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MRR Radio #1515 • 7/24/16

Rob circle pits the world of punk playing lots of foreign classics and a new ...

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New Blood! OLVIDO, KLOUT, SUNK, INCOMPETENTES, ПЕТЛЯ, and DIKTAT

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Create to Destroy! Total Punk Fuck Off Fest Vol. III


May 31st, 2016 by

CreateToDestroyLogo

Last year’s Total Punk Fuck Off II Fest had LUMPY AND THE DUMPERS as well as the ACHTUNGS from Finland and ended in total chaos.  This year is the third and final year of the Total Punk Fuck Off — two days only, this weekend June 3rd and 4th in hospitable Orlando, Florida.  Go catch TIMMY’S ORGANISM and GG KING in the sweltering heat that is Florida in June and don’t do anything I wouldn’t do.  This year’s fest will go out with a bang, for sure!

Did you ever think you’d make it to a third year?
That was the plan.  Movies, deaths, and festivals are best in threes.

The “Final Fuck Off” means this is the last year, right?
The train stops here. There may be more fucking off in the future but it won’t be on my dime.

Orlando in June sounds hotter than hell.  Should I still bring my leather jacket?
Hell’s got nothing on a Florida summer. Still bring your leathers though. Got to look cool to feel cool.

tptfo3ticketfinal

I see it’s an all-American line-up this year.
All American Punk. No Foreign Junk. KBD OOP RAR.

Tell us about the Florida bands that are playing.
The MOLD are our buddies from Jacksonville.  Bass, drums, and keys.  Punk à la SCREAMERS.  GINO & THE GOONS are from St. Pete and are party starting budget rock. AUTARX and MANIC & THE DEPRESSIVES are both from Orlando, share a singer, and are two of my favorite bands to come out of Orlando in a long time.  AUTUARX has got a deathrock kind of Agnew thing going on. MANIC & THE DEPRESSIVES are bass-driven minimal punk with alternating male and female vocals.  We’re also having a pre-party on Thursday night with my band GOLDEN PELICANS and another local called SECRET TRACERS. Three guitar stoner punk.

Who knew Florida was kicking?  What’s the scene like in Orlando right now?
Orlando has a really cool scene. There isn’t some cohesive sound like a city like Atlanta, but there are a bunch of good bands all doing their own thing, and a bunch of wild enthusiastic kids going bat shit. Plus pretty much everything happens within two blocks of each other, so most everyone lives in this one neighborhood. You never have to drive anywhere to go see a show, or eat a good meal, or go to the bar. It’s really the best thing about Orlando.

Florida in general?
There are pockets here and there, and it seems like more bands are popping up from around the state. St. Augustine and Jacksonville are always really fun to play.

What local hotels are dreading this fest?
Downtown Travelodge gets destroyed every year, but they keep allowing us back.  It’s the cheapest room in town, not too far from the club and they have a exquisite collection of bed bugs.

tptfo3posterfinal

What bands are headlining this year?
TIMMY’S ORGANISM headlines Friday night and COUNTER INTUITS, Ron House’s newest project, closes out the weekend.

Are the shows all ages?  Tell us about the venues.
The Thursday night pre-party is 21 and up but the rest of the weekend is 18+ (sorry kiddos). Here’s a breakdown of the venues, which by the way are all within a quarter mile radius of each other:
Wally’s: Orlando institution. Stiffest cheapest drinks in town. Small, smoky bar with all kinds of interesting characters.  Really excited that one of the shows is going to be here.
St. Matt’s (Joe’s NYC Bar): This place is something else.  It’s a bar with a stripper pole that also serves as a church on Sunday mornings. They are also “Orlando’s only steam punk bar”, and it’s the only bar with an alter ego.  Sometimes it’s St. Matt’s and sometimes it’s Joe’s NYC Bar. The inside is a strange combination of small English Chapel with gears painted on the ground (I think this is where the “steam punk” comes into play). The outside of the building always looks different. They will paint it like an American Flag for Fourth of July, then paint jack-o’-lantern faces on the exterior for Halloween, followed by snowflakes in December, but the best part is they just paint over whatever was there before so you can still see what is painted over. It doesn’t get much more Orlando than this place.
Uncle Lou’s: Pretty much the center of the Orlando punk universe.  Small bar run by a big Jamaican man named Lou. He’s the entire city of Orlando’s Uncle and if he ran for mayor, he’d probably win.
Will’s: Best venue in town, and run by a great supporter of the local music community. It’s where both night shows will be and have been every year for the Fuck Off. I honestly would never think about doing it anywhere else.

