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 Juan Ford | The Distorter, 2015 | Oil on linen | 175 x 240 cm

  FUTURE MACHINES Editorial:  Bella Li

 Essays: Unbidden: Settler Poetry in the Presence of Indigenous Sovereignty by Bonny Cassidy

 Artwork: Ten Works by Juan Ford

 Scholarly: ‘The birds of paradise sing without a needing a supple branch’: Joseph Brodsky and the Poetics of Exile by Ekaterina Pechenkina Translingualism, Home, Ambivalence: The Poet Dimitris Tsaloumas by Vrasidas Karalis

 Translations: Three Translated Péter Závada Poems by Mark Baczoni Three Translated Rajathi Salma Poems by Rizio Yohannan Raj Three Translated Mardonio Carballo Poems by Ileana Villarreal

 Interviews: We Need to Talk about Caste: Roanna Gonsalves Interviews S Anand Rilke, Cavafy, Hölderlin: Simeon Kronenberg Interviews Luke Fischer

 Chapbooks: Written Land: A Lionel Fogarty Chapbook curated by Matthew Hall Things We Inherited: Voices from Africa Curated by Liyou Libsekal with Caroline Uliwa, Eddy Kamuanga Ilunga, Ejiofor Ugwu, Inua Ellams, Ladan Osman, Liyou Libsekal, Nick Makoha, Safia Elhillo and Tjawangwa Dema

    And a sequence of 55 new poems selected by Bella Li:   from Empirical by Lisa Gorton     Sheep Poems by Eddie Paterson     Running with the Pack by John Hawke     Light Thief by Ian Gibbins     not before and not after by Elena Gomez     Generation Loss (after Alvin Lucier) by Pascalle Burton     I think of by Anne Gorrick     Off-Planet by Rosalind McFarlane     An Elementary Treatise on Human Anatomy by Lindsay Tuggle     The Place of Emergence by Jennifer Denrow     Uses of Poetry VIII by Shane Strange     Back, to the basics by Nguyễn Tiên Hoàng     Landing by Jo Langdon     You and me x by Oliver Driscoll     whether the ghost is by Catherine Vidler     Triptych by S K Kelen     Garage by Anna Reed     Human Co. by Jefferson Navicky     Thy will be done by Alex Harper     Bildants by Ronald Wilkins     New Romantics by Sarah Wreford     A Body Carried in Cars by Louis Klee     acT by Mez Breeze     Nox by Maria Takolander     ha rd-won by Stu Hatton     untitled by Zoe Holman     Intensive Care (ii) by David McCooey     Heritage by Julie Watts     Shed tissues on a big canopy bed, it’s a boring afternoon by Jamie Lau     wat is yr emergency by Zarah Butcher-McGunnigle     Dream Flotation Device by Vivienne Plumb     Monologue of the Terminator by Joel Ephraims     room by Jordie Albiston     I Am a Pioneer of the Artificial Heart by Aubrie Marrin     The Blazar Axes by A J Carruthers     Auto by Leah Muddle     Stations and a Crossing by Zenobia Frost     The Falling by Caitlin Maling     DogText by Amelia Dale     Élan vital by Corey Wakeling     The Expansive Aura of Discs by Damien Schwartz     Magnet Theory by Connor Weightman     Seven Formulas of Method by Jill Jones     Destiny by Misael M.     An Object exists only as it might exist to Another by Ann Vickery     11/8/15-2/9/15 by Della Jackson     Time Machines by Gareth Jenkins     Past Lives by Laura Woollett     Here in Daylight by Ross Jackson     Taking Bets by Kirsten Le Harivel     Geodesic Suite (Excerpts: XX) by Dave Drayton     Solidarity by Daniel John Pilkington     How to Save a Life by Helen Heath     affirmation of becoming by Barnaby Smith     The Sydney Opera by S Anand     Translation of Jean-Baptiste Cabaud’s ‘The Shepherdesses Painted in Blue’ by Jan Owen        CORDITE POETRY REVIEW ISSUE 55.0: FUTURE MACHINES Released: 1 August 2016 

    ESSAYS Bella LiFuture Machines Editorial Monday, August 1st, 2016 The theme for this issue arose from a chance encounter with a flying machine and a Frenchman. The illustration above, by Jean-Marc Côté, is one of a series commissioned to be printed on cards for cigarette and cigar boxes at …

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      REVIEWS Phillip Hall Reviews Ink in Her Veins: The Troubled Life of Aileen Palmer by Sylvia Martin Monday, August 15th, 2016 This biography is another powerful testament to the tragedy of difference. Sylvia Martin writes of an idealistic creative pragmatist who was victimised for her gender disphoria and, while loved, never accepted. Aileen Palmer is yet another outspoken and independent woman hounded to the mental hospital and shock treatment.

