Film Reviews http://www.wsws.org/topics/artsCategory/films/ Edward Snowden speaks live in 800 theaters across North America http://www.wsws.org/en/articles/2016/09/17/snow-s17.html Following a “sneak preview” of Oliver Stone’s new film, <em>Snowden</em>, he and NSA whistleblower Edward Snowden participated in a live interview September 14. Sat, 17 Sep 2016 05:00:00 GMT http://www.wsws.org/asset/ad21c840-2d4b-4a49-8b90-a7fbd2a0d48H/snow-s17.html 2016-09-17T05:00:00Z <em>Hell or High Water</em>: A remarkable snapshot http://www.wsws.org/en/articles/2016/09/14/hell-j01.html Scottish director David Mackenzie’s ninth movie, <em>Hell or High Water</em>, is a Western-influenced buddy/chase movie that demonstrates a social conscience and features superb performances. Wed, 14 Sep 2016 05:00:00 GMT http://www.wsws.org/asset/4dbce91d-3dad-41c5-beb1-8be4e374232I/hell-j01.html 2016-09-14T05:00:00Z <em>Miss Sharon Jones!</em> Barbara Kopple’s documentary http://www.wsws.org/en/articles/2016/09/12/miss-s12.html Veteran documentarian Barbara Kopple has returned with a lively and inspiring film about soul singer Sharon Jones and her battle with pancreatic cancer. Mon, 12 Sep 2016 05:00:00 GMT http://www.wsws.org/asset/7a4554c8-b371-4bb3-8a38-da497717ecaG/miss-s12.html 2016-09-12T05:00:00Z <em>Jason Bourne</em> again http://www.wsws.org/en/articles/2016/09/06/bour-s06.html The latest entry in the Bourne series of spy films finds the former CIA assassin taking on the agency in a “post-Snowden world.” Tue, 06 Sep 2016 05:00:00 GMT http://www.wsws.org/asset/8b4cf941-8080-472d-a43c-6063dd5907cJ/bour-s06.html 2016-09-06T05:00:00Z <em>War Dogs</em>: Cry havoc? Or what exactly? http://www.wsws.org/en/articles/2016/09/05/dogs-s05.html Based on a true story about two young arms dealers who defrauded the US government out of millions, the film is a coarse yet oddly sanitized version of a little-known episode of the wars in Iraq and Afghanistan. Mon, 05 Sep 2016 05:00:00 GMT http://www.wsws.org/asset/7bb0c62a-14ff-4473-ae56-f3aa197542dF/dogs-s05.html 2016-09-05T05:00:00Z A film version of Philip Roth’s <em>Indignation</em>: Young lives overshadowed by war http://www.wsws.org/en/articles/2016/09/02/indi-s02.html The new movie, <em>Indignation</em>, is a relatively faithful adaptation of Philip Roth’s 2008 novel, which examines war, religion and repression in post-war America. Fri, 02 Sep 2016 05:00:00 GMT http://www.wsws.org/asset/0f77f9e6-c0ac-4f8c-be4a-46abcbd0addH/indi-s02.html 2016-09-02T05:00:00Z Comic actor Gene Wilder: 1933–2016 http://www.wsws.org/en/articles/2016/09/01/wild-s01.html Although his work in film ended more than 25 years ago, Wilder will be long remembered for the humor and humanity he displayed in films like <em>Young Frankenstein</em>. Thu, 01 Sep 2016 05:00:00 GMT http://www.wsws.org/asset/a00f5c51-5892-4f4d-80e2-9fa44e7c7faB/wild-s01.html 2016-09-01T05:00:00Z <em>Southside With You</em>: An insufferable account of the Obamas’ first date http://www.wsws.org/en/articles/2016/08/31/sswy-a31.html This fictionalized account of the first date between Barack and Michelle Obama in 1989 presents a racialized view of society served up with a large side of banality. Wed, 31 Aug 2016 05:00:00 GMT http://www.wsws.org/asset/088b00fd-22cc-4710-8b2d-6cd659d9656P/sswy-a31.html 2016-08-31T05:00:00Z The class essence of the Confederacy in the American Civil War http://www.wsws.org/en/articles/2016/08/30/jone-a30.html In their attacks on the film, figures like Charles Blow of the <em>New York Times</em> are denigrating some of the noblest individuals in American history. Tue, 30 Aug 2016 05:00:00 GMT http://www.wsws.org/asset/7f0ebfe1-bace-4509-8fff-4c88a3f04b5A/jone-a30.html 2016-08-30T05:00:00Z <em>Anthropoid</em>: A film looks at 1942 assassination of Nazi chief Reinhard Heydrich http://www.wsws.org/en/articles/2016/08/26/anth-a26.html The new movie remains on the level of a violent action film, avoiding a more probing look at the Holocaust. Fri, 26 Aug 2016 05:00:00 GMT http://www.wsws.org/asset/488a1e2a-d136-49db-98ef-b48b37b46e9H/anth-a26.html 2016-08-26T05:00:00Z <em>Café Society</em>: Woody Allen’s love letter to the wealthy and famous http://www.wsws.org/en/articles/2016/08/12/cafe-a12.html The film, set in the 1930s, takes its title from legendary clubs in Manhattan that welcomed black and white artists and performers. Unfortunately, the film is the opposite of everything those clubs stood for. Fri, 12 Aug 2016 05:00:00 GMT http://www.wsws.org/asset/4c74b6dc-128d-467a-a7c4-0d1364e06b2M/cafe-a12.html 2016-08-12T05:00:00Z <em>Suicide Squad</em>: The latest comic book film http://www.wsws.org/en/articles/2016/08/10/suic-a10.html David Ayer’s film concerns a team of psychotics and criminals recruited by the US government as part of a top-secret program to combat terrorism. Wed, 10 Aug 2016 05:00:00 GMT http://www.wsws.org/asset/f55ec091-a5be-4deb-a736-f8d3fa2d1f5H/suic-a10.html 2016-08-10T05:00:00Z <em>Captain Fantastic</em>: An anti-establishment superhero? http://www.wsws.org/en/articles/2016/07/30/capt-j30.html Writer-director Matt Ross’s film is a semi-anarchistic tale about a family’s “off-the-grid” existence in the Pacific Northwest. Sat, 