Nuuk

Nuuk (Greenlandic pronunciation: [nuːk]; Danish: Godthåb) is the capital and largest city of Greenland. It is the seat of government and the country's largest cultural and economic centre. The major cities closest to the capital are Iqaluit and St. John's in Canada and Reykjavík in Iceland. Nuuk is the seat of government for the Sermersooq municipality. In January 2015, it had a population of 16,992, making it one of the smallest capital cities in the world by population.

Nuuk is the Kalaallisut word for "cape". It is so named because of its position at the end of the Nuup Kangerlua fjord on the eastern shore of the Labrador Sea. Its latitude, at 64°10' N, makes it the world's northernmost capital, located only a few kilometres further north than the Icelandic capital Reykjavík.

History

The site has a long history of habitation. The area around Nuuk was first occupied by the ancient pre-Inuit, Paleo-Eskimo people of the Saqqaq culture as far back as 2200 BC when they lived in the area around the now abandoned settlement of Qoornoq. For a long time it was occupied by the Dorset culture around the former settlement of Kangeq but they disappeared from the Nuuk district before AD 1000. The Nuuk area was later inhabited by Viking explorers in the 10th century, and shortly thereafter by Inuit peoples. Inuit and Norsemen both lived with little interaction in this area from about 1000 until the disappearance of the Norse settlement for uncertain reasons during the 15th century.

Nuuk (album)

Nuuk is the fifth solo album from German ambient music producer, Thomas Köner. Originally released in 1997 as a part of the Driftworks 4-CD box set (along with albums from Nijiumu, Pauline Oliveros & Randy Raine-Reusch and Paul Schütze), it was re-released in 2004 by Mille Plateaux with a DVD containing films made from still images to accompany the music.

Nuuk is the capital city of Greenland. Polynya is an area of open water surrounded by sea ice. Amras is a fictional character taken from J. R. R. Tolkien's legendarium.

Track listing

Dies

Dies is a surname, and may refer to:

See also

Dies (deity)

In Roman mythology Dies ("day") was the personification of day, and the Roman counterpart of the Greek goddess Hemera, the daughter of Nox (Night) and Scotus (Darkness).

She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister.

She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child.

References

External links

Josh Dies

Joshua S. Porter, better known by his stage name Josh Dies (born June 12, 1983) is an American singer, songwriter, musician and novelist. Porter is widely known as the vocalist and songwriter for the band Showbread. His debut novel, The Spinal Cord Perception, was released in December 2006 and features a dark, postmodern style similar to Chuck Palahniuk, Bret Easton Ellis, and many other Generation X novelists. Besides several other novels, he has also authored a children's book.

Porter and Showbread also started "Raw Rock Missions," an organization designed to provide food and shelter for orphans and children with special needs.

Biography

In 1997, Porter began working with brother Patrick Porter creating and evolving the band Showbread, which became a full-time international touring act in 2002. In 2004, following several independent albums, Showbread released No Sir, Nihilism Is Not Practical, featuring music and lyrics written by Porter, and arranged and completed by him and his band mates. No Sir... expectantly failed to achieve commercial success. However, it was rewarded by Revolver Magazine to be the best Screamo album of the year, and Showbread’s already respectable and rabid fan base was propelled by the thousands.