It’s nice that Orlando is so hospitable to punks and it sounds like a hospitable place for weirdos.  How long have you been preparing for this year’s fest?
I started working on this back in late September. It’s two weeks out and I’m still not done.  Whoever thought it would take so much effort to Fuck Off.

Is this a fest?
No, that happens in Gainesville.

Zing! What is a fest?
A bunch of people standing in a parking lot while a band plays inside.

I hate fests, do you?
I don’t hate fests but I due tend to get burnt out if they go to long. Two days is key. Sweet and short.

Any good stories from last year’s fest?
Lumpy knocked me upside the head with a heavy raw sausage that I paid for last year. ACTION SWINGERS absolutely killed it and none of his band members killed each other, which in and of itself is a miracle.  Three bands had their first practice with their current line-up hours before their respective shows.

How’s your label?
Best thing going.

What was your last release?
Put out two new singles last week: SICK THOUGHTS – “18 & Free” and GINO & THE GOONS – “Love & Hate.”  Next up is the debut single from New Orleans’ LSDOGS and a 12” by Oakland’s VIOLENCE CREEPS.

How many releases have you done so far?
Total Punk is getting ready to release it’s 48th. Floridas Dead now has two under it’s belt, and Floridas Dying (R.I.P.) had 42 releases.

Is your mother proud?
Who wouldn’t be proud of a 38-year-old who spends half of his year putting together an event called “The Fuck Off”?

Any last words?
I’m innocent.



Create to Destroy! Discos Infermos


January 6th, 2016 by

CreateToDestroyLogoI met Inti because he reached out to me with my label Nightrider Records.  He lives in Barcelona and has a solid distro and label with many international punk releases.  He supports a lot of international punk.  He was also in ASFIXIA (Basque Country) and ALERTA! (in Barcelona). If you want to know more, feel free to email him at discosenfermos at gmail dot com and check out his website at www.discosenfermos.com (Amelia Eakins)Another part of the Create to Destroy series.

Discos Enfermos is just a distro? Or a label, too?
Discos Enfermos is together a label and distro that comes on the evolution on my past label/distro.

logobueno.atentadoWhat other DIY labels are there in Spain right now?
There are many other labels, some with years on their back releasing and distributing great stuff. My nearest ones are Grita o Muere, Kremon, Trabuc, Crust as Fuck, Boston Pizza / Dead Moon… and there are some others working for years like DDT, In My Heart Empire, Metadona, Muerte a tipo, Against You, Discos Subterraneos,…and some others not existing anymore.

You live in Barcelona? Tell us about the scene there.
I live in Barcelona but originally I come from the Basque Country. Barcelona is bigger and has bigger movement, more or less because lot of people come here from everywhere. There are social centers, squats, bands…lot of things going on most of the time and also a lot of political people really working and fighting for prisoner rights, etc…

What are you past releases?
Actually I just released the reference #42 of Discos Enfermos (and craziest one at this point) that is COÀGÜL “Cobriu-me de Flors” flexi postcard (industrial noise/pop done by my good friend and great artist Marc O´Callaghan). Past releases are ATENTADO, DISKOIRÄÄ, METRALLETA, GOBIERNO MILITAR, AMENAÇA, BELGRADO, CRIMEN, PELIGRO!, PIEL Y HUESOS, DISTRABE, FINAL SLUM WAR, FRACASO, MÖRDARE, LOS CONEJOS, RAISER and VENGANZA (US), ARREST, CESIO 137, EYES OF CROW, SECT, ALERTA!, HHH (reisue of their 7″), MUERTE, SIEGA, GUERRA FRIA, RES, FZ10, URPA, VENGANZA (SPAIN), AUXILIO, PISSBATH, CADENA and POX (US).