30 Jul 2016 05:00:00 GMT http://www.wsws.org/asset/78311bab-a910-4efe-8f23-8b775282004E/capt-j30.html 2016-07-30T05:00:00Z <em>Chasing Asylum</em>: Exposing Australia’s brutal refugee-detention regime http://www.wsws.org/en/articles/2016/07/29/orne-j29.html The feature-length documentary is a harrowing account of the systematic cruelty and de-humanisation of asylum-seekers in Australia’s offshore detention centres. Fri, 29 Jul 2016 05:00:00 GMT http://www.wsws.org/asset/6d27782a-67fa-42e3-a4ba-d4f7ec0337dH/orne-j29.html 2016-07-29T05:00:00Z Documentary director Eva Orner discusses <em>Chasing Asylum</em> http://www.wsws.org/en/articles/2016/07/29/eain-j29.html The filmmaker explained to the WSWS why she decided to lift the veil of secrecy on Australia’s offshore refugee detention centres. Fri, 29 Jul 2016 05:00:00 GMT http://www.wsws.org/asset/3dfa7404-f71a-405b-9efb-3990fb4d65aF/eain-j29.html 2016-07-29T05:00:00Z Alexander Sokurov’s <em>Francofonia</em>: The Louvre during the Nazi occupation http://www.wsws.org/en/articles/2016/07/27/fran-j27.html The film traces the history of the Louvre Museum’s art collection under conditions of war, while proposing a pessimistic view of human culture and its future. Wed, 27 Jul 2016 05:00:00 GMT http://www.wsws.org/asset/3b6b84cb-833c-4a9e-8c84-919ee7912b1M/fran-j27.html 2016-07-27T05:00:00Z <em>Our Kind of Traitor</em>: Going with the current http://www.wsws.org/en/articles/2016/07/21/trai-j21.html <em>Our Kind of Traitor</em>, a British spy thriller directed by Susanna White, is based on the 2010 novel of the same name by John le Carré, the veteran novelist. Thu, 21 Jul 2016 05:00:00 GMT http://www.wsws.org/asset/85112084-016e-4179-892b-60f607f1430L/trai-j21.html 2016-07-21T05:00:00Z <em>Wiener-Dog</em>: Todd Solondz continues to look critically at American life http://www.wsws.org/en/articles/2016/07/20/wien-j20.html The new film comprises four stories, loosely linked by the presence of a “wiener-dog” (dachshund). Each has at least one or more satirical, telling moments or elements. Wed, 20 Jul 2016 05:00:00 GMT http://www.wsws.org/asset/a384059b-168f-44ae-b21c-17a5b050433C/wien-j20.html 2016-07-20T05:00:00Z The life and career of Iranian filmmaker Abbas Kiarostami http://www.wsws.org/en/articles/2016/07/14/kiar-j14.html The Iranian director will be best remembered and long honored for the series of feature films, including documentaries, that he made between 1987 and 1997. Thu, 14 Jul 2016 05:00:00 GMT http://www.wsws.org/asset/3a22dfaa-57a0-460f-99ba-68441383cdaN/kiar-j14.html 2016-07-14T05:00:00Z Michael Cimino, director of <em>The Deer Hunter</em> and <em>Heaven’s Gate</em>, dead at 77 http://www.wsws.org/en/articles/2016/07/07/cimi-j07.html Cimino is best known as the director of <em>The Deer Hunter</em> (1978), which won numerous Academy Awards, and <em>Heaven’s Gate</em> (1980), which was denounced by leading critics, lost a great deal of money and severely damaged Cimino’s career. Thu, 07 Jul 2016 05:00:00 GMT http://www.wsws.org/asset/f2759940-5947-4d27-a557-415b124049bG/cimi-j07.html 2016-07-07T05:00:00Z <em>Genius</em>: “Just simply corny” http://www.wsws.org/en/articles/2016/07/02/geni-j02.html British director Michael Grandage’s film is about American novelist Thomas Wolfe (Jude Law) and his famous editor, Maxwell Perkins (Colin Firth). Sat, 02 Jul 2016 05:00:00 GMT http://www.wsws.org/asset/0667814c-9228-434f-b39a-3ff70f6f221L/geni-j02.html 2016-07-02T05:00:00Z The right-wing, racialist attacks on the film <em>Free State of Jones</em> http://www.wsws.org/en/articles/2016/06/30/blow-j30.html <em>Free State of Jones</em>, about a white farmer in Mississippi who led an insurrection against the Confederacy from 1863 to 1865, has come under sharp attack from the “new right” of identity politics advocates. Thu, 30 Jun 2016 05:00:00 GMT http://www.wsws.org/asset/082423fa-d48d-4f82-a813-4308d9c3aa0J/blow-j30.html 2016-06-30T05:00:00Z <em>Free State of Jones</em>: Three cheers! http://www.wsws.org/en/articles/2016/06/28/free-j28.html Gary Ross’s film is a fictional account of an intriguing, but little known chapter in American history. Tue, 28 Jun 2016 05:00:00 GMT http://www.wsws.org/asset/d97745a2-6ac1-4f95-9daf-9ac48070584P/free-j28.html 2016-06-28T05:00:00Z Alf Sjöberg’s <em>Miss Julie</em> (1951) and G. W. Pabst’s <em>The Threepenny Opera</em> (1931): Films worth noting … and seeing http://www.wsws.org/en/articles/2016/06/23/film-j23.html Swedish filmmaker Alf Sjöberg’s <em>Miss Julie</em> is based on the play by August Strindberg. Austrian filmmaker G.W. Pabst’s film <em>The Threepenny Opera</em> is an intricate movie version of the legendary Bertolt Brecht-Kurt Weill work. Thu, 23 Jun 2016 05:00:00 GMT http://www.wsws.org/asset/11679680-70ab-4084-8fd8-d061483924bE/film-j23.html 2016-06-23T05:00:00Z <em>Censored Voices</em>: A snapshot in time reveals war crimes http://www.wsws.org/en/articles/2016/06/22/revi-j22.html An Israeli filmmaker has brought 50-year-old tape recordings about the Six-Day War and their implications to life on the screen. Wed, 22 Jun 2016 05:00:00 GMT http://www.wsws.org/asset/762a423e-aa57-43fb-92bb-592623c09fbO/revi-j22.html 2016-06-22T05:00:00Z <em>Toyen</em>: A film about the Czech surrealist painter and her times http://www.wsws.org/en/articles/2016/06/18/toye-j18.html Czech director Jan Němec, who died in March 2016, made a film about the surrealist painter Toyen in 2005, which is now available. The film is intriguing and sometimes deeply moving. Sat, 18 Jun 2016 05:00:00 GMT http://www.wsws.org/asset/65dd25ab-0b84-4e68-9553-16493473597I/toye-j18.html 2016-06-18T05:00:00Z <em>The Nice Guys</em>: Something, but not very much http://www.wsws.org/en/articles/2016/06/17/nice-j17.html <em>The Nice Guys</em> is set in 1977 and follows the investigation into a disappearance, which turns out to be part of a broader conspiracy. <em>Sunset Song</em> and <em>The Idol</em> have recently opened in movie theaters in the US. Fri, 17 Jun 2016 05:00:00 GMT http://www.wsws.org/asset/50dead7c-1682-40ec-a612-542575c83ceE/nice-j17.html 2016-06-17T05:00:00Z <em>The Lobster</em>: Relationships forced on—or forbidden—people http://www.wsws.org/en/articles/2016/06/11/lobs-j11.html In Yorgos Lanthimos’ film, individuals without a mate are sent to a “hotel” where they have 45 days to find a partner or be turned into an animal. Then, there are those who escape. Sat, 11 Jun 2016 05:00:00 GMT http://www.wsws.org/asset/18c0f37a-8818-4e45-a6d7-ba69dc60128F/lobs-j11.html 2016-06-11T05:00:00Z HBO’s <em>All the Way</em>: Lyndon B. Johnson and the civil rights movement http://www.wsws.org/en/articles/2016/06/10/allt-j10.html HBO’s <em>All the Way</em> is a serious effort, devoid of contemporary identity politics, to portray a significant moment in American history. Fri, 10 Jun 2016 05:00:00 GMT http://www.wsws.org/asset/00b11453-6c54-4c8e-a1fe-9aed40cfdb2E/allt-j10.html 2016-06-10T05:00:00Z <em>Love &amp; Friendship</em>: An early Jane Austen work adapted http://www.wsws.org/en/articles/2016/06/08/love-j08.html In England in 1790, Lady Susan Vernon, widowed and penniless, schemes to reverse her fortunes. Wed, 08 Jun 2016 05:00:00 GMT http://www.wsws.org/asset/29f80449-381f-4b05-a03e-20d02986c7eL/love-j08.html 2016-06-08T05:00:00Z <em>Sing Street</em> from Ireland, <em>A Bigger Splash</em> from Italy: Neglected realities http://www.wsws.org/en/articles/2016/05/28/sing-m28.html John Carney’s <em>Sing Street</em> is a musical comedy-drama set in Dublin in the mid-1980s. Italian filmmaker Luca Guadagnino’s <em>A Bigger Splash</em>, based on a 1969 French thriller, takes its name from a painting by British artist David Hockney. Sat, 28 May 2016 05:00:00 GMT http://www.wsws.org/asset/743faa6d-5493-4b46-982f-c30a7348a1cG/sing-m28.html 2016-05-28T05:00:00Z <em>High-Rise</em>: A film version of J.G. Ballard’s novel http://www.wsws.org/en/articles/2016/05/27/high-m27.html Like the novel, the film—set in the mid-1970s—begins with its central character calmly sitting on the balcony of his 25th floor apartment eating roast dog. Fri, 27 May 2016 05:00:00 GMT http://www.wsws.org/asset/3c277357-c5af-4f5a-9125-99703e05906I/high-m27.html 2016-05-27T05:00:00Z <em>Cash Only</em>: What interests contemporary filmmakers and what doesn’t http://www.wsws.org/en/articles/2016/05/25/cash-m25.html <em>Cash Only</em> is an independent American film set in the Detroit area. The film takes place in the Albanian community. Wed, 25 May 2016 05:00:00 GMT http://www.wsws.org/asset/9ac9b728-c7bf-4d5f-88a9-bec5490f564D/cash-m25.html 2016-05-25T05:00:00Z <em>Captain America: Civil War</em>—A waste of resources, technology and human skill http://www.wsws.org/en/articles/2016/05/23/capt-m23.html What are these performers doing in this film? Is there any major film actor at present who would say “No” to this sort of project? Mon, 23 May 2016 05:00:00 GMT http://www.wsws.org/asset/758ed912-ef2d-4812-9927-a0d10946b59L/capt-m23.html 2016-05-23T05:00:00Z <em>Maggie’s Plan</em>, <em>Frank &amp; Lola</em>, along with Dreyer’s <em>Vampyr</em> (1932) http://www.wsws.org/en/articles/2016/05/20/sff4-m20.html Some not very good new films—and better old ones. Fri, 20 May 2016 05:00:00 GMT http://www.wsws.org/asset/13384447-9693-484c-ac78-9192fc7e46dK/sff4-m20.html 2016-05-20T05:00:00Z <em>Money Monster</em>: Who are the criminals? http://www.wsws.org/en/articles/2016/05/18/mons-m18.html <em>Money Monster</em> is the latest film to depict the consequences of the 2008 financial crash and the criminal manipulations of the financial elite. Wed, 18 May 2016 05:00:00 GMT http://www.wsws.org/asset/59a5eb83-e108-4211-b5de-23dc69330adL/mons-m18.html 2016-05-18T05:00:00Z <em>Radio Dreams</em>, about Iranian Americans—and the problem of images without insight http://www.wsws.org/en/articles/2016/05/17/sff3-m17.html <em>Radio Dreams</em> is a pleasurable experience. Other films at the San Francisco festival––<em>The Event</em>, <em>No Home Movie</em>, <em>Counting</em>, <em>Five Nights in Maine</em>––fared less well. Tue, 17 May 2016 05:00:00 GMT http://www.wsws.org/asset/e51d5c32-6652-4fbc-b75d-f6ea877e1d6E/sff3-m17.html 2016-05-17T05:00:00Z An interview with Babak Jalali, director of <em>Radio Dreams</em> http://www.wsws.org/en/articles/2016/05/17/inte-m17.html The WSWS spoke to Babak Jalali during the recent San Francisco International Film Festival. Tue, 