I, a Slave (2013)

Actors: Suj Ahmed (producer), Suj Ahmed (editor), Suj Ahmed (director), Suj Ahmed (producer), Suj Ahmed (writer), Grahame Edwards (actor), Camilla Robinson (actress), Soheib Mohammadi (composer), Coco Varma (composer), Tom Heycock (editor), William Ashbey (actor), Joseph Accerelli (actor), William Larden (actor), Scot Larden (actor), Perdita Lawton (actor),

Plot: A young woman is kidnapped and held captive by two men in a terraced house in a busy London neighborhood. She is slowly conditioned to accept her captivity by threats of death to her young son and by the threat of a mysterious all seeing network that will seek punishment if she were ever to expose her situation. Complex relationships develop between the captors and the woman resulting in an explosive finish in this dark and disturbing drama.

Genres: Drama, Mystery, Thriller,
Taglines: A captive young woman faces horrendous psychological ordeal by a sophisticated evil man and his young assistant as she struggles for freedom.

Curiosity (2007)

Actors: Paul Coppack (director), Paul Coppack (producer), Tim Paley (producer), Stephen Hedley (producer), Nick Light (producer), Neil Lenthall (producer), Graham Butler (actor), Joe Moan (actor), Zahira Ali (producer), Chris McNulty (editor), Dorothy Sanderson (actress), Ashleigh Morley (actress), John Howarth (actor), Noelene Phythian (miscellaneous crew), Emma Kenny (writer),

Genres: Comedy, Short,

Spider-Man 3 (2007)

Actors: Dylan Baker (actor), Tobey Maguire (actor), James Franco (actor), Willem Dafoe (actor), James Cromwell (actor), Stan Lee (actor), James Franco (actor), Robert Curtis Brown (actor), Elya Baskin (actor), Bruce Campbell (actor), Thomas Haden Church (actor), Thomas Haden Church (actor), Willem Dafoe (actor), Bill Nunn (actor), Tobey Maguire (actor),

Plot: Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter's old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father's persona as The New Goblin, and Peter must also capture Uncle Ben's real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter's suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter's personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also...himself.

Keywords: 2000s, action-hero, actress, advertising-campaign, amnesia, amputee, animated-opening-credits, answering-machine, anti-hero, anti-villain
Genres: Action, Adventure, Fantasy,
Taglines: Next summer, the greatest battle lies... within. The battle within. How long can any man fight the darkness... before he finds it in himself? Every hero has a choice, to face the darkness... or be consumed by it. One man will fight to find the hero within

Quotes:

Peter Parker: Harry! I need your help. I can't take them both, not by myself.::Harry Osborn: [turns to reveal scars] You don't deserve my help.::Peter Parker: Harry... she needs us.::Harry Osborn: Get out.

Coffee Shop Waitress: How's the pie?::Harry Osborn: So good...

Peter Parker: Flint Marko. The man who killed Uncle Ben, he was killed last night.::Aunt May: Oh, my. What happened?::Peter Parker: Spider-Man killed him.::Aunt May: Spider-Man? I don't understand, Spider-Man doesn't kill people. What happened?::Peter Parker: I, uh... He... he was... I thought that - That you'd feel... He deserved it, didn't he?::Aunt May: I don't think it's for us to say whether a person deserves to live or die.::Peter Parker: But, Aunt May, he killed Uncle Ben.::Aunt May: Uncle Ben meant the world to us. But he wouldn't want us living one second with revenge in our hearts. It's like a poison. It can - It can take you over. Before you know it, turn us into something ugly.

Aunt May: How's Mary Jane?::Peter Parker: I don't know.::Aunt May: I never heard from you. Did you ever propose?::Peter Parker: You said a husband's gotta put his wife before himself.::[puts the ring in her hand]::Peter Parker: I'm not ready.::Aunt May: But what happened? You seemed so sure.::Peter Parker: Yeah. I, uh... I hurt her, Aunt May. I don't know what to do.::Aunt May: Well, you start by doing the hardest thing: You forgive yourself. I believe in you, Peter. You're a good person. And I know you'll find a way to put it right.::[places the ring on the TV]::Aunt May: In time.

