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The Brandenburg Concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). They are widely regarded as some of the best orchestral compositions of the Baroque era.
Bach wrote out the music himself for presentation to the Margrave rather than leaving it to a copyist. While he took the opportunity to revise the music, most likely, it was not freshly composed. He appears to have selected the six pieces from concertos he had composed over a number of years while Kapellmeister at Köthen, and possibly extending back to his employment at Weimar (1708–17).
Bach's dedication to the Margrave was dated 24 March 1721. Translated from the original French, the first sentence of Bach's dedication reads:
Bach's reference to his scoring the concertos for "several instruments" (Concerts avec plusieurs instruments) is an understatement. Bach used the "widest spectrum of orchestral instruments … in daring combinations," as Christoph Wolff has commented. "Every one of the six concertos set a precedent in scoring, and every one was to remain without parallel." Heinrich Besseler has noted that the overall forces required (leaving aside the first concerto, which was rewritten for a special occasion) tallies exactly with the 17 players Bach had at his disposal in Köthen.
Number Two, No. 2, or similar may refer to:
Tschaikovsky Piano Concerto No. 2 is a ballet made by New York City Ballet's co-founder and founding choreographer George Balanchine for his earlier company, American Ballet Caravan, to eponymous music from 1879–80. The premiere took place on 29 May 1941 at Teatro Municipal, Rio de Janeiro, under the title Concerto No. 2; it was renamed Ballet Imperial before receiving its final title.
Tschaikovsky Piano Concerto No. 2 was first staged for New York City Ballet by Frederic Franklin on 15 October 1964 at the New York State Theater, Lincoln Center, and was re-choreographed by Balanchine for a 1973 premiere under its current title. Traditional tutus and scenery in the grand Russian style were used through the 1964 NYCB revival; from Balanchine's 1973 revision it has been danced with chiffon skirts designed by Karinska and without scenery. He said that the ballet is "a contemporary tribute to Petipa, 'the father of the classical ballet,' and to Tschaikovsky, his greatest composer."
The F major scale (or the key of F) consists of the pitches F, G, A, B♭, C, D, and E. Its key signature has one flat.
Its relative minor is D minor and its parallel minor is F minor.
F major key is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these instruments is written in C major key. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. (The basset horn also often sounds an octave and a fifth lower.)
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which around two hundred survive. His music is revered for its technical command, artistic beauty, and intellectual depth.
Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.
Bach was born in Eisenach, in the duchy of Saxe-Eisenach, into a great musical family. His father, Johann Ambrosius Bach, was the director of the town musicians, and all of his uncles were professional musicians. His father probably taught him to play the violin and harpsichord, and his brother, Johann Christoph Bach, taught him the clavichord and exposed him to much contemporary music. Apparently at his own initiative, Bach attended St. Michael's School in Lüneburg for two years. After graduating, he held several musical posts across Germany: he served as Kapellmeister (director of music) to Leopold, Prince of Anhalt-Köthen, and as Thomaskantor in Leipzig, a position of music director at the main Lutheran churches and educator at the Thomasschule. He received the title of "Royal Court Composer" from Augustus III in 1736. Bach's health and vision declined in 1749, and he died on 28 July 1750.
