbing . . . I find myself thinking about it weeks after I finished.” Jennifer Weiner, PopSugar

“It takes a gifted storyteller to get you feeling ill at ease in your own body. Yet Han Kang often set me squirming with her first novel in English, at once claustrophobic and transcendent.”
Chicago Tribune

"Compelling . . . [A] seamless union of the visceral and the surreal.”—
Los Angeles Review of Books

“A complex, terrifying look at how seemingly simple decisions can affect multiple lives . . . In a world where women’s bodies are constantly under scrutiny, the protagonist’s desire to disappear inside of herself feels scarily familiar.”—
Vanity Fair

“Elegant . . . a stripped-down, thoughtful narrative . . . about human psychology and physiology.”—
HuffPost

“This elegant-yet-twisted horror story is all about power and its relationship with identity. It's chilling in the best ways, so buckle in and turn down the lights.”—
Elle

“This haunting, original tale explores the eros, isolation and outer limits of a gripping metamorphosis that happens in plain sight. . . . Han Kang has written a remarkable novel with universal themes about isolation, obsession, duty and desire.”
Minneapolis Star Tribune

“Complex and strange . . . Han’s prose moves swiftly, riveted on the scene unfolding in a way that makes this story compulsively readable. . . . [
The Vegetarian] demands you to ask important questions, and its vivid images will be hard to shake. This is a book that will stay with you.”St. Louis Post-Dispatch

“Dark dreams, simmering tensions, chilling violence . . . This South Korean novel is a feast. . . . It is sensual, provocative and violent, ripe with potent images, startling colors and disturbing questions. . . . Sentence by sentence,
The Vegetarian is an extraordinary experience.”—The Guardian

About the Author

Han Kang was born in 1970 in South Korea. In 1993 she made her literary debut as a poet, and was first published as novelist in 1994. A participant of the Iowa Writers' Workshop, Han has won the Man Booker International Prize, the Yi Sang Literary Prize, the Today's Young Artist Award, and the Manhae Literary Prize. She currently works as a professor in the Department of Creative Writing at the Seoul Institute of the Arts.

Product details

  • Publisher ‏ : ‎ Hogarth; First Edition (February 2, 2016)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 192 pages
  • ISBN-10 ‏ : ‎ 0553448188
  • ISBN-13 ‏ : ‎ 978-0553448184
  • Item Weight ‏ : ‎ 11 ounces
  • Dimensions ‏ : ‎ 5.94 x 0.77 x 8.52 inches
  • Customer Reviews:
    3.7 3.7 out of 5 stars 9,315 ratings

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Customer reviews

3.7 out of 5 stars
9,315 global ratings

Customers say

Customers find the book thought-provoking and compelling. They describe the aesthetic quality as beautiful, poetic, and unique. Readers describe the book as interesting and intense. They appreciate the creativity and writing quality. However, some find the narrative mediocre and disappointing. Opinions are mixed on the disturbing content.

AI-generated from the text of customer reviews

196 customers mention "Readability"161 positive35 negative

Customers find the book interesting, impressive, and engaging. They describe it as a short but intense book that explores themes of control and societal violence. Readers also mention the book is unique, surprisingly meaty for its 192 pages, and gripping from the first paragraph.

"...The story certainly seems unique, but it is not my taste...." Read more

"The writing is beautiful and the story takes you into 3 scenarios, dreamlike,frightening, transcendent. Unlike anything else I’ve ever read." Read more

"...I found it to be a very compelling and interesting read. I agree with other readers that it is difficult to pin down the author's point...." Read more

"...of novels these days with wide acclaim, this book is interesting and engaging while also so allegorical and obscure that empathy for the protagonist..." Read more

123 customers mention "Writing quality"108 positive15 negative

Customers find the writing quality of the book beautiful, graceful, and powerful. They also say the story is poetically written, with a vibrant command of language. Readers also mention the book is a quick and easy read, but somewhat disquieting.

"This book is well written, as far as I can tell with the translation. The story certainly seems unique, but it is not my taste...." Read more

"The writing is beautiful and the story takes you into 3 scenarios, dreamlike,frightening, transcendent. Unlike anything else I’ve ever read." Read more

"...I really enjoyed this book and thought the writing was pitch-perfect for the story. The author has a very vivid imagination...." Read more

"...: I read this book in English and it was a thoroughly lithe and graceful translation. The translator was Deborah Smith and she, too, is an artist." Read more

25 customers mention "Creativity"25 positive0 negative

Customers find the book creative, original, and thoughtful. They also say it makes the ordinary seem extraordinary.