What are you currently working on
Next releases are ZOTZ 7″ together with MassMedia Records in the USA (already at pressing plant) and next will be the SAD BOYS demo on 12″ record with some nice presentation, also working on MUJERCITOS 7″, VLTIMO IMPERIO demo and MUERTE LP (euro press) and some other things coming and waiting to confirm. I love to support the local bands that I like and that my friends play on, so probably future releases will be around this idea.

LOS CONEJOS

Do you distribute all over the world? How do you find record labels and distros to trade with?
Yes, I try to trade with everyone, usually people/label that I have done before or I know for years. Everyone interested taking on wholesale my releases also are welcome and I try to send stuff cheapest as possible. About mail order always getting orders from all over the world and sending.

IMG-20150404-WA0002 (1)Have you been doing this a long time?
Yes I think, probably since I start with my old label will be probably 10+ years on this- I’m 32 now!

Any tips and tricks to distros on packaging? Postal scams? Tips and tricks to keep records in perfect condition when shipping them across the world?
Not specially, the usual ones…as everyone, sometimes I suffer the disapointment of getting emails from labels or people who order records saying that they arrive broken or damaged…I can’t control the post workers. I use special mailing boxes for records and send them out of their sleeves to make them arrive in mint condition. I’m shipping 2-3 times a week several packages and very very few time happen any problem like this so I guess that I’m not doing so bad jejejeje.

I hear you- I feel like I live at the post office. Are you in a band?
Not currently, got some projects for starting a new band but actually not playing. I used to play in ASFIXIA (in Basque Country) and ALERTA! (in Barcelona). Both are bands which release something, also I had play in other bands in Basque and Barcelona but never releasing or even playing live.

Have you traveled Europe recently?
Not recently, last time was last year on tour with CRIMEN from Mexico.

What’s the state of Spain right now? Politically? The economy?
I could say that everything is fucked up and that is not true in the same way; there are going on some political changes but more or less are the same old fuckers with new faces, same old history, same shit with different smell. Inside this change I see that they start some years ago selling the “crisis” word to the reality of everyone, but that supposed “crisis” existed year and years ago. Everything is a lie, sometimes everything looks so fucking ridiculous that you will think that is a kind of reality show. Anyway, I don’t give a fuck about Spain because I’m not Spanish jajajajajaja- just a joke!

GOBIERNO MILITAR

GOBIERNO MILITAR

Is Barcelona (and Spain in general) a political punk scene?
I think it is, there are a lot of people doing things and fighting for so…I could say, with its good and bad things, that it is.

Have you been to any good shows recently?
Yes, a good thing of a big city like Barcelona is that most of the touring bands come here to play. Local bands are great and lot of times people go to see local band more than the touring band, we don’t give a fuck about a band just because is coming from the US jajajajaja. Last LA MISMA show was great and the last show I was with the local bands PIÑEN, ROTE ZORA and LAMAX was simply AMAIZING. And really looking this Saturday to see DIE, PISS, ANASAZI and MEDICATION.

I bet that was a good show! Why do you think bands from Barcelona are so powerful?
Are as powerful as in other places, I don`t think Barcelona had the great secret. People in the last year is paying lot of attention in Barcelona and looks like all the bands here are the fucking best and the reference and is not like this. Of course are great/greatest bands here, and some other that are just bullshit or products that lot of people make them like the best bands. I had seeing lot of bands really great and nobody giving a fuck about them and some others created just for release, tour and be a great band. Until bands like GOBIERNO MILITAR or LOS CONEJOS exist I will be happy of being part of this.

What do you have to say to punks thinking about starting their own record label?
Nothing to say, everyone is already doing and making it as if their label is the most “selected” and “limited” so…anyone can do whatever they want…just don`t come tome and tell how to do things…

What about punks wanting to distro?
For me both things have a total relation, I can understand starting a label without a distro, but I always worked releasing and trading and when it comes to releasing and not trading I start seeing things in a different way. There are some great distros not working as labels so…everything is possible, just if you want to do it, go ahead!