17 May 2016 05:00:00 GMT http://www.wsws.org/asset/a0be1a85-a8e6-4a88-893d-b0affd62e7cC/inte-m17.html 2016-05-17T05:00:00Z <em>The Return</em>, about released prisoners, and other social dramas (or comedies) http://www.wsws.org/en/articles/2016/05/13/sff2-m13.html In a number of the films screened at the festival, their creators were evidently overwhelmed by the disintegrating social structures in some of the most impoverished parts of the world. Fri, 13 May 2016 05:00:00 GMT http://www.wsws.org/asset/5a0b4bb6-ecf2-4557-bb7e-08135e88e4aB/sff2-m13.html 2016-05-13T05:00:00Z Look at today’s filmmaking … then look at the world http://www.wsws.org/en/articles/2016/05/11/sff1-m11.html The recent San Francisco International Film Festival, in its 59th edition, screened some 175 films, including approximately 100 feature-length films, from 46 countries. Wed, 11 May 2016 05:00:00 GMT http://www.wsws.org/asset/4346cae8-e028-405f-a237-16fa22877abF/sff1-m11.html 2016-05-11T05:00:00Z <em>Everybody Wants Some!!</em>—Richard Linklater goes to college http://www.wsws.org/en/articles/2016/05/10/ever-m10.html <em>Everybody Wants Some!!</em> is the latest coming-of-age tale from the American independent film director. Tue, 10 May 2016 05:00:00 GMT http://www.wsws.org/asset/76b4c3a9-724f-46eb-84e2-163edcd8e25J/ever-m10.html 2016-05-10T05:00:00Z <em>Looking for Grace</em>—a strangely cold story about a teenager leaving home http://www.wsws.org/en/articles/2016/05/09/grac-m09.html The movie centres on the efforts of a lower middle-class couple to find their runaway teenage daughter and only child. Mon, 09 May 2016 05:00:00 GMT http://www.wsws.org/asset/4cfb4205-eb5e-4ebf-a753-d600cf93305I/grac-m09.html 2016-05-09T05:00:00Z Are the films of Jean-Marie Straub and Danièle Huillet a genuine alternative to contemporary filmmaking? http://www.wsws.org/en/articles/2016/05/07/moma-m07.html The Museum of Modern Art in New York City, beginning May 6, is presenting a retrospective of the films of Jean-Marie Straub and Danièle Huillet, the Franco-German filmmakers. Sat, 07 May 2016 05:00:00 GMT http://www.wsws.org/asset/376eeb15-1e82-4f84-8d72-1b1c182c938O/moma-m07.html 2016-05-07T05:00:00Z <em>Elvis &amp; Nixon</em>, <em>A Hologram for the King</em>: Trivializing culture, history http://www.wsws.org/en/articles/2016/05/06/elvi-m06.html Two ostensible comedies, <em>Elvis &amp; Nixon</em> and <em>A Hologram for the King</em>, drain their stories of their most important social and historical content. Fri, 06 May 2016 05:00:00 GMT http://www.wsws.org/asset/a72d6808-4bdc-4bc3-8587-4058ef092c0N/elvi-m06.html 2016-05-06T05:00:00Z <em>Papa: Hemingway in Cuba</em>—The banalization of the novelist and his art http://www.wsws.org/en/articles/2016/05/04/papa-m04.html The film follows the relationship that develops after a young American journalist in Miami in the mid-1950s writes an admiring letter to novelist Ernest Hemingway, then living in Havana, Cuba. Wed, 04 May 2016 05:00:00 GMT http://www.wsws.org/asset/4ec31fe7-b029-422c-911a-71fe377d8cfO/papa-m04.html 2016-05-04T05:00:00Z <em>Songs My Brothers Taught Me</em>: The plight of a Lakota youth http://www.wsws.org/en/articles/2016/05/02/song-m02.html The film is a lyrical and honest look at the poverty and social neglect that affects one of the most historically oppressed communities in the United States. Mon, 02 May 2016 05:00:00 GMT http://www.wsws.org/asset/f5fc170a-c3d6-49db-9325-16d5cee5333E/song-m02.html 2016-05-02T05:00:00Z <em>Class Divide</em>: A close-up look at gentrification, inequality in New York City http://www.wsws.org/en/articles/2016/04/29/film-a29.html Children of hedge fund managers attend private school on Manhattan’s Tenth Avenue, across the street from one of the city’s public housing projects. Fri, 29 Apr 2016 05:00:00 GMT http://www.wsws.org/asset/ef8c5c0d-444e-49ed-ae63-a218081af05J/film-a29.html 2016-04-29T05:00:00Z <em>Demolition</em>: Take an investment banker apart, and what do you find? http://www.wsws.org/en/articles/2016/04/20/demo-a20.html The film tells the story of Davis Mitchell (Jake Gyllenhaal), a New York investment banker who experiences an emotional unraveling after his wife dies in an automobile accident. Wed, 20 Apr 2016 05:00:00 GMT http://www.wsws.org/asset/b2929481-2d1e-48db-b324-93898e7c6d2D/demo-a20.html 2016-04-20T05:00:00Z <em>Midnight Special:</em> “Shining the light” on unfreedom in America http://www.wsws.org/en/articles/2016/04/15/midn-a15.html Jeff Nichols’ <em>Midnight Special</em> is a disturbing science fiction thriller that conveys deep anxiety about the state of the world. Fri, 15 Apr 2016 05:00:00 GMT http://www.wsws.org/asset/905307f5-be2b-4420-9166-f2f22540105N/midn-a15.html 2016-04-15T05:00:00Z <em>The Program</em>: The success and calamitous failure of Lance Armstrong http://www.wsws.org/en/articles/2016/04/09/prog-a09.html The latest film from veteran British director Stephen Frears dramatizes the saga of cyclist Lance Armstrong’s rise to the top and his subsequent disgrace in a doping scandal. Sat, 09 Apr 2016 05:00:00 GMT http://www.wsws.org/asset/12dd68d4-ac7e-44d2-b4b5-a5c130c2779N/prog-a09.html 2016-04-09T05:00:00Z <em>Born to Be Blue</em> and <em>Miles Ahead</em>: Why so much fiction when life is fascinating enough? http://www.wsws.org/en/articles/2016/04/07/born-a07.html Films based on the lives and personas of post-World War II jazz musicians Chet Baker and Miles Davis have been released recently. Thu, 07 Apr 2016 05:00:00 GMT http://www.wsws.org/asset/87873dc2-9375-4619-aa2d-0b477745299O/born-a07.html 2016-04-07T05:00:00Z <em>Batman v Superman: Dawn of Justice</em>—Doom and gloom, with capes http://www.wsws.org/en/articles/2016/04/06/batm-a06.html The price tag of the film, including production and marketing costs, approaches half a billion dollars, and some analysts believe it would need an $800 million box office to recoup its investment. Wed, 06 Apr 2016 05:00:00 GMT http://www.wsws.org/asset/1c777563-c912-44b1-9940-e50505f278fM/batm-a06.html 2016-04-06T05:00:00Z From Cuba a grim drama (<em>La obra del siglo</em>) and from Argentina a political thriller (<em>El Clan</em>) and a road trip (<em>Camino a La Paz</em>) http://www.wsws.org/en/articles/2016/04/01/sdl3-a01.html The festival showcased films and documentaries from throughout the Spanish-speaking world, including Cuba, Spain, Mexico, and South and Central America. Fri, 01 Apr 2016 05:00:00 GMT http://www.wsws.org/asset/5b488f85-7068-4b26-9c1c-1fa63c49068P/sdl3-a01.html 2016-04-01T05:00:00Z <em>Eye in the Sky</em>: The liberal war on terror http://www.wsws.org/en/articles/2016/03/31/eyei-m31.html <em>Eye in the Sky</em> is a political-military thriller in which British and American officials weigh the consequences of a drone strike in Nairobi, Kenya. Thu, 31 Mar 2016 05:00:00 GMT http://www.wsws.org/asset/0da89acb-7962-4fe4-9a4d-a23e790392dC/eyei-m31.html 2016-03-31T05:00:00Z Films from Argentina, Spain and Guatemala: <em>El Movimiento</em>, <em>Hablar</em>, <em>Ixcanul</em> and <em>Tras Nazarin</em> http://www.wsws.org/en/articles/2016/03/28/sdl1-m28.html The festival showcased films and documentaries from throughout the Spanish-speaking world, including Cuba, Spain, Mexico, South and Central America. Mon, 28 Mar 2016 05:00:00 GMT http://www.wsws.org/asset/846adcc5-4c10-4d45-97f0-88d87185e78J/sdl1-m28.html 2016-03-28T05:00:00Z <em>I Saw the Light</em>: A biography of country singer Hank Williams http://www.wsws.org/en/articles/2016/03/26/isaw-m26.html Marc Abraham’s film is an account of the last decade in the life of American country music performer Hank Williams (1923-1953), who died tragically at the age of 29. Sat, 26 Mar 2016 05:00:00 GMT http://www.wsws.org/asset/cb217564-04e6-4d6f-9d98-6a332ae9143N/isaw-m26.html 2016-03-26T05:00:00Z Atom Egoyan’s <em>Remember</em>: A Nazi criminal hunted… http://www.wsws.org/en/articles/2016/03/25/reme-m25.html Two Auschwitz concentration camp survivors plot to kill the SS guard who murdered their families in Atom Egoyan’s latest film, <em>Remember</em>, a psychological drama. Fri, 25 Mar 2016 05:00:00 GMT http://www.wsws.org/asset/ff0a3aeb-6faa-410d-a32f-c17e03da565E/reme-m25.html 2016-03-25T05:00:00Z Terrence Malick’s <em>Knight of Cups</em>: It is impossible to learn anything from this http://www.wsws.org/en/articles/2016/03/19/knig-m19.html Thematically and stylistically, Malick’s latest film follows in the footsteps of his two previous efforts, <em>The Tree of Life</em> (2011) and <em>To the Wonder</em> (2012). Sat, 19 Mar 2016 05:00:00 GMT http://www.wsws.org/asset/14bf0580-ca8a-435f-8587-fd3908440a3L/knig-m19.html 2016-03-19T05:00:00Z Flight and persecution—yesterday and today (<em>The Diary of Anne Frank</em> and <em>Meteorstraße</em>) http://www.wsws.org/en/articles/2016/03/14/ber4-m14.html A new adaptation of the immortal <em>Diary of a Young Girl</em> by Anne Frank, about Nazi persecution, and a film about Palestinian refugees in contemporary Germany. Mon, 14 Mar 2016 05:00:00 GMT http://www.wsws.org/asset/e99d25f1-6205-4051-9544-0fda39117cdN/ber4-m14.html 2016-03-14T05:00:00Z <em>A Perfect Day</em>: 24 hours in the Bosnian War http://www.wsws.org/en/articles/2016/03/12/perf-m12.html Spanish filmmaker Fernando León de Aranoa’s movie <em>A Perfect Day</em> deals with international humanitarian aid workers in the Balkans near the end of the war in the mid-1990s. Sat, 12 Mar 2016 05:00:00 GMT http://www.wsws.org/asset/bf77097f-59cb-4676-bf32-3e5981c3a70M/perf-m12.html 2016-03-12T05:00:00Z <em>Race</em>: Jesse Owens and the 1936 Berlin Olympics http://www.wsws.org/en/articles/2016/03/10/race-m10.html Stephen Hopkins’ film centers on critical events in the life of African-American track and field legend Jesse Owens. Thu, 10 Mar 2016 05:00:00 GMT http://www.wsws.org/asset/2ced7df9-d05c-40da-af0b-7c10976be4fA/race-m10.html 2016-03-10T05:00:00Z <em>Alone in Berlin</em>—a working class couple opposes the Nazis http://www.wsws.org/en/articles/2016/03/07/ber3-m07.html Vincent Pérez’s film is a new adaptation of Hans Fallada’s novel <em>Every Man Dies Alone</em> (published posthumously in 1947). Mon, 07 Mar 2016 05:00:00 GMT http://www.wsws.org/asset/20f939c9-ece6-4ac4-b533-bf470ccdc5aH/ber3-m07.html 2016-03-07T05:00:00Z Two poor films on the Afghanistan war—<em>Whiskey Tango Foxtrot</em> and <em>A War</em>—and Jonás Cuarón’s <em>Desierto</em> http://www.wsws.org/en/articles/2016/03/05/whis-m05.html <em>Whiskey Tango Foxtrot</em> is a semi-comic treatment of the tragic Afghan conflict; <em>A War</em> from Denmark is ostensibly a more serious effort. <em>Desierto</em> takes up the war against Mexican immigrants. Sat, 05 Mar 2016 05:00:00 GMT http://www.wsws.org/asset/2f2ef665-c1c2-4828-8700-7c293cc25fdP/whis-m05.html 2016-03-05T05:00:00Z <em>Deadpool</em>: An anti-superhero? http://www.wsws.org/en/articles/2016/03/03/dead-m03.html Although <em>Deadpool</em> tries to subvert the clichéd conventions of the superhero genre, the film is more than anything a conformist effort. Thu, 03 Mar 2016 05:00:00 GMT http://www.wsws.org/asset/4d0b78ad-7a77-4ddb-a90f-fbeb7b5723aD/dead-m03.html 2016-03-03T05:00:00Z Eighty-eighth Academy Awards: Hopeful signs amidst reactionary “diversity” campaign http://www.wsws.org/en/articles/2016/03/01/osca-m01.html The Oscar awards ceremony Sunday night included some welcome notes and surprises, and generally, despite the disorienting campaign waged under the Twitter hashtag #OscarsSoWhite, revealed a more humane side of Hollywood. Tue, 01 Mar 2016 05:00:00 GMT http://www.wsws.org/asset/e2513726-c589-489e-b42d-27bb07447d6F/osca-m01.html 2016-03-01T05:00:00Z A critique of Europe’s refugee policy: On the Berlinale’s Golden Bear for <em>Fire at Sea</em> http://www.wsws.org/en/articles/2016/02/27/ber2-f27.html This is the second in a series of articles on the recent Berlin international film festival, the Berlinale, held February 11-20, 2016. Sat, 27 Feb 2016 05:00:00 GMT http://www.wsws.org/asset/833f8ecf-b0ff-4afa-a98c-a5df38b376bN/ber2-f27.html 2016-02-27T05:00:00Z Refugee crisis takes centre stage at the Berlinale http://www.wsws.org/en/articles/2016/02/22/ber1-f22.html The main prize of the festival went to <em>Fire at Sea</em> (Fuocoammare) by Gianfranco Rosi, dealing with the fate of refugees attempting to enter Europe. Mon, 22 Feb 2016 05:00:00 GMT http://www.wsws.org/asset/d793e3e9-7077-4304-b262-81222385c31N/ber1-f22.html 2016-02-22T05:00:00Z Jia Zhangke’s <em>Mountains May Depart</em>: Three periods in modern China, a good deal of confusion http://www.wsws.org/en/articles/2016/02/13/moun-f13.html Veteran independent Chinese filmmaker Jia Zhangke’s <em>Mountains May Depart</em> is opening in theaters in the US this week. Sat, 13 Feb 2016 05:00:00 GMT http://www.wsws.org/asset/b90d1360-d5cd-47dd-bc76-176b99fc268K/moun-f13.html 2016-02-13T05:00:00Z The Coen Brothers’ <em>Hail Caesar!</em>: The “Passion” of a film studio troubleshooter http://www.wsws.org/en/articles/2016/02/09/hail-f09.html <em>Hail Caesar!</em>, directed by Joel and Ethan Coen, is a comedy about Hollywood set in the early 1950s. Tue, 09 Feb 2016 05:00:00 GMT http://www.wsws.org/asset/d9c12f94-c483-4a6b-91f1-a10bea18338D/hail-f09.html 2016-02-09T05:00:00Z <em>45 Years</em>: A nightmare on the brain of the living? http://www.wsws.org/en/articles/2016/02/05/45ye-f05.html In Andrew Haigh’s <em>45 Years</em>, a childless, middle class couple living in a provincial English town, are on the eve of their 45th wedding anniversary. Fri, 05 Feb 2016 05:00:00 GMT http://www.wsws.org/asset/887d3682-a2c2-4c39-ac98-afbc1fb5096A/45ye-f05.html 2016-02-05T05:00:00Z Parents fighting lead poisoning denounce government inaction and lies http://www.wsws.org/en/articles/2016/02/04/misl-f04.html Following a preview screening of the film <em>MisLEAD: America’s Secret Epidemic</em>, which documents the epidemic spread of lead across America, a panel of parents was joined by the director of the film and a state expert for lead risk assessment. Thu, 04 Feb 2016 05:00:00 GMT http://www.wsws.org/asset/74ffb1b7-16f7-4a9d-9a19-31ff2141a95G/misl-f04.html 2016-02-04T05:00:00Z Racialism, art and the Academy Awards controversy http://www.wsws.org/en/articles/2016/01/30/raci-j30.html It is no exaggeration to point out that, in ideological terms, Cara Buckley in the <em>New York Times</em> and others, in their obsession with race, are spouting a conception of society and art identified historically with the extreme right. Sat, 30 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/30df14a1-1de8-4dfe-9c77-0b6d4ca9addG/raci-j30.html 2016-01-30T05:00:00Z <em>13 Hours: The Secret Soldiers of Benghazi</em>—Michael Bay’s mythmaking http://www.wsws.org/en/articles/2016/01/30/beng-j30.html Hollywood’s latest propaganda piece tells the story of the 2012 attack on a US base in Libya from a right-wing perspective, with predictable results. Sat, 30 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/53e95b19-71b4-4432-a71c-eeb1e48a1caE/beng-j30.html 2016-01-30T05:00:00Z <em>Drone</em>, a Norwegian-made documentary: “We just made orphans out of all these children” http://www.wsws.org/en/articles/2016/01/29/dron-j29.html The documentary brings together opponents of the CIA drone program and includes interviews with two former US Air Force drone pilots. Fri, 29 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/aa317f37-3aba-4627-865f-4f327a21d21B/dron-j29.html 2016-01-29T05:00:00Z A modern Antigone: <em>Son of Saul</em> by László Nemes http://www.wsws.org/en/articles/2016/01/28/saul-j28.html The debut film of Hungarian director László