"...The author has a very vivid imagination. I gave this four stars because I do have questions about what this novel was really about...." Read more

"...-- which a haunting, gripping, very uncomfortable; i.e. very well done and very strong...." Read more

"This is a work of lucid genius...." Read more

"A psychologically tense, visual, creative, poetic, and interesting - however rather black - story about the dark matters of life...." Read more

25 customers mention "Thought provoking"25 positive0 negative

Customers find the book evocative, compelling, and full of depth. They say it gives tremendous insight into members of a Korean family. Readers also mention the book has layer upon layer of meaning and touches many different subjects.

"...The book has layer upon layer of meaning, and touches many different subjects that are organically intertwined, and that the reader will discover as..." Read more

"...and the story takes you into 3 scenarios, dreamlike,frightening, transcendent. Unlike anything else I’ve ever read." Read more

"...wide acclaim, this book is interesting and engaging while also so allegorical and obscure that empathy for the protagonist's plight becomes..." Read more

"...The studies of mania, obsession and mental illness were so interesting to read about...." Read more

17 customers mention "Aesthetic quality"15 positive2 negative

Customers find the book beautiful, poetic, and imaginative. They also appreciate the originality and erotic imagery.

"...is not an easy book to read, sad, tragic and depressing but also artistic, erotic, lyric an poetic...." Read more

"...by Han Kang’s precise, powerful prose, which is equally adept at showcasing both great beauty and stunning brutality...." Read more

"...But on the other hand this story was very insightful and, dare I say, beautiful.I'm so confused right now." Read more

"This book has a lovely, delicate of the socially weak and alienated." Read more

122 customers mention "Disturbing content"61 positive61 negative

Customers have mixed opinions about the disturbing content of the book. Some mention it's disturbing, weird, and haunting. Others say it'll leave them unsettled and is too depressing.

"...The Vegetarian is not an easy book to read, sad, tragic and depressing but also artistic, erotic, lyric an poetic...." Read more

"...Those thoughts are sexual, sensual, morbid, sad, selfish and violent. There seem to be no happy thoughts...." Read more

"...is beautiful and the story takes you into 3 scenarios, dreamlike,frightening, transcendent. Unlike anything else I’ve ever read." Read more

"...skimming very quickly through the rest of it and found it too bizarre to keep my interest...." Read more

29 customers mention "Character development"12 positive17 negative

Customers have mixed opinions about the character development. Some mention the characters are fascinating, clear, and elegantly sketched. Others say the characters float through life without any decision to make.

"...Another "sore spot" for me was that the inscrutability of the main character, though likely maintained so we could see her through the eyes..." Read more

"...is interesting and the style of writing and the character herself is very strange and intriguing...." Read more

"...But as a novel I felt most of the characters didn't hold my interest or let me get to know them better as the book went on...." Read more

"...The writing was beautiful and the characters were interesting. I was a bit confused by the ending of the book, but I think that's just me...." Read more

72 customers mention "Narrative quality"18 positive54 negative

Customers find the narrative quality of the book mediocre and disappointing. They say it loses its way after the powerful and upsetting events. Readers also mention the story is disturbing and unsatisfying.

"...As I finished the last page I was dissatisfied with the ending. I felt cheated out of a resolution that I felt the book had been promising...." Read more

"...the eyes of the people surrounding her, left me unable to construct a meaningful sense of her...." Read more

"...The translation by Deborah Smith is good. Most of the book flows and that is the sort of experience we want as translators and readers to have when..." Read more

"...is a depressing read, you feel helpless, but worst of all, it ends without finishing, and that was the final moment for me when I realized that life..." Read more

