After the burn II, by Elisabeth Cummings

Size

Image size: 42.3 x 49.5 cm

Paper Size: 49.8 x 57.5 cm

The Frames

A high quality Malaysian produced renewable plantation timber is used and is available in pewter, white or satin black with a smooth composite finish and brown or blond grain.

The frames are 2.8cm and can be seen in images on the left. The mattes are a standard 5cm. There is paper space between the matte and where the image starts which varies, although it’s generally between 3 – 5cm.

A high end  premium grade Perspex imported from Japan called Shinkolite is used which is produced by Mitsubishi. It is 98%+ scratch resistant and is 3mm thick. Shinkolite acrylic is a continuous cast acrylic and has many of the properties of cell cast acrylic. It has 10x the strength of glass with crystal clear transparency.

The Paper  

The high quality of the paper should ensure a life of more than 100 years if cared for properly.

Innova Softex Fine Art Paper, 315gsm

Museum quality natural white, course structured, acid free paper.

It has a natural white finish with a slightly structured, soft-textured surface equivalent to a traditional etching fine art paper making it ideal for digital fine art reproductions.

The surface has a special matte coating, designed for high quality fine art and photographic reproduction.

The term “Giclée Print” (pronounced zhee-clay) refers to an elevation in printmaking technology.

Images are printed with archival quality Ultrachrome pigment based K3 inks onto canvas and smooth or textured fine art paper

Our Printing Partner

Vision Image Lab, our professional printing partner, also arrange framing and delivery.

They can be contacted directly regarding any delivery enquiries regarding this print.

email: accounts@visionimagelab.com.au

phone: (02) 9319 3300

Vision Imagelab offer a wide range of photographic and digital services catering for professional photographers, artists, students and the general public.

website: www.visionimagelab.com.au

Shipping

Delivery should be within 15 working days.

Only a small number of the 300 edition are printed at any time, so new print runs are at times required which then need the artist’s signature. 

Sent registered, using Fastway Couriers for metropolitan areas and Australia Post for remote areas.

International deliveries are only available upon request. Contact us here.

Framed prints cannot be sent to a PO Box address.

Be sure to enter the correct email address when placing your order. You will receive all notifications by email, including an initial order confirmation email, then a shipping confirmation email which will include the tracking code.

Returns

If for any reason you are not completely satisfied with your purchase we will give you a 30 day money-back guarantee from the time you receive the goods. Please contact us within that time if you are not satisfied with your purchase so that we can resolve any problems.

This refund policy does not apply to goods which have been damaged after delivery, or if any attempt has been made to alter the product or if they have been dropped or broken. All products must be returned in their original condition.

All return courier and insurance costs are to be paid by the buyer.

You must return the product via Registered Courier and pre pay all Courier costs.

You assume any risk of loss, theft or of goods damaged during return transit & therefore advise you take out shipment registration of insurance with your Courier. We cannot be responsible for parcels lost or damaged in return transit if you choose not to insure.

Delivery is organised by our printing partner, Vision Image Lab, who can be contacted directly. Their details are below.

Vision Image Lab, our professional printing partner, also arrange framing and delivery.

They can be contacted directly regarding any delivery inquiries regarding this print.

Email: accounts@visionimagelab.com.au

Phone: (02) 9319 3300

Vision Image Lab offer a wide range of photographic and digital services catering for professional photographers, artists, students and the general public.

Website: www.visionimagelab.com.au

Elisabeth Cummings (born 1934 in Brisbane), is now one of Australia's most respected living artists and was listed in Australian Art Collector in 2002 as one of the 50 most collectable.

She has won the Fleurieu Art Prize, The Portia Geach Portrait Prize, The Mosman Prize, and The Tattersalls Art Prize amongst others,and is represented in many private and public collections including Artbank, The Queensland Art Gallery, The Gold Coast City Art Gallery and the Art Gallery of New South Wales.

From 1953-57 she attended the National Art School in Sydney. In 1961 she studied with Oskar Kokoschka in Salzburg and spent 10 years studying and travelling throughout France and Italy.

She taught at the National Art School in Sydney from 1969–2001 and has been an arts educator at various other institutions from that time until the present day.