Any last words?
Thanks Amelia for giving me the option of answering this questions, I don`t like the interviews because is just my opinion and should not be reference of anything…so don’t take so serious my answers. Also I want to contact the singer of MYSTIC INANE, that guy have a tattoo of the logo of my label jasuajsuajsuajsujausjaus…he should be the one having all my records once I die.

Hey punks, look for the following upcoming releases from Discos eNfermos:

DENF #44 SAD BOYS “demo” 12″
DENF #45 MUJERCITOS 7″
DENF #46 ZOTZ “amargura” LP
DENF #?¿ VLTIMO IMPERIO “demo” CASSETTE
DENF #?¿ VENGANZA 7″ (NEW, 2nd 7″)
DENF #?¿ ABSOLUTE ORDER 7″
DENF #?¿ NUEVA FUERZA 7″
DENF #?¿ MUERTE LP (EUROPRESS)
DENF #?¿ RIP “83-84 Elgoibar, Vitoria, Lasarte, Barna” LP



Create to Destroy! Rave Up Records


December 16th, 2015 by

CreateToDestroyLogo

I saw the Tampax “Suck My Cock/Snivell” 7″ for sale on Punk & Destroy’s website in Osaka. (I still have yet to see it in the USA minus Discourage Records.)  I then furiously got in touch with the label in Rome, Italy directly as there were only 445 copies or so pressed and I had to get my hands on one. After corresponding with Pier of Rave Up Records, I decided it would be interesting to interview him. He does a lot of releases of early punk rock, hardcore, and seventies glam rock mostly of reissues and unreleased material.  Here is Pier of Rave Up Records and Road to Ruins Festival. This is part of the Create to Destroy series.

What does Rave Up Records seek to release?
My mission is discovering the big music scene from the US underground between ’75-’81. Basically this is the “focus” of my job!

Are you a KBD maniac?
Yeah, my bigger music passion is US punk rock. Of course is not the only one, I’m huge fan of ’60s garage punk too. In 1986, at the age of 17, I started as a Back from the Grave collector, only in the mid-’90s I moved into obscure ’70s punk rock. Basically I love two chord rock ‘n’ roll, but I like also ’80s minimal synth, late ’60s early psychedelia and hard rock, Italian library music, Latin jazz, bossa nova, UK freak beat, kraut rock, glam rock, power pop, northern soul, ’70s funk…

What’s your personal record collection like?
I have over 7,000 records, but I’m not a collector. I use to sell my “jewels” in case they became too expensive. I think that it makes no sense to pay over one hundred dollars for one record! I prefer drinking wine, buying drugs, eating at restaurant, traveling than jerking off with records!

tampax

How’d you get in touch with Tampax?
I contacted Tampax in the mid ’90s. In that period with my band, Ufo Diktatorz, we played many of their songs. In December 1998, I managed their show in my hometown, Ascoli Piceno, in the local squat. It was funny, Tampax were dressed as a native tribe and performing a sort of dada-istic show without music. People was really angry, ’cause they thinking to see a punk show, not a “Lakota ritual pipe songs concert!!!!!!” Crazy night…. really dangerous for me! This is the spirit of Tampax, get it or leave it!

How’d you come up with the “cock” adaptor for the recent Tampax release? Do you think that was a little lewd? Was this your doing or Tampax?
The cock adapter was an idea of Ado, the lead singer. He said to me, “Pier, I don’t want to reissue our old material in a ‘normal’ way. I don’t care about a memorialistic release for your boring collectors friends! So, take this or fuck you!”

Have you done creative things like that with other records?
My other job is produce and write documentaries. As film director, I released many works on satellite television (FOX TV channel). The best ones are Crollo Nervoso (about new wave scene of the ’80s), Italo Disco (Italian disco of the ’80s), Mellotron (on Italian progressive rock of the ’70s). Right now I’m working of The Italian Job, about the Italian soundtracks of the sixties/seventies (such Piero Piccioni, Piero Umiliani, Ennio Morricone, Louis Bacalov and more).