Nemes depicts the horrors of the Auschwitz-Birkenau death camp during the prisoner uprising of October 1944. Thu, 28 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/bf97f65b-4f41-4360-8077-6f1b176307dN/saul-j28.html 2016-01-28T05:00:00Z Charlie Kaufman’s often charming, moving <em>Anomalisa</em> (and Michael Moore’s feeble <em>Where to Invade Next</em>) http://www.wsws.org/en/articles/2016/01/23/anom-j23.html <em>Anomalisa</em> is an adult animated film created with stop-motion puppetry centering around an angst-ridden, self-help author. <em>Where to Invade Nex</em>t is a non-comment on Washington’s never-ending wars. Sat, 23 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/4c844767-e8b4-4dbd-a330-9d3fd2256f7H/anom-j23.html 2016-01-23T05:00:00Z <em>Neorealism: We Were Not Just Bicycle Thieves</em>—a documentary on Italian cinema http://www.wsws.org/en/articles/2016/01/19/neor-j19.html The 72-minute film provides a general outline of neo-realist cinema, but it is a seriously limited one. Tue, 19 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/81d411d9-45ec-4137-aa60-e7f03e14d0aE/neor-j19.html 2016-01-19T05:00:00Z <em>The Revenant</em>: Are we all savages? (And Paolo Sorrentino’s <em>Youth</em> ) http://www.wsws.org/en/articles/2016/01/16/reve-j16.html <em>The Revenant</em> is a sensationalized account of the life of American fur trapper Hugh Glass, who famously survived a mauling by a bear. <em>Youth</em> is a banal meditation on aging. Sat, 16 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/1f7c3f2c-8cc1-4ea0-9052-c4f74f38944D/reve-j16.html 2016-01-16T05:00:00Z The 88th Academy Awards nominations http://www.wsws.org/en/articles/2016/01/15/acad-j15.html The Academy Award nominations revealed the usual muddle-headedness, liberal good intentions and severe limitations of the social grouping that decides these things. Fri, 15 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/a440dd4a-56d9-45a2-850a-7631787a311H/acad-j15.html 2016-01-15T05:00:00Z <em>Concussion</em>: Highlighting the perils of American football http://www.wsws.org/en/articles/2016/01/14/conc-j14.html Despite its limitations, <em>Concussion</em> serves to bring before a mass audience the grave risks inherent in playing America’s most popular sport. Thu, 14 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/7706f25b-2976-45cb-8193-c350629acbfM/conc-j14.html 2016-01-14T05:00:00Z <em>Carol</em> and <em>The Danish Girl</em>: Real problems, but the danger of exclusivism http://www.wsws.org/en/articles/2016/01/08/caro-j08.html The two films address significant subjects that could potentially shed light on society and its moral and psychological condition. Fri, 08 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/570c5fc0-869c-4e4a-91f8-bc89df61b01P/caro-j08.html 2016-01-08T05:00:00Z Racism and revenge: Quentin Tarantino’s <em>The Hateful Eight</em> http://www.wsws.org/en/articles/2016/01/07/hate-j07.html Tarantino’s latest is a deeply unpleasant work, another in a long line of the director’s blood-soaked revenge fantasies. Thu, 07 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/2945d6bf-117b-4e46-b41f-387c15d31c6E/hate-j07.html 2016-01-07T05:00:00Z Frank Capra: The Early Collection—The American filmmaker’s most ambitious and honest work http://www.wsws.org/en/articles/2016/01/06/capr-j06.html The box set contains five pre-Code movies: <em>Ladies of Leisure</em> (1930), <em>Rain Or Shine</em> (1930), <em>The Miracle Woman</em> (1931), <em>Forbidden</em> (1932) and <em>The Bitter Tea of General Yen</em> (1933). Wed, 06 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/2dca9f6d-c4f9-4706-be82-21c5b8e3091P/capr-j06.html 2016-01-06T05:00:00Z The failure of David O. Russell’s <em>Joy</em>, or, what any “sensible” person should know about modern society http://www.wsws.org/en/articles/2016/01/05/joym-j05.html Russell’s film is loosely inspired by the life story of millionaire inventor and entrepreneur Joy Mangano, who created a self-wringing mop and other products. Tue, 05 Jan 2016 05:00:00 GMT http://www.wsws.org/asset/40a608f9-f50b-4932-aa2f-504132c6539B/joym-j05.html 2016-01-05T05:00:00Z <em>The Big Short</em>: The criminality of Wall Street and the crash of 2008 http://www.wsws.org/en/articles/2015/12/31/shor-d31.html Adam McKay’s new film <em>The Big Short</em> is a hard-hitting comedy-drama about the 2008 financial meltdown. Thu, 31 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/d9518f85-ef37-4112-86f3-1768efa6303N/shor-d31.html 2015-12-31T05:00:00Z Best films of 2015 http://www.wsws.org/en/articles/2015/12/31/best-d31.html The most interesting films we saw in 2015, both those that played in a movie theater in the US and those not yet distributed. Thu, 31 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/e6fc1415-c888-41d9-9cd1-4a0e877d574G/best-d31.html 2015-12-31T05:00:00Z <em>In Jackson Heights</em>: Documentarian Frederick Wiseman on life in a New York City neighborhood http://www.wsws.org/en/articles/2015/12/29/fred-d29.html If nothing else, Wiseman’s new documentary is a reminder of the fact that, even in this wealthiest city in the world, the working class makes up the vast majority of the population. Tue, 