Miller

A miller usually refers to a person who operates a mill, a machine to grind a cereal crop to make flour.

Description

Milling is among the oldest of human occupations. "Miller", "Milne" and other variants are common surnames, as are their equivalents in other languages around the world ("Müller" or "Mueller" in German, "Molnár" in Hungarian, "Molinero" in Spanish, "Molinaro or Molinari" in Italian etc.). Milling existed in hunter-gatherer communities, and later millers were important to the development of agriculture.

The materials ground by millers are often foodstuffs and particularly grain. The physical grinding of the food allows for the easier digestion of its nutrients and saves wear on the teeth. Non-food substances needed in a fine, powdered form, such as building materials, may be processed by a miller.

The most basic tool for a miller was the quern-stone—simply a large, fixed stone as a base and another movable stone operated by hand, similar to a mortar and pestle. As technology and millstones (the bedstone and rynd) improved, more elaborate machines such as watermills and windmills were developed to do the grinding work. These mills harnessed available energy sources including animal, water, wind, and electrical power. Mills are some of the oldest factories in human history, so factories making other items are sometimes known as mills, for example, cotton mills and steel mills. These factory workers are also called millers.

Novel

A novel is a long narrative, normally in prose, which describes fictional characters and events, usually in the form of a sequential story.

The genre has also been described as possessing "a continuous and comprehensive history of about two thousand years". This view sees the novel's origins in Classical Greece and Rome, medieval, early modern romance, and the tradition of the novella. The latter, an Italian word used to describe short stories, supplied the present generic English term in the 18th century. Ian Watt, however, in The Rise of the Novel (1957) suggests that the novel first came into being in the early 18th century,

Miguel de Cervantes, author of Don Quixote, is frequently cited as the first significant European novelist of the modern era; the first part of Don Quixote was published in 1605.

The romance is a closely related long prose narrative. Walter Scott defined it as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents", whereas in the novel "the events are accommodated to the ordinary train of human events and the modern state of society". However, many romances, including the historical romances of Scott,Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". Romance, as defined here, should not be confused with the genre fiction love romance or romance novel. Other European languages do not distinguish between romance and novel: "a novel is le roman, der Roman, il romanzo."

Pure

Pure may refer to:

Computing

Companies and products

Literature

Andrew Miller

Andrew Miller may refer to:

Sports

Others

Barbara Cartland

Dame Barbara Cartland, DBE, CStJ (9 July 1901 – 21 May 2000), born Mary Barbara Hamilton, was an English author of romance novels, who was one of the best-selling authors as well as one of the most prolific and commercially successful of the twentieth century. Her 723 novels were translated into 36 different languages, and she continues to be referenced in the Guinness World Records for the most novels published in a single year in 1976. As Barbara Cartland she is known for her numerous romantic novels, but she also wrote under her married name of Barbara McCorquodale. She wrote more than 700 books, as well as plays, music, verse, drama, magazine articles and operetta, and was a prominent philanthropist. She reportedly sold more than 750 million copies. Other sources estimate her book sales at more than two billion copies. She specialised in 19th-century Victorian era pure romance. Her novels all featured portrait-style artwork, particularly the cover art.

As head of Cartland Promotions, she also became one of London's most prominent society figures and one of Britain's most popular media personalities, right up until her death in 2000.