- published: 08 Feb 2012
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Hái! is the fourth and final album to be released by British duo The Creatures, composed of former Siouxsie and the Banshees members Siouxsie Sioux and Budgie. The album was recorded in two parts: the drums were recorded by Budgie and Kodo drummer Leonard Eto in Tokyo in August 2002 and the rest of the recording was done in Europe. During their stay in Japan, the band was inspired and "touched by the delicate snowfall imagery of Akira Kurosawa's Ikiru (1952), absorbing the vibrancy of Tokyo's Roppongi district, and spiritualised by the ancient Shinto shrines and tranquil shores of Lake Ashi."
Hái! was hailed by critics for its "Anglo-Japanese beauty".
In April 2002, Budgie was touring the U.S. with the Banshees, and while in Chicago, met Japanese producer Hoppy Kamiyama, known for his work with Eto. Budgie and Siouxsie had long wanted to collaborate with Eto, but had never contacted him. After an exchange of emails with Eto, The Creatures booked a studio in Tokyo and invited him to join them for a session on 19 August 2002. They approached the session in the same way as they conceived Feast: "Turn up and see what happens!". During the recording, Siouxsie took notes and stockpiled ideas for the songs. In the days that followed the session, the duo visited Roppongi district, the Shinto shrines and Lake Ashi, and shot images with a DV camera (that footage would later appear in a documentary included as a DVD in a limited edition of Hái!).
Hai! (Live in Japan) is a 1982 live album by the U.K. industrial band Cabaret Voltaire. It was recorded at the Tsubaki House in Tokyo, Japan on 23 March 1982, and was released on CD in 1991 by Mute Records Ltd. The original master tapes being lost, the CD was transferred from a vinyl copy (unfortunately, a US pressing was used, with significantly poorer sound and more surface noise than a Japanese original).
The performance on the album reflected the band's move towards a more funk-oriented sound. Alan Fish had joined the band by this time on drums and percussion, replacing Chris Watson.
The album reached number five in the UK Indie Chart in 1982.
Side A:
Side B:
“Haï” is an essay written by French Nobel laureate J. M. G. Le Clézio.
Recurrent images are the sun and the sea, light and water. From 1969 to 1973 Le Clézio lived among the Emberá speaking Indians in Panama.
Haï could br translated from French into English as Chai. Chai is a symbol and word that figures prominently in Jewish culture and consists of the letters of the Hebrew alphabet Het (ח) and Yod (י)
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1971, France,Editions d'art Albert Skira,Les Sentiers de la création, Geneva
ISBN 978-2-605-00112-5
It was reprinted by Flammarion, Paris in 1987.
In linguistics, a numeral is a member of a word class (or sometimes even a part of speech) designating numbers, such as the English word 'two' and the compound 'seventy-seven'.
Numerals may be attributive, as in two dogs, or pronominal, as in I saw two (of them).
Many words of different parts of speech indicate number or quantity. Quantifiers do not enumerate, or designate a specific number, but give another, often less specific, indication of amount. Examples are words such as every, most, least, some, etc. There are also number words which enumerate but are not a distinct part of speech, such as 'dozen', which is a noun, 'first', which is an adjective, or 'twice', which is an adverb. Numerals enumerate, but in addition have distinct grammatical behavior: when a numeral modifies a noun, it may replace the article: the/some dogs played in the park → twelve dogs played in the park. (Note that *dozen dogs played in the park is not grammatical, so 'dozen' is not a numeral.)
Fatal Frame is an upcoming Hollywood horror film. It was announced on a Niconico video stream on July 15, 2014. The film is set to begin as soon as the current new Fatal Frame project is completed, which consists of the fifth installment of the game, a novel, a Japanese film, and a manga.
Zero or Zéro is surname, given name or pseudonym of the following people:
Zero is name of the following notable fictional characters:
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Near the end of the lesson, one of my students asks a question about why the values start turning around 0.4 - I made a couple of videos that explain this phenomenon: https://www.youtube.com/watch?v=cDbnPaeZgQ0 (Part 1) and https://www.youtube.com/watch?v=a0ePXSvQuaQ (Part 2) Main site: http://www.misterwootube.com Second channel (for teachers): http://www.youtube.com/misterwootube2 Connect with me on Twitter (http://twitter.com/misterwootube) or Facebook (http://fb.com/misterwootube)
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Hái! is the fourth and final album to be released by British duo The Creatures, composed of former Siouxsie and the Banshees members Siouxsie Sioux and Budgie. The album was recorded in two parts: the drums were recorded by Budgie and Kodo drummer Leonard Eto in Tokyo in August 2002 and the rest of the recording was done in Europe. During their stay in Japan, the band was inspired and "touched by the delicate snowfall imagery of Akira Kurosawa's Ikiru (1952), absorbing the vibrancy of Tokyo's Roppongi district, and spiritualised by the ancient Shinto shrines and tranquil shores of Lake Ashi."
Hái! was hailed by critics for its "Anglo-Japanese beauty".
In April 2002, Budgie was touring the U.S. with the Banshees, and while in Chicago, met Japanese producer Hoppy Kamiyama, known for his work with Eto. Budgie and Siouxsie had long wanted to collaborate with Eto, but had never contacted him. After an exchange of emails with Eto, The Creatures booked a studio in Tokyo and invited him to join them for a session on 19 August 2002. They approached the session in the same way as they conceived Feast: "Turn up and see what happens!". During the recording, Siouxsie took notes and stockpiled ideas for the songs. In the days that followed the session, the duo visited Roppongi district, the Shinto shrines and Lake Ashi, and shot images with a DV camera (that footage would later appear in a documentary included as a DVD in a limited edition of Hái!).
Siale?s gone away and she?s never comin? back here again
I understand, I know where you?re comin? from
Just take your time, you've planned this since the first time we met, oh
Are you ever comin? back? Are you ever comin? back?
Are you ever comin? back? Are you ever comin? back?
Are you ever comin? back? Are you ever comin? back again?
First time I saw you, you were crowned in silver
You?re hair full of fire, I guess you would have been a goddess
Incognito, hiding all my lies, and this year, I was more than content
Ten times my eyes glanced upon your temple
But I never imagine my deep fantasies
In case you really had another lover, another brother
I know your name is desire
The words you speak chocolate coated whispers
You have a style so unique and pure
A vision from up above, I think I?m infatuated by your spirit
As you passed by my eyes
I?m like a little child mesmerized by your magic
Well, ten times my eyes glanced upon your temple
Well, ten times my eyes glanced upon your temple
Time flies when you?re havin? fun
Well, time flies when you?re havin? fun
Well, time flies when you?re havin? fun, well, time flies
Siale?s gone away and she?s never comin? back here again
I understand, I know where you?re comin? from
So take your time, you've planned this since the first time we met
Are you ever comin? back? Are you ever comin? back?
Are you ever comin? back? Are you ever comin? back?
Are you ever comin? back? Are you ever comin? back again?
Time flies when you?re havin? fun
Well, time flies when you?re havin? fun
Well, time flies when you?re havin? fun, well, time flies
Siale?s gone away and she?s never comin? back here again
I understand, I know where you?re comin? from
Just take your time, you've planned this since the first time we met
Are you ever comin? back? Are you ever comin? back?
Are you ever comin? back? Are you ever comin? back?
Are you ever comin? back? Are you ever comin? back again?