My other regular activity is organizing Road to Ruins festival. It started as punk rock festival eight years ago. I managed great shows such Crime, Unnatural Axe, Sham 69, Eater, Dictators, Agent Orange, Kids, Angry Samoans, Cheetah Chrome, Fast Cars, Adolescents, Private Dicks, Subway Sect, Dennis Most and the Instigators, Chainsaw and many many more….right now, I changed the focus…. Road to Ruins is a rock movie festival! It was boring to organize shows, too much stress!

The last one is playing music… I started with Ufo Diktatorz in 1992, a punk band that used to play pure KBD punk rock (covers such “51%” by Defnics, “They Saved Hitler’s Brain” by Unnatural Axe and so on…). We were a bunch of chaotic and alcoholic weirdos. Every show was a small battle…. broken noses and provocation a go-go! After a tragic show near Roma, I decided to close the experience with Ufo Diktatorz and start with Transex. It was too dangerous to continue with UFO! The testament of this band are two seven inches. Transex released two albums and one 7″ of great midtempo punk rock. Check our albums somewhere! Recently, four years ago, the band Illuminati….a parodist catholic psychedelic band…. we done two albums, the first on Hit Bit and the second one on Misty Lane records, a fine Italian label of sixties stuff.

Are you just surrounded by aging punk legends living in Italy?
Ah, ah! nooooo!!!I know all the old punks of my country, but my daily friends are guys of the local r’n’r punk scene, such Giuda, Human Race, Alieni, Mega, Lexicon Devils, Holiday Inn, The Hand… Right now I’m goin’ to release some of these bands, they’re all great!

pier and cheetah chrome

Pier and Cheetah Chrome

How do you track down the record labels and bands that long ago became defunct?
Well, before internet was really hard. I had some friends who helped me for contact the bands (Benjahn Mirhadi, who died some years ago, Mario Panciera, Chuck Warner, Frank Manley, Dave Fergusson and others…) but I done 95% of the job myself. I used to phone in the night searching the contacts on the US telephone guide! I remember those days as pioneer-istic, totally different than right now. Finding contacts is really easy… All the social media sites are a great help for my mission!!

Do you release any current material or just reissues and obscurity?
I never released new bands, but some months ago I started to help some friends of mine. I will only produce some few stuff, only on 7″ format. Just for joke… my job is another! I have at least over 70 albums of old punk bands to release!

Synthetic Shadows Records?
As I wrote before, I also like ’80s post punk and electronic synth music. Synthetic Shadows is the sub label dedicated to this kind of stuff. I also have Backstreet Records, the label devoted to power pop, another style of music that I love a lot!

Rave Up books?
Well, right now I’m also an editor, with Rave Up books project. The first two books are dedicated to Italian punk scene of 1977-81 (Lo Stivale è marcio) and new wave 1981-85 (Noi conquisteremo la luna). I really hope to release both in English if I find someone interested. Let’s see!

The new book is dedicated to the Luther Blissett project, a movement of “agit prop” influenced by Situazionism, active in Roma between 1995-1999. During those years I studied at University, but I was also a radical activist into the squat movement. Funny period… lot of riots, fighting in the streets against cops and more.

Can you make me a mix tape?
Sure! 30% US punk, 20% US teenage Back from the Grave garage, 10% obscure Kraut rock, 10% UK sixties freak beat, 10% glam rock, 10% power pop and… 10% Italian library music!



Create to Destroy! Stuart Schrader


September 23rd, 2015 by

You may have heard the name Stuart Schrader before, as he did Game of the Arseholes zine. This was a highly respected zine in the “rawer” punk scene which you may have inferred from the title which references ANTI-CIMEX. He has done countless interviews, some of which have appeared in MRR such as MISSBRUKARNA and MELLAKKA. Oh, and don’t forget the ANTI-CIMEX archive! I am hoping for a re-issue of his zine, but for now here is an interview (by Amelia Eakins):
How’d you discover punk?
First, thanks for the interview. I appreciate the Create to Destroy! feature because I think it is really important to recognize the blood, sweat, tears, and labor put into the punk scene that goes beyond just playing in bands. It would be incredible if we rewrote punk history not from the perspective of bands only but from a more holistic perspective of everyone who contributes, including those whose idea of “do it yourself” is to do nothing but just be a punk!

