Post is a fictional character and mutant in the Marvel Comics universe. His first appearance was in X-Men v2, #50.
Kevin Tremain was a mutant captured and studied by the Mandarin. On a secret mission, the Six Pack attacked the secret base Tremain was held in. Tremain was mortally injured; Cable tried to save his life, first by using his telekinesis to keep Tremain's body together, and finally by giving him a blood transfusion. Although it seems he survived this trauma, Cable seemed to think Tremain had later died.
Years later, Tremain resurfaced as Post, the lowest of Onslaught's emissaries. Onslaught forced Gateway to teleport Cyclops, Storm, Iceman, and Wolverine to where Post could "test" them. The four managed to defeat Post and were transported back to the Mansion. Later, Post attacked Cable, who instantly recognized his identity as Tremain. Post defeated Cable and left him for the Hulk to finish off. Post was later charged with ensuring the Sentinels would launch, he battled X-Factor with them and succeeded protecting the Sentinels. He and his master Onslaught were eventually defeated by the heroes.
Post is a surname of Low German or Dutch origin. It can be either toponymic or occupational ("messenger; courier"). People with the name Post include:
The Post is an English-language newspaper in South Africa owned by Independent News & Media and published in Durban, South Africa.
Boom may refer to:
Boom! is an American reality television series that aired on Spike TV in 2005 and was hosted by Kourtney Klein. It featured a group of demolition experts using explosives to destroy objects such as trailers, houses, boats and cars. Often, the suggestions on what should be blown up were sent in by home viewers via a "BOOM! Mailbag". Each episode covered obtaining the materials (such as the item to be destroyed), cleaning, gutting, and rigging the thing with explosives, and then making the final countdown and pushing the detonator, and watching the devastation.
Boom! is a 1968 British drama film starring Elizabeth Taylor, Richard Burton and Noël Coward, directed by Joseph Losey, and adapted from the play The Milk Train Doesn't Stop Here Anymore by Tennessee Williams.
Flora 'Sissy' Goforth (Taylor, in a part written for an older woman) is a terminally ill woman living with a coterie of servants in a large mansion on a secluded island. Into her life comes a mysterious man, Christopher Flanders, nicknamed "Angelo Del Morte" (played by then-husband Burton, in a part intended for a very young man). The mysterious man may or may not be "The Angel of Death".
The interaction between Goforth and Flanders forms the backbone of the plot, with both of the major characters voicing lines of dialogue that carry allegorical and Symbolist significance. Secondary characters chime in, such as "the Witch of Capri" (Coward). The movie mingles respect and contempt for human beings who, like Goforth, continue to deny their own death even as it draws closer and closer. It examines how these characters can enlist and redirect their fading erotic drive into the reinforcement of this denial.