Blood Dreams
5 out of 5 stars
Blood Dreams
The Vegetarian is told from three points of view: Yeong-hye's husband, her lover, and her sister. The book spans a number of years, showing Yeong-hye's first declaration of vegetarianism to an eventual, but inevitable, ending. This story isn't for the light of heart. There is some sexuality and violence sprinkled throughout the book- but everything that happens is for a reason. Every line, or action taken by a narrator, is used to explain Yeong-hye's eventual spiral into her obsession. This is literature at its finest. Once I started I couldn't stop.The first section of the book, doesn't mention the protagonist's name almost until the end of the segment, alluding to the fact that each character involved in her life doesn't view her as her own person. To her husband she is a willing servant, complaint in everything until she won't cook or serve meat. To her lover she is something to be desired and lusted for, but never fully realized. To her sister, she's guilt personified, as Yeong-hye's actions have had, in one way or another, always impacted her own well being.I don't want to spoil anything, but this story is so layered with thoughts on patriarchal society, individual rights, and familial bonds that it takes more than one look to get to the bottom of it. I loved this book, but I can also see how someone who is not into literary works may be turned off by it. There is a lot of vague dream dialogue, and art is used to describe some of the character's inner turmoil. The work is short at 160 pages so I was able to read it in one sitting at night. It left me feeling void and angry. It left me wondering why. Isn't that what all good books do?I received a copy of this title from Blogging for Books for an honest review. ​Although published in Korea in 2007, this book is now available in the US in paperback and hardback. It has received numerous awards including the Man Booker International Prize.You can see more of my reviews at AmandaDanadotcom
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Top reviews from the United States

Reviewed in the United States on July 1, 2016
The Vegetarian is a tree-part novella, each narrated by a different character. The main character is Yeon-hye, a young married woman who suffers a mental crisis and becomes a vegan in a country and family where veganism is not well-seen. Her crisis will affect all members of her family in unexpected ways, opening a box of Pandora that will varnish with emotional crisis everyone it touches. The other two major characters are her sister In-hye, and the unnamed artist In-hye's husband.

The three parts are:
1/The Vegetarian = We are told the story of Yeon-hye'd through the eyes of her husband Mr Cheong,
2/Mongolian Marks = We are told the story of Yeon-hye's artist brother-in-law.
3/Flaming Trees = We are told the story of Yeon-hye through the eyes of her sister In-hye.

The Vegetarian is Yeon-hye's vanishing act in three chapters as each shows a progressive deterioration of Yeon-hye's body and state of mind. The Vegetarian is also an three-way immolation: self-destruction, self-obliteration, and self-denial (Yeon, In, and the artist respectively).

****************
The Vegetarian is not an easy book to read, sad, tragic and depressing but also artistic, erotic, lyric an poetic. The book has layer upon layer of meaning, and touches many different subjects that are organically intertwined, and that the reader will discover as they read along.
# Some of these subjects and themes are immediately obvious: ~ The social and family structure in South Korea. ~ The objectification of women. ~ The nature of desire. ~ The nature of artistic creation. ~ The effect of trauma and the suppression of emotions on the psyche. ~ The many facets of violence in our daily dealings. From feeding somebody against their will, to emotionally using somebody disregarding their emotional needs, having intercourse with a person who is not in his right mind, or enduring life without living it fully. ~ Social and personal boundaries.
# However, I see four major themes in the novel:
~ One is the seek for the real self, because that true self is what we really are, the voice in our inner speech. The closer you are to your true self and your true inner voice the healthier your state of mind. This novel shows this masterfully. .
~ The second is that reality is perception, which is tarnished by our psychological projections.What is more, reality is part o our dreams and dreams are always real no matter how fantastic and mysterious they look like. All the characters say, at certain point in the novel, that the other person is a stranger to them, or that they don't really know them, even though they are family. We can only know other people to a certain extent, even when we think we know them well. We are projecting all the time.
~ The third is mental illness. Which are the repercussions on the social network of the sick person? Where and what is the line that separates sanity from insanity? Who is most insane, the insane person whose mind exteriorises the trauma, or the sane person who cannot deal with the trauma within their own sanity?
~ The fourth is Human Nature vs. Nature. In the book, the former is equalled to violence, suffering, lack of peace, and being stuck, while the latter is equalled to peace, fluidity, happiness, movement, truthfulness, to life as in zen. In fact, the three characters develop a special relationship with Nature, Yeon-hye wants to be a tree, the artist wants to self-obliterate himself into nature through flowers, while In-hye sees trees and forest as holders of the mysteries and answers she is still to get. This links well with Korean culture and Korean connection with the forest, trees and mountains and with some ancestral animist believes that still permeate Korean culture.