Gwen Stacy: I mean who gets kissed by Spider-Man, right?::Mary Jane Watson: I can't imagine.

Spider-Man: It's time to pay, Marko!

Flint Marko: [grabs Venom in mid-swing, thinking he's Spider-Man] End of the line, Spider-Man.::Venom: [roars in his face]::Flint Marko: [seeing it's not Spider-Man, tosses him aside]::Venom: I want him dead too, Flint. That's why I've been looking for you. Oh, yeah, I know all about you. Like the fact that Spider-Man won't let you help your poor daughter. It's just - That doesn't seem right to me. Look, I want to kill the spider, you wanna kill the spider. Together, he doesn't stand a chance. Interested?::Flint Marko: Yeah.

Peter Parker: Hey, Mr. Ditkovitch.::Mr. Ditkovitch: An orange?::Peter Parker: No, thanks. Listen, I'm really sorry for what happened earlier. I shouldn't have yelled about that door. It was nothing to be angry about.::Mr. Ditkovitch: Ah, it's no big deal. But if you feel that bad about it, you can buy me pizza some time. Today's good.::Peter Parker: Okay.::Mr. Ditkovitch: Problem with the phone?::Peter Parker: No, no. I was just - Well, I was trying to figure out what to say.::Mr. Ditkovitch: If it's a woman you're calling, then you say: "You're good woman. I'm good man..."::Peter Parker: [confused stare]::Mr. Ditkovitch: Hm?::Ursula: Hi, Pete.::Peter Parker: Hi.::Mr. Ditkovitch: He's calling a woman.::Ursula: Are you calling Mary Jane? I think that would be so good...::Mr. Ditkovitch: This is none of your business. Go. Go.::[to Peter]::Mr. Ditkovitch: Call.

Mary Jane Watson: Do you want to push me away?::Peter Parker: Push you away? Why would I want to push you away... I love you!

Miss Brant: [beeps on speaker phone, shaking desk] Your blood pressure, Mr. Jameson. Your wife told me to tell you to watch the anger.::J. Jonah Jameson: YOU TELL MY WIFE...::[calms down]::J. Jonah Jameson: [speaks into phone] Thank you.::[turns to Hoffman]::J. Jonah Jameson: Continue.::Miss Brant: [buzzes phone and shakes desk again] Time to take your pill.::Miss Brant: [buzz] Not that one.::Miss Brant: [buzz] Not that one.::J. Jonah Jameson: [points to jar of pills]::Miss Brant: [nods and buzzes phone] Drink plenty of water.::J. Jonah Jameson: [sigh] Thank you.

The First Date (2006)

Actors: Anthony Spadaccini (producer), Anthony Spadaccini (editor), Anthony Spadaccini (director), Anthony Spadaccini (actor), Kevin MacLeod (composer), Anthony Spadaccini (writer), Benjamin P. Ablao Jr. (producer), Benjamin P. Ablao Jr. (producer), Benjamin P. Ablao Jr. (actor), Tanisha Dungee (producer), John Larsen (actor), Duane Noch (actor), Duane Noch (writer), James J. Ward (producer), Jeff Watson (producer),

Plot: Award-winning filmmaker Anthony Spadaccini brings you The First Date, the hysterical followup to his silent comedy Monday Morning. The hilariously clumsy Trevor returns, this time landing a date with a beautiful woman. However, through a series of misadventures, Trevor turns their first date into a total disaster.

Keywords: date, dates, dinner, disaster, first-date, fly, number-in-title, pillow, purse, thief
Genres: Comedy, Short,
Taglines: And you thought your date was bad...

Last Stop (2006)

Actors: Katrina Mathers (actress), Ross Thompson (actor), Steve Adams (actor), Donna McRae (actress), Greg Williams (writer), Greg Williams (director), Greg Williams (producer), Tatiana Doroshenko (producer), Simon King (actor), Tatiana Doroshenko (writer), Brendan Bacon (actor), Tamara Donnellan (actress), Nicolas Lyon (composer), Jacob Oberman (producer), Jacob Oberman (actor),

Plot: In Melbourne, eight passengers are riding a street car - two women talking, a smoker with a cigarette at the ready, a father and daughter, a guy on a cell phone, a solitary woman, and a solitary man. They're joined on board by a tall young Arab-looking man carrying a full gym bag. A few stops later, he leaves the car, and the bag stays behind. As the streetcar continues its journey, the passengers begin to get nervous. A sign on the train wall says "If you see something, say something." Can they report the isolated bag in time?