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      INTERVIEWS Rilke, Cavafy, Hölderlin: Simeon Kronenberg Interviews Luke Fischer Monday, August 1st, 2016 Luke Fischer has been writing poetry since a relatively early age and has combined this deep engagement with ongoing academic studies in philosophy, along with an interest in music. His first collection of poetry Paths of Flight (Black Pepper, 2013) has been widely regarded as an outstanding debut and was commended in the FAW Anne Elder Award. In 2013, with his wife Dalia Nassar, Luke initiated the highly esteemed Poetry and Music Salon in North Bondi. The private salons have also led to public iterations, including: ‘Poetry and Music Salon: Do Poets Tell the Truth?’ at the 2014 Sydney Writers’ Festival and ‘Poetry and Music Salon: Poetry vs Prose’ at the 2015 Sydney Writers’ Festival.

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      SCHOLARLY Ekaterina Pechenkina‘The birds of paradise sing without a needing a supple branch’: Joseph Brodsky and the Poetics of Exile Monday, August 1st, 2016 During his lifetime, Joseph Brodsky – political prisoner, exile, Nobel Prize winner – was virtually unknown in his native, Soviet-era Russia. Following the collapse of the Soviet Union, in the early 1990s Brodsky’s poetry became officially available to the public for the first time in the country, which had hitherto so furiously rejected him. By then already an established poet and essayist in the West, his quick (albeit posthumous) homecoming fame shortly followed, positioning Brodsky firmly in the minds of first-time Russian readers as a political martyr, poet-iconoclast and a major symbol of the Russian dissident literary world.

 Continue reading → More Scholarly essays →

      GUNCOTTON BLOG Keri Glastonbury and Kent MacCarterSubmission to Cordite 57: CONFESSION Monday, August 8th, 2016 Poetry for Cordite 57: CONFESSION is guest-edited by Keri Glastonbury. I must confess I’ve made a mess of what should be a small success Courtney Barnett, ‘Pedestrian at Best’ Whether you’re more influenced by Delmore Schwartz’s ‘The Heavy Bear Who …

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Submissions Windows.              56.0: EXPLODE
 with Dan Disney (submit away!)
 56.1: EKPHRASTIC 
(submit away!)
 with Cassandra Atherton and Paul Hetherington
 55: FUTURE MACHINES
 with Bella Li
 54: NO THEME V
 with Fiona Wright and Omar Sakr
 53.0: THE END
 with Pam Brown
 52.0: TOIL
 with Carol Jenkins
 51.1: UMAMI
 with Luke Davies and Lifted Brow
 51.0: TRANSTASMAN
 with Bonny Cassidy
 50.0: NO THEME IV
 with John Tranter
 49.1: A BRITISH / IRISH
 with Matthew Hall and Sophie Seita
 49.0: OBSOLETE
 with Tracy Ryan
 48.1: CANADA
 with Kent MacCarter and Shane Rhodes
 48.0: CONSTRAINT
 with Corey Wakeling
 47.0: COLLABORATION
 with Louis Armand and Helen Lambert
 46.1: MELBOURNE
 with Michael Farrell
 46.0: NO THEME III
 with Felicity Plunkett
 45.0: SILENCE
 with Jan Owen
 44.0: GONDWANALAND
 with Derek Motion
 43.1: PUMPKIN
 with Kent MacCarter
 43.0: MASQUE
 with Ann Vickery
 42.0: NO THEME II
 with Gig Ryan
 41.1: RATBAGGERY
 with Duncan Hose
 41.0: TRANSPACIFIC
 with Josephine Rowe and Michael Nardone
 40.1: INDONESIA
 with Kent MacCarter
 40.0: INTERLOCUTOR
 with Libby Hart
 39.1: GIBBERBIRD
 with Sarah Gory
 39.0: JACKPOT!
 with Sam Wagan Watson
 38.0: SYDNEY
 with Astrid Lorange
 37.1: NEBRASKA
 with Sean Whalen
 37.0: NO THEME!
 with Alan Wearne
 36.0: ELECTRONICA
 with Jill Jones
   Recent Posts   Phillip Hall Reviews Ink in Her Veins: The Troubled Life of Aileen Palmer by Sylvia Martin   Submission to Cordite 57: CONFESSION   Review Short: Adam Aitken’s One Hundred Letters Home   Review Short: Barry Hill’s Grass Hut Work   Documentation: Molten Upset’s Poetry & Noise   Translation of Jean-Baptiste Cabaud’s ‘The Shepherdesses Painted in Blue’   Ten Works by Juan Ford   Written Land: A Lionel Fogarty Chapbook   Future Machines Editorial   We Need to Talk about Caste: Roanna Gonsalves Interviews S Anand   Rilke, Cavafy, Hölderlin: Simeon Kronenberg Interviews Luke Fischer   Unbidden: Settler Poetry in the Presence of Indigenous Sovereignty   Three Translated Péter Závada Poems   ‘The birds of paradise sing without a needing a supple branch’: Joseph Brodsky and the Poetics of Exile   Translingualism, Home, Ambivalence: The Poet Dimitris Tsaloumas   Three Translated Mardonio Carballo Poems   Three Translated Rajathi Salma Poems   See Sea Over Dews in Cenduna   The Sydney Opera   Cops are poets on the looks sit hears cobs   No Cites like the Cites Hum In   Never Worked   Yo I Am the Man   Conquer Slaughter’s   affirmation of becoming   How to Save a Life   Solidarity                           

        

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