****************
There is a heavy presence of strong oneiric elements and moments in the novel that affect all the main characters in the book, Yeon-hye, In-hye, her husband and her son. The oneiric element works perfectly in the novel because dreams are the messengers of the psyche, they are the bed where the soul rests, the mirror of the true self, that part of the human being that is honest and says to you how you feel. Dreams are also a space where reality and non-reality mix in organic but mysterious ways. The dream is the seed of our hidden truths, of our moments of elation and those of despair and anguish. The dream is always emotional. And this is the case in the novel. We see our characters' frigid emotionality in their awaken life, but very emotional in their oneiric life. We see their dreams speaking their inner truth. However, the dream is not only an literary element here. There is a strong dream culture in South Korea, still alive nowadays.

****************
Regarding influences, we Westerners have a western-centric view of the world that we project all the time, especially with successful Asian artists. We tend to see the influence of any major Western artist on any successful Asian artist who becomes popular in the West, and also a tendency to put in the same bag all those Asian artists who become popular in the West. In a way is understandable. Those are the cultural anchors we have because, when it comes to South Korea, we don't have enough knowledge of the language and culture of the country to do differently. Besides, we are reading a translation and, no matter how good the translator is, this is never the same as reading a work in its original language. What can we say about the use of language, play of words, choice of words, sentence structure and on any other linguistic characteristic that is intrinsically linked to the literary value of any literary work? Some critics with too much space to talk nonsense have made connections between Han Kang's writing and Murakami, and found all sort of Western literary influences on this book. Well, I don't see the connection with Murakami at all, mind you. The connection with The Metamorphosis could be made, albeit quite vaguely.

I also have my own projections, of course. Here my mental association. The second chapter and the erotic flower theme resonated with me and brought to mind a video who I saw many-many years ago, the scene of the copulating flowers in Pink Floyd's The Wall (you can still find the clip on YouTube) because, somewhat, I found there was a similar energy, the madness, and darkness even.

Han Kang has personally said in some interviews, that her work is indebted to Korean literature, that some of darkness and themes in her works are directly linked and indebted to her experience of the massacre in Gwanjiu in 1980, and that she writes from an Universal standpoint even though she is Korean. She is the daughter of a writer, grew up surrounded by books and artists, she says, but she doesn't really mention any major Western author as her major literary impromptu even when asked about this. So that should suffice to stop speculating about Western influences.

****************
There are images powerfully lyric and visually artistic and cinematic in this book. One of my favourites is in the fist part, when Yeong-hye in the courtyard in the hospital with a bird in his hand.Almost like a modern painting. Or the image of In-hye reflected in the mirror with a bleeding eye. Others, on the contrary are very dramatic, shocking and horrific, like the dream with the dog. Those images will stay with you for a long time, printed in your retina long after you close the book.

****************
The translation by Deborah Smith is good. Most of the book flows and that is the sort of experience we want as translators and readers to have when translating literary works. Having said that, I thought that the first part needed of a few more commas, cutting on some unnecessary wordiness and another choice of words (this being a very personal thing, of course).

TWO NOTES
|| The Vegetarian was originally published in 2007, compiling three novelettes previously published separately. However, the story, according to Hang herself, developed organically, but turned dark, from a short story of hers "Fruits of my Woman" written in the year 2000.
|| The book was taken to the screen in 2009 under the direction of Woo-Seong Lim. The movie was also called The Vegetarian.

TYPOS
> I couldn’t get my head round it. (Locations 48-49).
> natural it was to not wear clothes. (Location 1220).

A WARNING
This word contains explicit violence, human and animal, and explicit sex scenes.

A QUERY
Why was the book called Vegetarian in English is the character becomes a vegan? Was the title in Korean the same?
40 people found this helpful
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Reviewed in the United States on January 2, 2017
Well, it was different. It was a good different. I have never read anything quite like it before. It was good because it was so intriguing. It was good because you were hoping for some resolution. It was good because the cultural voice it is written in is so unlike anything else I have read. This is in part why I like to read foreign language translations - It challenged me to think of a different part of the world and the way whole societies differ from the west in some very basic ways.

I am a vegetarian and so of course the title caught my attention. I have honestly never really examined the fact of my vegetarianism very much, it just is and I am fortunate to live in a family and a country that thinks nothing much of my choice. The notion that someone becoming a vegetarian could be so radical was fascinating to me. The further notion that this decision, prompted by a dream, could be the catalyst for a deepening mental illness was mind-blowing. I think that is why for the first two-thirds of the book I never really thought that Yeong-hye was insane. How is it possible that your failure to conform with majority view makes you crazy? Heck, I think that lack of conformity is what the United States was, in part, built on. Maybe that is what this book is about? Maybe it is a commentary on South Korean society and the expectations for conformity therein – but I am honestly not sure.