BWV 1047 - Brandenburg Concerto No.2 (Scrolling)
Bach: Brandenburg Concerto No. 2 in F major, BWV 1047 (Freiburger Barockorchester)
Bach: Brandenburg Concerto No. 2 in F major, BWV 1047 (Orchestra Mozart, Claudio Abbado)
Bach: Brandenburg Concerto No. 2 in F major, BWV 1047 / Fasolis
J.S. Bach - Brandenburg Concerto No. 2 in F major BWV 1047
J.S.Bach - Brandenburg Concerto no.2 BWV 1047 (I. Allegro)
Karl Richter: J.S. Bach Brandenburgische Konzert Nr.2 F-dur BWV 1047 (4.1970)
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047
Brandenburg Concerto No. 2 in F major, BWV 1047 - Allegro moderato
Bach Brandenburg Concerto No 2 in F major, BWV 1047 mvt1 Allegro moderato D°,Karl Richter
Performer & Album Info - 12:54 1. [without tempo indication] - 0:32 2. Andante - 5:50 3. Allegro assai - 9:45
From the "Spiegelsaal" Castle Cöthen (Schloß Köthen) Freiburger Barockorchester 0:15 I. Allegro 5:12 II. Andante 8:52 III. Allegro assai Want to learn more about the Brandenburg Concertos? Don't miss this documentary with the internationally acclaimed pianist and Bach expert Robert Levin providing additional knowledge about the Brandenburg Concertos: http://www.youtube.com/watch?v=aMWbN3nQg0A Soloists / Solisten: Friedemann Immer: trumpet / Trompete / trompette Isabel Crijnen: recorder / Blockflöte / flûte à bec Katharina Arfken: oboe / Oboe / hautbois Gottfried von der Goltz: violin / Violine / violon Recorded at the Hall of Mirrors, Palace of Cöthen, 23-26 March 2000 Directed by Hans Hadulla, Produced by Isabel Iturriagagoitia Executive Producers: Paul Smaczny & Bernd Hellthaler
From the Teatro Municipale Romolo Valli, Reggio Emilia, 21 April 2007 Orchestra Mozart Claudio Abbado 0:00 I. Allegro 4:45 II. Andante 8:33 III. Allegro assai Compare this performance of the Brandenburg Concertos to the one performed by the Freiburger Barockorchestra: http://www.youtube.com/watch?v=3HSRIDtwsfM&index;=2&list;=PLBjoEdEVMABJi8KW-XGf1yUtfZxv_qAYJ *** Prinicipal Violin - Guiliano Camignola Harpsichord - Ottavio Dantone 1st and 2nd Violins - Raphael Christ, Lorenza Borrani, Yunna Shevchenko, Timoti Fregni, Etienne Abelin, Manuel Kastl, Jana Kuhlmann Violas - Danusha Waskiewicz, Simone Jandl, Behrang Rasskhi, Raphael Sachs Violas da gamba - Rainer Zipperling, Sabina Colonna Preti Cellos - Mario Brunello, Enrico Bronzi, Benoit Grenet Violine - Alois Posch Flute - Jacques Zoon R...
I Barrochisti, Diego Fasolis
J.S. Bach - Concierto de Brandenburgo No. 2 en Fa mayor BWV 1047 Pinchas Zukerman Members of Los Angeles Philarmonic Orchestra 0:00 I. Allegro 5:10 II. Andante 9:03 III. Allegro Assai Para flauta de pico, oboe, trompeta, violín concertante, 2 violines, viola, violonchelo y bajo continuo. Movimientos 1.Allegro 2.Andante (en re menor) 3.Allegro assai Los conciertos 2º y 5º evocan una especie de pirámide de tres picos que tiene como fundamento los instrumentos de cuerda, por encima los solistas (concertino) y, en vértice - tomado entre los precedentes - un único solista todavía más importante y ágil (trompeta en el n.º. 2, y clave en el 5º). En los Conciertos de Brandemburgo, Bach se impone igualmente como un maestro del contrapunto fuga de los cuatro solistas en el final del Co...
Johann Sebastian Bach (1685 - 1750) Brandenburg Concerto no.2 BWV 1047 à 1 Tromba, 1 Flauto, 1 Hautbois, 1 Violino é 2 Violini, 1 Viola é Violone in Ripieno col Violoncello é Basso per il Cembalo I. Allegro Siegbert Rampe - La Stravaganza
J.S. Bach: Brandenburg Concerto Nr.2 Karl Richter (1926-1981), Münchener Bach-Orchester (recorded in Munich, April 1970) http://karlrichtermunich.blogspot.com/2005/08/chronik-muenchener-bach-chor-1970-1975.html
Johann Sebastian Bach (1685 - 1750) Brandenburg Concerto No. 2 in F major for for trumpet, recorder, oboe, violin, ripieno violins I & II, cello, violone, and harpsichord. I. [no tempo marking] - (0:00) II. Andante - (5:03) III. Allegro Assai - (8:30) Performed by Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) Historically Informed Performance on Period Instruments
Brandenburg Concerto No. 2 in F major, BWV 1047 - Allegro moderato, Johann Sebastian Bach