29 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/9f63a330-af16-4859-924d-f6c85308a33A/fred-d29.html 2015-12-29T05:00:00Z <em>Star Wars: The Force Awakens</em>: No real awakening http://www.wsws.org/en/articles/2015/12/22/star-d22.html The new <em>Star Wars</em> offering serves as the first part of a “sequel” trilogy that tells the story of the next generation by reusing many of the same ideas and visuals. Tue, 22 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/9c17e55d-35a3-468a-96e6-79bb6d3382dH/star-d22.html 2015-12-22T05:00:00Z A new film version of Shakespeare’s <em>Macbeth</em> http://www.wsws.org/en/articles/2015/12/19/macb-d19.html A new version of William Shakespeare’s <em>Macbeth</em> with Michael Fassbender and Marion Cotillard emphasizes the bloody, barbaric times. Sat, 19 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/d8637268-8fdd-46c1-88e2-5adb74785f5B/macb-d19.html 2015-12-19T05:00:00Z <em>Legend</em> and <em>Room</em>: Once again, celebrating the underworld—and a peculiar film about captives http://www.wsws.org/en/articles/2015/12/17/lege-d17.html <em>Legend</em> is a British crime drama about the Kray twins, London’s most notorious gangsters in the 1960s; <em>Room</em> concerns a mother and her five-year-old son held prisoner in a shed for seven years. Thu, 17 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/f9c0a7b3-9f01-46f8-84fc-7e1c740d2b5M/lege-d17.html 2015-12-17T05:00:00Z Who would celebrate Hitler today?: The German satirical film <em>Look Who’s Back</em> http://www.wsws.org/en/articles/2015/12/16/back-d16.html The satirical film, based on the novel of the same title by Timur Vermes, has been seen by over two million people, making it one of the most watched in Germany this year. Wed, 16 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/75336830-f1d6-4876-a35e-f271f80c84aL/back-d16.html 2015-12-16T05:00:00Z <em>Killing Them Safely</em>: The big business of police tasers http://www.wsws.org/en/articles/2015/12/15/kill-d15.html The documentary is a disturbing look at TASER International, the company that has cornered the market for police electro-shock weapons. Tue, 15 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/98a871ee-ead1-424c-8aca-37e4a4e90feO/kill-d15.html 2015-12-15T05:00:00Z <em>Chi-Raq</em>: A satire of social life in Chicago http://www.wsws.org/en/articles/2015/12/14/chir-d14.html In Spike Lee’s latest film, young women in Chicago seek to end gang violence and social breakdown by means of a sex strike. Mon, 14 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/6373803b-7865-4b0d-b5f4-d43e2272165J/chir-d14.html 2015-12-14T05:00:00Z <em>Brooklyn</em>: Irish immigration through rose-colored glasses http://www.wsws.org/en/articles/2015/12/10/broo-d10.html <em>Brooklyn</em> focuses on a young Irish girl who emigrates to America in the early 1950s and struggles with homesickness and adjusting to an alien environment. Thu, 10 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/2d2cd087-b521-45a1-baa5-b99df9233d2D/broo-d10.html 2015-12-10T05:00:00Z Interview with Indian filmmaker Rahul Roy, director of <em>The Factory</em> http://www.wsws.org/en/articles/2015/12/07/fact-d07.html Roy’s film chronicles the struggle of autoworkers at the assembly plant operated by Maruti Suzuki India, in Manesar, northern India. Mon, 07 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/fb5c1758-3cc0-4391-9189-4e0613ac1b8G/fact-d07.html 2015-12-07T05:00:00Z <em>Janis: Little Girl Blue</em>–Amy Berg’s valuable documentary about singer Janis Joplin http://www.wsws.org/en/articles/2015/12/05/jopl-d05.html Singer Janis Joplin, born in Port Arthur, Texas, was immensely popular for the last several years of her life until her tragic demise from heroin and alcohol in October 1970. Sat, 05 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/ba94e325-ae4b-4747-a8f7-8da3a11311dI/jopl-d05.html 2015-12-05T05:00:00Z <em>Spotlight</em>: A telling exposé of sexual abuse in the Catholic Church http://www.wsws.org/en/articles/2015/12/03/spot-n03.html Tom McCarthy’s <em>Spotlight</em> is a taut, quasi-political thriller that chronicles the <em>Boston Globe</em>’s 2002 exposure of child sexual abuse by Catholic priests in the Boston area. Thu, 03 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/76f8adb2-2bd8-4a9d-b2ee-05e185c6713J/spot-n03.html 2015-12-03T05:00:00Z <em>The 33</em>: A drama of the 2010 Chilean mine disaster http://www.wsws.org/en/articles/2015/12/02/the3-d02.html The new film from Mexican-born director Patricia Riggen tells the story of the 2010 mine disaster in Chile, in which 33 miners were trapped underground for more than two months. Wed, 02 Dec 2015 05:00:00 GMT http://www.wsws.org/asset/979a8ae1-cab1-4b86-93e1-f82f34c4821G/the3-d02.html 2015-12-02T05:00:00Z <em>Trumbo</em> and the history of the Hollywood blacklist http://www.wsws.org/en/articles/2015/11/30/trum-n30.html Jay Roach’s film about the anti-communist Hollywood witch-hunt, though politically limited and marred by the conventions of the biopic genre, deserves to be widely seen. Mon, 30 Nov 2015 05:00:00 GMT http://www.wsws.org/asset/bd4a97e7-eec5-451a-b626-1781d1abfaeM/trum-n30.html 2015-11-30T05:00:00Z