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Frances Morris, director of Tate Modern - Keynote at MCA
In this talk titled “Expanding Horizons: rethinking the past through the lens of the present”, Morris shared insights on the Tate Modern’s new building extension and her vision for redefining the museum for the 21st century.
Frances Morris has played a key role in the development of Tate, joining as a curator in 1987, becoming Head of Displays at Tate Modern (2000–2006) and then Director of Collection, International Art until April 2016 when she was appointed to her current role. She has continually worked to re-imagine Tate’s collection and has been instrumental in developing its international reach and its representation of women artists.
published: 08 Sep 2016
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Fresh Take: An Interview with Frances Morris, Director of the Tate Modern
Fresh Takes are intimate and in-depth conversations with speakers from the Fresh Talk series of public events, part of the Women, Arts, and Social Change initiative.
published: 09 May 2018
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Agnes Martin: Arne Glimcher in conversation with Frances Morris
Shoot and Edit by Johnny Genius for Tate.
www.johnnygenius.co.uk
www.tate.org.uk
published: 25 Sep 2013
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Phyllida Barlow in conversation with Frances Morris
Tuesday 30 September 2014, Tate Britain, London.
published: 28 Oct 2014
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Tate Modern’s Frances Morris: Framing Diversity
Director of Tate Modern, Frances Morris was invited to be the opening keynote speaker at the recent Awkward Bastards 2: ABsence symposium.
Here, she talks about the challenges of tackling deep-seated institutional hierarchies which persist in many major museums and galleries.
Awkward Bastards 2 was a partnership between DASH, the Live Art Development Agency and the mac Birmingham which brought together artists, activists, thinkers, and producers to rethink ideas around diversity.
Find out more: www.disabilityartsinternational.org
published: 23 May 2017
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#CreativeUnions Frances Morris - Tate
We have forged #CreativeUnions with the Tate to stand up and say that we believe Borderless Creativity.
Join in. #Creative Unions
http://www.arts.ac.uk/csm/about-csm/creative-unions/
published: 19 Jun 2017
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Frances Morris at Garage. Louise Bourgeois: Tate Modern, Towers and the Mother of all spiders
Louise Bourgeois’s art, writings and archival material are
© The Easton Foundation / Licensed by VAGA, New York and RAO, Moscow
Public program Through the Looking Glass of Louise Bourgeois.
Lecture by Frances Morris: Louise Bourgeois: Tate Modern, Towers and the Mother of all spiders.
Louise Bourgeois was the first artist to take on Tate Modern’s great Turbine Hall and when the new museum opened in May 2000 Bourgeois giant spider Maman and her three house-size towers I do, I undo, I redo were the first works of art to greet the museum’s thousands of visitors. Frances Morris, Director of Collection, International Art at Tate, commissioned the work as the first in the now famous series of Unilever installations, and worked with the artist and her team to realize this landmark site-specifi...
published: 06 Apr 2016
1:34:27
Frances Morris, director of Tate Modern - Keynote at MCA
In this talk titled “Expanding Horizons: rethinking the past through the lens of the present”, Morris shared insights on the Tate Modern’s new building extensio...
In this talk titled “Expanding Horizons: rethinking the past through the lens of the present”, Morris shared insights on the Tate Modern’s new building extension and her vision for redefining the museum for the 21st century.
Frances Morris has played a key role in the development of Tate, joining as a curator in 1987, becoming Head of Displays at Tate Modern (2000–2006) and then Director of Collection, International Art until April 2016 when she was appointed to her current role. She has continually worked to re-imagine Tate’s collection and has been instrumental in developing its international reach and its representation of women artists.
https://wn.com/Frances_Morris,_Director_Of_Tate_Modern_Keynote_At_Mca
In this talk titled “Expanding Horizons: rethinking the past through the lens of the present”, Morris shared insights on the Tate Modern’s new building extension and her vision for redefining the museum for the 21st century.
