Sita

Sita (also spelled Sîta, Seeta or Seetha [ˈsiːt̪aː],  listen  meaning "furrow") also known as Vaidehi, Janaki, Maithili, Bhoomija, is the central female character of the Hindu epic Ramayana and a daughter of King Janak of Janakpur. She is the consort of the Hindu god Rama (avatar of Vishnu) and is an avatar of Lakshmi (Aadi Shakti of Lord Vishnu), goddess of wealth and wife of Vishnu. She is esteemed as a paragon of spousal and feminine virtues for all Hindu women. Sita is known for her dedication, self-sacrifice, courage and purity.

Sita is described as the daughter of the earth goddess Bhūmi and the adopted daughter of King Janaka of Mithila and Queen Sunayna. In her youth, she marries Rama, the prince of Ayodhya. Soon after her marriage, she is forced into exile with her husband and brother-in-law Lakshmana. While in exile, the trio settle in the Dandaka forest, from where she is abducted by Ravana, Rakshasa King of Lanka. She is imprisoned in the Ashoka Vatika of Lanka by Ravana. Sita is finally rescued by Rama in the climatic war where Rama slays Ravana. Sita goes into fire for her human body to come out of fire-god's protection and her imitation, abducted by ravan, gets back in the fire. Thereafter, Rama and Sita return to Ayodhya, where they are crowned as king and queen. However, Rama abandons a pregnant Sita when one of his subjects casts doubt over her chastity. In the refuge of Sage Valmiki's hermitage Sita gives birth to twins Lava and Kusha. After her sons grow up and unite with their father, Sita returns to her mother, the Earth's womb, for release from a cruel world as a testimony of her purity. Her other names are Bhumija and Janaki.

Art director

Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games.

it is the charge of a sole art director to supervise and unify the vision. In particular, the art director is in charge of the overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements used, what artistic style to use, and when to use motion.

One of the most difficult problems that art directors face is to translate desired moods, messages, concepts, and underdeveloped ideas into imagery. During the brainstorming process, art directors, co-workers, and clients are engaged in imagining what the finished piece or scene might look like. At times, an art director is ultimately responsible for solidifying the vision of the collective imagination while resolving conflicting agenda and inconsistencies between the various individual inputs.

Prachya Pinkaew

Prachya Pinkaew (Thai: ปรัชญา ปิ่นแก้ว; rtgs: Pratya Pinkaeo; born September 2, 1962) is a Thai film director, film producer and screenwriter. His films include Ong-Bak: Muay Thai Warrior and Tom-Yum-Goong, both martial arts films starring Tony Jaa.

Biography

Prachya graduated from Nakhon Ratchasima Technology College in Nakhon Ratchasima Province, Thailand, in 1985, majoring in architecture. He began his career in 1990, working as an art director and later as creative director at Packshot Entertainment, an advertising firm. He directed music videos and won several Best Music Video Awards at Thailand's Golden Television Awards.

His first feature film was made in 1992 and called The Magic Shoes. It was followed in 1995 by Dark Side Romance, a karmic thriller-romance.

By 1998, Open Maker Head and BaaRamEwe 1999 was concentrating on producing films, including the vampire movie Body Jumper, the action-comedy Heaven's Seven, the horror movie 999-9999, the musical Hoedown Showdown, the frankly sexual comedy Sayew and the arthouse drama Fake.

Film festival

A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually in a single city or region. Increasingly, film festivals show some films outdoors. Films may be of recent date and, depending upon the festival's focus, can include international and domestic releases. Some festivals focus on a specific film-maker or genre (e.g., film noir) or subject matter (e.g., horror film festivals). A number of film festivals specialise in short films of a defined maximum length. Film festivals are typically annual events. Some film historians do not consider Film Festivals as official releases of film, like Jerry Beck. The best known film festivals are the Venice Film Festival, the Cannes Film Festival, the Toronto Film Festival, Sundance Film Festival, and the Berlin International Film Festival, the latter being the largest film festival worldwide, based on attendance. The Venice Film Festival is the oldest major festival. The Melbourne International Film Festival is the largest film festival in the Southern Hemisphere and one of the oldest in the world. A 2013 study found 3,000 active films festivals worldwide—active defined as having held an event in the previous 24 months.

Cinematographer

A cinematographer or director of photography (sometimes shortened to DP or DOP) is the chief over the camera crews working on a film, television production or other live action piece and is responsible for achieving artistic and technical decisions related to the image. The study and practice of this field is referred to as cinematography. Some filmmakers say that the cinematographer is just the chief over the camera and lighting, and the Director of Photography is the chief over all the photography components of film, including framing, costumes, makeup, and lighting, as well as the assistant of the post producer for color correction and grading.

The cinematographer selects the camera, film stock, lens, filters, etc., to realize the scene in accordance with the intentions of the director. Relations between the cinematographer and director vary; in some instances the director will allow the cinematographer complete independence; in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is not common once the director and cinematographer have become comfortable with each other; the director will typically convey to the cinematographer what is wanted from a scene visually, and allow the cinematographer latitude in achieving that effect.