- published: 27 Mar 2008
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Visual art of The United States or American art is visual art made in the United States or by American artists. Before colonization there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-c. 1593) the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally-made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.
But in the later 18th century two American artists, Benjamin West and John Singleton Copley, became the most successful painters in London of history painting, then regarded as the highest form of art, giving the first sign of an emerging force in Western art. American artists who remained at home became increasingly skilled, although there was little awareness of them in Europe. In the early 19th century the infrastructure to train artists began to be established, and from 1820 the Hudson River School began to produce Romantic landscape painting that was original and matched the huge scale of American landscapes. The American Revolution produced a demand for patriotic art, especially history painting, while other artists recorded the frontier country. A parallel development taking shape in rural America was the American craft movement, which began as a reaction to the industrial revolution.
The Museum of Latin American Art (MOLAA) was founded by Dr. Robert Gumbiner in 1996 in Long Beach, California, United States and serves the greater Los Angeles area. MOLAA is the only museum in the United States dedicated to modern and contemporary Latin American art.
The Museum of Latin American Art (MOLAA) is located in downtown Long Beach, California. Housed in a contemporary structure designed by Mexican architect Manuel Rosen, the museum is home to four galleries, a contemporary “project space” and an outdoor sculpture garden.
Founded in 1996 by Dr. Robert Gumbiner, MOLAA is the only museum in the United States dedicated to modern and contemporary Latin American art. Through ground-breaking exhibitions, educational programs and cultural events, MOLAA expands the knowledge and appreciation of modern and contemporary Latin American art and culture and promotes a cross-cultural dialogue.
MOLAA is located in Long Beach’s developing East Village Arts District. Between 1913 and 1918 the site that the Museum now occupies was the home of the Balboa Amusement Producing Company, then the world’s most productive and innovative silent film studio. Before there was a Hollywood, Balboa was the king of the silver screen, producing nearly 20,000 feet of film a week. The building that was renovated in 1998 as MOLAA’s Entertainment / Education / Special Event venue may have been part of the old Balboa film studio. MOLAA’s exhibition galleries, administrative offices and store are housed in what was once a roller skating rink known as the Hippodrome. Built in the late 1920s, after the film studios were gone, the Hippodrome was a haven for skaters for four decades. The high vaulted ceilings and beautiful wooden floors were perfectly suited for the Hippodrome's final metamorphosis into the Museum of Latin American Art.
A wonderful tour of The Museum of Latin American Art. Hosted by Melody Jackson, this is one of Long Beach's treasures.
The Museum of Latin American Art (Molaa) is proud to present the art of the contemporary Cuban artist, Carlos Luna to our Southern California audience. Since 1996, molaa has been dedicated to collecting and exhibiting the art of Latin American artists who are well known in their native countries and are gaining recognition on the international art scene. Carlos Luna is such an artist.
LATIN AMERICAN ART MUSEUM GARY NADER COLLECTION OPENING SUCCESS Miami, Dec. 3rd, 2014: Gary Nader Art Centre opened last night with unprecedented crowd. Gary Nader hosted a diverse and inspired crowd of art world personalities and prestigious collectors, art critics, artistic celebrities, curators and art lovers in general. Over 800 guests experienced the unveiling of the Latin American Art Museum (LAAM) MODEL and renderings designed by well-known Mexican architect Fernando Romero designer of the Soumaya Museum in Mexico City. A group exhibition including important paintings, sculptures, drawings and other media from the museum's permanent collection accompanied the debut of the LAAM MODEL and architectural plan and the launch of Gary Nader Art Centre as a temporary space for the LAA...
by FERNANDO ROMERO ENTERPRISE
Museum of Latin American Art Long Beach, California Artists from Mexico peru Argentina Colombia Brazil Havana Cuba Paraguay Uruguay Venezuela Puerto Rico Chile El Salvador Panama Nicaragua Dominic Republic
MEXIKA (musicians) and DANZA COAXOCHITL together they perform energy positive presentations of elegant ancient dance and music!!! Danza Azteca Coaxochitl is a group based in Van Nuys, CA and is under the direction of Capitana Liliana Curioca. MEXIKA is led by performer, educator and scholar, Martin Espino, who has researched and played these instruments since 1975.
The Museum of Latin American Art is the only museum in the United States that exclusively features modern and contemporary Latin American art.
En La Noche is a new series at MOLAA featuring a mashup of music, art, dance, & film. The event is co sponsored by 562 City Life and featured music by La Santa Cecilia. Continuous screenings took place all evening of selected videos highlighting the following artists in the Sites exhibition: Geraldo de Barros, Martha Boto, Carlos Cruz-Diez, Gego, Julio Le Parc, Alejandro Otero, Jesús Rafael Soto and Gregorio Vardanega. La Santa Cecilia is a Los Angeles based band that combines up-tempo South American rhythms like Cumbia and Bossa Nova with the nostalgic Bolero and passionate Tango, blending in Afro-Cuban percussion with Jazzy trumpet tunes. La Santas colorful and fiesta-like live shows leave crowds mesmerized.
Getting cultured at the Museum of Latin American Art's Frida Kahlo, Her Photos exhibit (00:24) and Pacific Island Ethnic Art Museum's Out of Taiwan: Shared Connections in the Pacific photographs (01:50). Travel with us! ►►http://bit.ly/1lOxNUq Click here to see more Look Who's Traveling ►►http://bit.ly/1lOHlPd Museum of Latin American Art 628 Alamitos Ave Long Beach, CA 90802 (562) 437-1689 http://www.molaa.org Pacific Island Ethnic Art Museum 695 Alamitos Ave Long Beach, CA 90813 (562) 216-4170 http://www.pieam.org Music license info: Mariachi Snooze and Stomp Dance by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Other episodes from Look Who's Traveling, Season Two! Knott's Berry Farm http://bit.ly/...