Frances Morris has played a key role in the development of Tate, joining as a curator in 1987, becoming Head of Displays at Tate Modern (2000–2006) and then Director of Collection, International Art until April 2016 when she was appointed to her current role. She has continually worked to re-imagine Tate’s collection and has been instrumental in developing its international reach and its representation of women artists.
- published: 08 Sep 2016
- views: 1645
3:34
Fresh Take: An Interview with Frances Morris, Director of the Tate Modern
Fresh Takes are intimate and in-depth conversations with speakers from the Fresh Talk series of public events, part of the Women, Arts, and Social Change initia...
Fresh Takes are intimate and in-depth conversations with speakers from the Fresh Talk series of public events, part of the Women, Arts, and Social Change initiative.
https://wn.com/Fresh_Take_An_Interview_With_Frances_Morris,_Director_Of_The_Tate_Modern
Fresh Takes are intimate and in-depth conversations with speakers from the Fresh Talk series of public events, part of the Women, Arts, and Social Change initiative.
- published: 09 May 2018
- views: 707
1:18:21
Agnes Martin: Arne Glimcher in conversation with Frances Morris
Shoot and Edit by Johnny Genius for Tate.
www.johnnygenius.co.uk
www.tate.org.uk
Shoot and Edit by Johnny Genius for Tate.
www.johnnygenius.co.uk
www.tate.org.uk
https://wn.com/Agnes_Martin_Arne_Glimcher_In_Conversation_With_Frances_Morris
Shoot and Edit by Johnny Genius for Tate.
www.johnnygenius.co.uk
www.tate.org.uk
- published: 25 Sep 2013
- views: 42077
7:07
Tate Modern’s Frances Morris: Framing Diversity
Director of Tate Modern, Frances Morris was invited to be the opening keynote speaker at the recent Awkward Bastards 2: ABsence symposium.
Here, she talks abo...
Director of Tate Modern, Frances Morris was invited to be the opening keynote speaker at the recent Awkward Bastards 2: ABsence symposium.
Here, she talks about the challenges of tackling deep-seated institutional hierarchies which persist in many major museums and galleries.
Awkward Bastards 2 was a partnership between DASH, the Live Art Development Agency and the mac Birmingham which brought together artists, activists, thinkers, and producers to rethink ideas around diversity.
Find out more: www.disabilityartsinternational.org
https://wn.com/Tate_Modern’S_Frances_Morris_Framing_Diversity
Director of Tate Modern, Frances Morris was invited to be the opening keynote speaker at the recent Awkward Bastards 2: ABsence symposium.
Here, she talks about the challenges of tackling deep-seated institutional hierarchies which persist in many major museums and galleries.
Awkward Bastards 2 was a partnership between DASH, the Live Art Development Agency and the mac Birmingham which brought together artists, activists, thinkers, and producers to rethink ideas around diversity.
Find out more: www.disabilityartsinternational.org
- published: 23 May 2017
- views: 249
0:59
#CreativeUnions Frances Morris - Tate
We have forged #CreativeUnions with the Tate to stand up and say that we believe Borderless Creativity.
Join in. #Creative Unions
http://www.arts.ac.uk/csm/abou...
We have forged #CreativeUnions with the Tate to stand up and say that we believe Borderless Creativity.
Join in. #Creative Unions
http://www.arts.ac.uk/csm/about-csm/creative-unions/
https://wn.com/Creativeunions_Frances_Morris_Tate
We have forged #CreativeUnions with the Tate to stand up and say that we believe Borderless Creativity.
Join in. #Creative Unions
http://www.arts.ac.uk/csm/about-csm/creative-unions/
- published: 19 Jun 2017
- views: 108
1:17:11
Frances Morris at Garage. Louise Bourgeois: Tate Modern, Towers and the Mother of all spiders
Louise Bourgeois’s art, writings and archival material are
© The Easton Foundation / Licensed by VAGA, New York and RAO, Moscow
Public program Through the Look...