While I did think some about conformity and submission and acquiescence to our fate and Yeong-hye’s rejection of all that. I was mostly struck by how base we all are. We are so animalistic and needy and selfish and some of us reign that in better than others. Han Kang gives us a front row seat to all of those thoughts as they run through the minds of the three main point-of-view characters in the book – Yeong-hye’s husband Mr. Cheong, her brother-in-law and her sister, In-hye. Those thoughts are sexual, sensual, morbid, sad, selfish and violent. There seem to be no happy thoughts. I think we all have dark thoughts at times, but this is exceptional and it made me wonder if this is the product of a post-Christian world, or the decline in birth rates in Korea that exemplifies a lack of hopefulness in a nation. Perhaps it is as simple as the people in this novel are messed up – they are sad and ill and lost.

I devoured the first two-thirds of this book. I was desperate to see what happened to Yeong-hye. I was disappointed in the last third of the book – it was slow and gave me a conclusion that I did not really want. As I finished the last page I was dissatisfied with the ending. I felt cheated out of a resolution that I felt the book had been promising. But then I realized, just as the book had been telling me all along, life is messy. There are no neat and tidy endings. Everything is more complicated than it seems. It also often more simple – sometimes we just need someone to really hear us, to see us, to accept our strange non-conformity with a simple acknowledgment that we are all strange, weird and dark in own ways and that we all long to give into it even when everyone tells us to fight against it.
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Reviewed in the United States on May 5, 2017
Well for starters it's not really a novel, it's three distinct (though linked) stories. I can imagine it made a big splash in Korea with its wide ranging social commentary on everything from the role of women in society to mental health not to mention its deeply sensual second chapter. But as a novel I felt most of the characters didn't hold my interest or let me get to know them better as the book went on. That lack of depth might not have shown much in a short story but was eventually a distracting annoyance that, for me, eventually overwhelmed the plot line itself. It was a quick and easy if somewhat disquieting read but not sure I'd recommend it as a novel. Sprinkle these 3 stories throughout a larger anthology and I might have a different opinion though
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Reviewed in the United States on August 19, 2024
The writing is beautiful and the story takes you into 3 scenarios, dreamlike,frightening, transcendent. Unlike anything else I’ve ever read.

Top reviews from other countries

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Dion
5.0 out of 5 stars Ótimo produto
Reviewed in Brazil on April 24, 2024
Ótimo produto
Winibie
5.0 out of 5 stars Good but disturbing
Reviewed in Canada on October 17, 2022
A very quick and interesting read but very disturbing. Contains a lot of different forms of abuse, verbal, physical, sexual, animal abuse, etc. Different perspectives gives it a good grasp on what is happening to the main character and her spiral into a lack of reality
Laura A.
5.0 out of 5 stars Recomiendo
Reviewed in Mexico on July 24, 2022
Una buena lectura.
Daisy
4.0 out of 5 stars On madness
Reviewed in the United Kingdom on August 3, 2023
A book of three parts, with each part told from the perspective of a different family member of The Vegetarian, who is sequentially depicted as a wife, sister-in-law, sister. Central to the plot is the descent of The Vegetarian’s mental well-being from ostensibly healthy to hospitalised and verging death. Parallel to that we see each of the revolving character’s own perceptions and dealings with mental health, both their own experiences and their reaction to The Vegetarian’s. I enjoyed the exploration of the transition from dream to hallucination, and the discussion of choice and agency in taking control or giving into dreams. The themes of fetishisation and consent were fascinating and important but disturbing and difficult to read at points, and evoked an uncomfortable dissonance as art and horror clashed. I think this is a 3.5 star read for me, cleanly written, thought provoking and at points beautiful. But I lacked any true deep connection or care for any of the characters - I wanted them to be well, sure, and I was interested, but my heart wasn’t throbbing in the way I know a story like this could make if told differently - possibly because we skipped perspective across the three parts, leaving me without any enduring true attachment or affection for any of them.

Overall, a solid read but not one I’ll sing about from the rooftops.
St Lebkuchen
5.0 out of 5 stars Super Buch
Reviewed in Germany on May 19, 2023
Super Story