Previously unseen photographs reveal Diane Arbus' formative years
Diane Arbus' work after 1962 is well-documented, but a trove of images donated to the New York Met by the artist's daughters reveal the origins of her style.
Diane Arbus' work after 1962 is well-documented, but a trove of images donated to the New York Met by the artist's daughters reveal the origins of her style.
A chance to be a street artist without breaking the law.
Dead sparklers, an old picture frame and a pack of cards: Fairfax photographer Steven Siewert made a portraiture prop with found materials.
The Moran Contemporary Photographic Prize winner for 2015 takes a wry look at the Australian road trip.
Fairfax photographer Joe Armao joins us for our latest video tutorial with practical advice on making an entry for the August Challenge "Sport & Action".
The PANPA Newspaper of the Year Awards have recognised 16 of Fairfax's community, regional and metropolitan photographers for their work.
Voting for the July Nikon People's Choice Award closes Tuesday, August 2, at 10am AEST. The winner will receive a $500 Nikon Store voucher.
Two of our favourite food photographers share their top five rules.
Commemorating 50 years since the Wave Hill walk off, Brenda L. Croft defiantly confronts continuing Aboriginal cultural dispossession in a series of self-portraits.
The award for the Clique black-and-white Challenge goes to Una DeNeefe.
As the world turns to Rio de Janiero for the Olympics, Melbourne's Colour Factory gallery are presenting an alternative view of the city.
"Kahlo ... had a sophisticated understanding of how media, such as photography, could be used to shape one's identity."
Here's how to enter Traveller's fifth Big Picture competition for travel photography.
Announcing the winner of the Clique "Long Exposures" Challenge.
The concept was simple, but the execution was delicate.
In every corner of every postcode is a chapter of the story waiting to be told.
The "haunting intensity" of Diane Arbus' portraits is on show in this new exhibition of works from the National Gallery of Australia's collection, writes Sasha Grishin.
"I encourage photographers across the country to let their imaginations run wild as they capture what Australian life means to them."
Clique chats with The Age photographer Penny Stephens to find out how to best approach a fireworks photo shoot.
From the orange sands of the outback to the classic suburban Hills Hoist, Australian life is as vibrant as it is diverse. Our vast lands and rich cultures have captured the imaginations of Fairfax photographers for the better part of two centuries.
"There were a lot of sharks around, there were gannets coming down from the sky with their six-inch beaks, I was just hoping I would get away alive."