Louise Bourgeois’s art, writings and archival material are
© The Easton Foundation / Licensed by VAGA, New York and RAO, Moscow
Public program Through the Looking Glass of Louise Bourgeois.
Lecture by Frances Morris: Louise Bourgeois: Tate Modern, Towers and the Mother of all spiders.
Louise Bourgeois was the first artist to take on Tate Modern’s great Turbine Hall and when the new museum opened in May 2000 Bourgeois giant spider Maman and her three house-size towers I do, I undo, I redo were the first works of art to greet the museum’s thousands of visitors. Frances Morris, Director of Collection, International Art at Tate, commissioned the work as the first in the now famous series of Unilever installations, and worked with the artist and her team to realize this landmark site-specific project. Although her most ambitious works to date both Maman and I do, I undo, I redo have complex roots in Bourgeois earliest practice and would have been inconceivable without the experimental series of Cells which they follow. Frances will discuss challenges presented by the artist’s proposal and assess its place in the artist’s work. You can see Maman at Garage and also the models which were made in preparation for the other large works.
Small-scale models of the enormous towers I Do, I Undo, and I Redo can be seen in the Wunderkammer on the third floor of the Museum. Garage is also presenting the monumental bronze spider Maman (1999), which you can see on the square in front of the Museum.
Frances Morris — director of Collection, International Art, Tate. Frances was one of the founding curators of Tate Modern and has been responsible for curating the permanent collection displays as well as many temporary exhibitions since its opening in 2000. Aside from the Turbine Hall commission Frances has curated Louise Bourgeois: Stiches in Time for IMMA in 2003 and the major retrospective for Tate Modern, Pompidou, LAMOCA and Guggenheim in 2007. Since then she has made retrospectives of work by Yayoi Kusama and Agnes Martin. She is currently working with Catherine Grenier on an exhibition of Alberto Giacometti for 2017.
https://wn.com/Frances_Morris_At_Garage._Louise_Bourgeois_Tate_Modern,_Towers_And_The_Mother_Of_All_Spiders
Louise Bourgeois’s art, writings and archival material are
© The Easton Foundation / Licensed by VAGA, New York and RAO, Moscow
Public program Through the Looking Glass of Louise Bourgeois.
Lecture by Frances Morris: Louise Bourgeois: Tate Modern, Towers and the Mother of all spiders.
Louise Bourgeois was the first artist to take on Tate Modern’s great Turbine Hall and when the new museum opened in May 2000 Bourgeois giant spider Maman and her three house-size towers I do, I undo, I redo were the first works of art to greet the museum’s thousands of visitors. Frances Morris, Director of Collection, International Art at Tate, commissioned the work as the first in the now famous series of Unilever installations, and worked with the artist and her team to realize this landmark site-specific project. Although her most ambitious works to date both Maman and I do, I undo, I redo have complex roots in Bourgeois earliest practice and would have been inconceivable without the experimental series of Cells which they follow. Frances will discuss challenges presented by the artist’s proposal and assess its place in the artist’s work. You can see Maman at Garage and also the models which were made in preparation for the other large works.
Small-scale models of the enormous towers I Do, I Undo, and I Redo can be seen in the Wunderkammer on the third floor of the Museum. Garage is also presenting the monumental bronze spider Maman (1999), which you can see on the square in front of the Museum.
Frances Morris — director of Collection, International Art, Tate. Frances was one of the founding curators of Tate Modern and has been responsible for curating the permanent collection displays as well as many temporary exhibitions since its opening in 2000. Aside from the Turbine Hall commission Frances has curated Louise Bourgeois: Stiches in Time for IMMA in 2003 and the major retrospective for Tate Modern, Pompidou, LAMOCA and Guggenheim in 2007. Since then she has made retrospectives of work by Yayoi Kusama and Agnes Martin. She is currently working with Catherine Grenier on an exhibition of Alberto Giacometti for 2017.
- published: 06 Apr 2016
- views: 906