Oliver Lieb

Oliver Lieb (born 1969 in Frankfurt, Germany) is a German electronic music producer and DJ. Lieb is known to have more than a dozen aliases with over 200 productions and remixes in various electronic genres such as, trance, house, and techno. He has also produced tracks for other artists.

Career

Lieb began his musical career at the age of fourteen, as a bassist, playing in funk and soul bands. However, he often left the bands he played in before they found any real success. Eventually he started exploring electronic music.

His first record, under the alias 'Force Legato', was released by ZYX Music. In 1992, Lieb met Matthias Schindehutte, A&R man for the newly formed Harthouse record label, who contracted him for the Spicelab project. At the same time, Lieb started work on harder tracks, released using the alias Psilocybin. 1993 saw his first releases under the alias L.S.G. on the Hamburg-based Superstition record label, which he discontinued in 2007; in 2015, Lieb announced the reactivation of the project. In 1994, he first co-operated with Harald Großkopf (whom he later also performed with live), releasing tracks using the alias The Ambush. Numerous other aliases were developed by Lieb during the 1990s; these included 23 different aliases as a solo artist, including Paragliders and Superspy, and twenty-two aliases for different groups and collaborations, including Force Legato (with Torsten Fenslau) and Azid Force (with Pascal Dardoufas, a.k.a. Pascal F.E.O.S.).

Crash Bandicoot (character)

Crash Bandicoot, or simply Crash, is the title character and primary protagonist of the Crash Bandicoot series. Introduced in the 1996 video game Crash Bandicoot, Crash is an eastern barred bandicoot who was genetically enhanced by the series' main antagonist Doctor Neo Cortex and soon escaped from Cortex's castle after a failed experiment in the "Cortex Vortex". Throughout the series, Crash acts as the opposition against Cortex and his schemes for world domination. While Crash has a number of offensive maneuvers at his disposal, his most distinctive technique is one in which he spins like a tornado at high speeds and knocks away almost anything that he strikes.

Crash was created by Andy Gavin and Jason Rubin, and was originally designed by Charles Zembillas. Crash was intended to be a mascot character for Sony to use to compete against Nintendo's Mario and Sega's Sonic the Hedgehog. Before Crash was given his name (which stems from the visceral reaction to the character's destruction of boxes), he was referred to as "Willie the Wombat" for much of the duration of the first game's production. Crash has drawn comparisons to Mario and Sonic the Hedgehog by reviewers. His animations have been praised, and his voice has been criticized, while his redesign in the Radical Entertainment games has drawn mixed reactions.

Hands On

Hands On may refer to:

Yello

Yello is a Swiss electronic band consisting of Dieter Meier and Boris Blank. They are most famous for their 1985 single "Oh Yeah" which featured in the films Ferris Bueller's Day Off, The Secret of My Success and K-9. And for The Race which peaked at number 7 on the UK Singles Chart.

Band history

The band was formed by Boris Blank (keyboards, sampling, percussion, backing vocals) and Carlos Perón (tapes) in the late 1970s. Dieter Meier (vocals, lyrics), a millionaire industrialist and gambler, was brought in when the two founders realised that they needed a singer. The new band name, Yello, was chosen as a pun based on a comment made by Meier, "a yelled Hello".

Yello's first release was the 1979 single "I.T. Splash". The LP Solid Pleasure, featuring the original short version of "Bostich" (extended to a hit dance single in 1981), was released in November 1980.

In 1983, Yello received substantial media attention with the release of "I Love You" and "Lost Again". Perón left the band in 1983 to start a solo career. With their 1983 album You Gotta Say Yes to Another Excess, the band began a working relationship with Ernst Gamper, whose "corner cut" logo would represent them for three albums, and who would design covers for the group beyond the demise of this logo.