From the Other Shore: Narratives and Perspectives on Spanish & Latin American Art Session One Shaping Narratives of Spanish and Latin-American Art—Museums and Collections "Narratives of Latin-American Art: From Montevideo to Mainstream Art History" Ángel Kalenberg, former Director of the Museo Nacional de Artes Visuales de Montevideo, Uruguay (Q&A; follows with presenters from Session One, at about the 47 min. mark) Kalenberg has termed one of the most powerful and important artistic currents in Latin America as "Organic Constructivism." Abandoning the European Constructivist movement, Latin-American artists were successful in creating an "organic construction," which means an abstract art with material support that is sensitive and organic. This current originated from Torres Garcia's ...
Part 1 of "Encuentros: Artistic Exchange between the U.S. and Latin America" Session 1: New Approaches: Latin/American Art and its Intersections. Speaker 1: Katherine Manthorne, professor of modern art of the Americas, City University of New York Graduate Center "Ambas Américas/Two Americas: A Proposal for Studying the Nineteenth Century". Speaker 2: Deborah Cullen, director of curatorial programs, El Museo del Barrio "Contact Zones: Places, Spaces, and Other Test Cases"E. Speaker 3: Carmen Ramos, curator for Latino art, Smithsonian American Art Museum "Inside and Out: The Latino Presence in American Art". This two-day symposium examines the exchange of artistic ideas and techniques between Latin America and the U.S. and explores the dialogue and influence that has developed as a res...
Maya Dance and Music Festival in Latin America Art Museum in Long Beach 12/16/12
Since 1999 Mr. Luke has been Director of the Museum of Latin American Art (MoLAA), and continues to apply his wealth of experience to lead and administer the cultural programming of the museum. At MoLAA, Mr. Luke also regularly lectures on Latin American cultural subject matters and personalities such as: Series on Mexican Culture: History, Cuisine, and Dance; Diego Rivera, Frida Khalo, David Siqueros, Earnest Hemingway, and Octavio Paz. For his tireless contribution to the cultural enrichment of the community in Long Beach, he was recently awarded the Nuestra Imagen Awards from the Community Hispanic Association.
Our America exhibition curator E. Carmen Ramos, examines how Latino artists working since the mid-20th century have participated in American art movements and re-calibrated key themes in American art. Friday, October 25, 2013, 6 - 8pm
From the Other Shore: Narratives and Perspectives on Spanish & Latin American Art Session Three: New perspectives on Spanish and Latin-American Art in Scholarship, Museum, and Exhibition Practices "The Evolving Latin-American Canon" Miriam Basilio, Assistant Professor of Art History and Museum Studies, New York University This lecture will examine the following questions: How do Western museums re-think modernist art historical canons today? How can modern museums frame global contemporary art within a modernist context that does not represent modernities outside the U.S./Eurocentric art historical narrative? The goal is to shed light on an as-yet unstudied aspect of Alfred Barr's preeminent role in establishing the definition of the problematic term "Latin-American art" in the United ...
From the Other Shore: Narratives and Perspectives on Spanish & Latin American Art The purpose of the symposium is to analyze the various ways in which ideas and perceptions about Spanish and Latin American Art have evolved in the last decades, dramatically increasing their international visibility and relevance. To address the implications of shaping a new canon for such problematic categories as Spanish and Latin American art in the context of general art history, the symposium will rely on prestigious museum professionals and university professors. Welcome - Roberto Tejada, Endowed Professor of Art History, Southern Methodist University, Dallas Introductory Remarks - María Dolores Jiménez-Blanco, Professor of Art History, Universidad Complutense, Madrid, Spain Session One: Shaping Na...
Gregorio Luke is the Director of the Museum of Latian American Art (MoLAA). MoLAA's mission is to educate the public about contemporary Latin American fine art (by artists who have lived and worked in Latin America since WWII) through the presentation of a significant permanent collection, dynamic exhibitions and related cultural and educational programs. Guest: Gregorio Luke Host: Molly Barnes Producer: Bill McDonald
In conjunction with the exhibition "Latin America in Construction: Architecture 1955-1980," Learning from/in Latin America will expand on the exhibition’s curatorial framework and further explore key positions, debates, and architectural activity arising from Mexico to Cuba and the Southern Cone over three decades of development between 1955 and the early 1980s. This roundtable conversation brings together contemporary architects from Brazil, Mexico, and Colombia to reflect on their current activity in relation to the quarter-century of architectural and urban development featured in the exhibition. Participants include Angelo Bucci, SPBR Arquitetos, São Paulo, Brazil; Tatiana Bilbao, Tatiana Bilbao SC, Mexico City, Mexico; and Felipe Mesa, Planb: Arquitectos, Medellín, Colombia. Barry B...
Part 1 of 2 of the Latin American art workshop for AP Art History teachers.
Thick green I pushed backWaiting through the thick black
Footprints in the thickest grass
Wolves always find my tracks
A flare, a far cry of mine
Just push the leaves away
A flare, a far cry of mine
Just push the leaves away
I find myself alone again, alone again
A flare, a far cry of mine
Just push the leaves away
A flare, a far cry of mine
Just push the leaves away
I find myself alone again, alone again
I find myself alone again, alone again
A flare, a far cry of mine
Just push the leaves away
A flare, a far cry of mine
Just push the leaves away
I find myself alone again, alone again
I find myself alone again, alone again