Anyway, I came to punk in a way that is almost unimaginable today: with great difficulty. I knew about punk years before I had ever heard it. I learned of the band names MINOR THREAT, BLACK FLAG, and DEAD KENNEDYS through mentions of them by guy named Glen Plake, who was an extreme skier with a giant mohawk who was semi-famous in the early 1990s. But it was before the internet and because I didn’t know any punks, I didn’t really know how to find the music. I discovered a DEAD KENNEDYS badge in a suburban CD shop, but they didn’t, as far as I could tell, have any of their CDs or cassettes. I was a pretty disaffected, angry, and lonely kid, and I was listening to mainstream metal and grunge at the time. Eventually, I met some punks, including one with whom I’m still friends: Nick Turner, who played guitar in COLD SWEAT and WALLS. He made some mixtapes for me, and it all began. Nowadays, one can use a search engine to discover so much, but it’s hard to imagine YouTube or downloaded mp3s being as precious to anyone today as those first mixtapes made by Nick and other friends were to me.

Yeah it used to be difficult to get into punk, I miss the hunt. Do you like ANTI-CIMEX?
I would say that I am obsessed with about three years of ANTI-CIMEX’s history. On most days, I think their second 7” is the finest hardcore record ever produced: just uncontrolled, sheer rage. I am also quite fond of their third 7”, as well as compilation and other tracks recorded circa 1983 and sung in Swedish. I do like their later output, but my life would not be diminished if I never heard it again. The 1983–1984 stuff, though, is essential.

On the Anti-Cimex Archive, I have collected a lot of information and ephemera about ANTI-CIMEX and SKITSLICKERS. I have tried to make the postings interesting and compendious, but it is difficult to be totally accurate, especially because there are lots of competing stories to be found and because I don’t speak Swedish. There is another cool blog in a similar spirit by a Swedish dude that fans should check called Victims of a Bombraid. Members of ANTI-CIMEX are on Facebook, and more ephemera is appearing online. Still, I am proud that I have put a lot of unique material online for free and easy access, stuff that is nearly impossible to find elsewhere. My favorite posts are one with complete info on the eight SKITSLICKERS sleeve variations and one on a few pre-CIMEX bands. I do have a lot more material that I would like to put online someday. It’s a slow process.

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Create to Destroy! Loud Punk


August 26th, 2015 by

I met Chris when I was with Perdition on a small Montreal/Albany tour in 2010.  I think that’s when I met Chris?  Anyway, he’s always been a go-to person in Albany and I wanted to find out more about his label and his recent Noise Annoys record store turned web shop.  Here is Chris from Loud Punk Records and Noise Annoys:

Are you from Albany?
Yes I’ve spent almost my entire life bouncing around the Albany area minus a small stint in Boston during 2000.

punk

What was the height of the scene there?
It really depends on how you look at. The late 90s was a really great time to grow up around here in the aspect of the punk scene.  It was a really crazy and exciting place during those days. All corners of the scene were really thriving, with shows all the time and a lot less internal divisions and inner scene politics. At the same time it was also a pretty intense and dangerous scene too. You typically couldn’t go to a show without at least a handful of brawls breaking out.But it too really depended on what shows you went to. It taught me a lot of life lessons at a young age, good and bad. The 2005/2006 years were also a really key time locally. The first part of the 2000’s were kind of bleak around here then. There was a resurgence, all of us that had been around for a bit weren’t kids anymore and started filling the shoes of guys like Nate from DEVOID OF FAITH/Gloom Records and others who were the real backbone of what went on around here but were not as active as they once were.  There was also a whole new wave of kids that started coming to shows. We had some amazing venues, great bands not only in the local scene but coming through town at the time. It made for a very fun and exciting environment.

What’s it like now?
Albany’s scene comes in waves, though things will be great for a few years, but quiet for a few. Currently it’s a little quiet but your hard pressed to find a scene not in a major city that isn’t in the same position that we are. While some come and go, the core group of dedicated folks around here are still doing what they know and love. Things can only get better and I have no doubt they will.

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