Genres: Short,

24/7 (2005)

Actors: Kevin McNulty (actor), David Richmond-Peck (producer), David Richmond-Peck (actor), Viv Leacock (actor), Alistair Abell (actor), Kelly-Ruth Mercier (director), Kelly-Ruth Mercier (writer), Lisa Ann Beley (actress), Andrew Williamson (producer), Robin Nielsen (actor), Nancy Welsh (producer), Megan Leitch (actress), Jonathan Holmes (actor), Leri Davies (miscellaneous crew), Christena Zatylny (producer),

Plot: In 24/7, celebrated newsmagazine host "Roch Braun" retaliates in the only way he knows how: By appealing to his legions of fans through one of the world's most recognizable methods of storytelling - television news - in an attempt to clear his name in the face of wide-spread suspicion, hysteria and pseudo-reportage.

Keywords: celebrity, number-in-title, satire, security, television
Genres: Short,

Guarding Tess (1994)

Actors: Shirley MacLaine (actress), Dale Dye (miscellaneous crew), Noble Willingham (actor), Austin Pendleton (actor), James Handy (actor), Ann Roth (costume designer), James Rebhorn (actor), Richard Griffiths (actor), Nicolas Cage (actor), Edward Albert (actor), Al Cerullo (actor), Dale Dye (actor), Harry Lennix (actor), Hugh Wilson (director), Hugh Wilson (actor),

Plot: Doug is a Secret Service Agent who has just completed his stint in charge protecting Tess Carlisle, widow of a former U.S. President, and close personal friend of the President. He finds that she has requested that he not be rotated but instead return to be her permanent detail. Doug is crushed. He wants off her detail. She is very difficult to guard and makes her detail crazy with her whims and demands. Doug returns with no idea of how to continue dealing with her.

Keywords: bodyguard, buried-alive, character-name-in-title, cia, fbi, first-lady, golf, hostage, kidnapping, opera
Genres: Comedy,
Taglines: A comedy beyond the call of duty.

Quotes:

Tess Carlisle: The President is coming to Somersville. Will you have the cars and the machine guns ready in about an hour?

Doug Chesnic: [Calming the hospital employee who insisted it's hospital policy that patients leave by wheelchair] The regulations aren't really that sacred, are they?::Doug Chesnic: And Tess... Get in the god damn chair.::Tess Carlisle: Hmm. Very good, Douglas. You're going to be all right.

Frederick: Just back to pick up your accoutrements?::Doug Chesnic: Speak English Fred.::Frederick: Just back to pick up your shit?

Tess Carlisle: It's got no price at all.::Bob Hutcherson: Yes ma'am. Uh, Doug, this is Bobby in canned goods, are you anywhere near the manager? I need a price check on Lesieur baby peas, repeat, Lesieur baby peas.::Doug Chesnic: Lesieur baby peas.::Store Manager: They're on special today, two for .59.::Doug Chesnic: They're on special today, two for .59.::Bob Hutcherson: Uh, copy that, it's two for .59.::Tess Carlisle: But I only want one.::Bob Hutcherson: Uh, roger that, Doug, but she only wants one.::Doug Chesnic: How much for just one?::Store Manager: The same. It's a two for one thing.::Doug Chesnic: Uh, Bobby, it's a two for one thing so I suggest you go ahead and get both.::Bob Hutcherson: Uh, copy that Doug but I believe we've lost in interest in peas, repeat, lost interest in peas. Canned goods out.

Store Manager: [to Doug] Does she want to be known today?::[Doug shakes his head]::Store Manager: [to customers and cashiers] Don't know her! Don't know her! Don't know her!

Lee Danielson: [about Tess refusing Secret Service protection] She kicked us out of the house.

Doug Chesnic: Don't you see? If he is involved, then her life is worthless, you understand? They had to fucking kill her!

Doug Chesnic: Where is she Earl?::Earl Fowler: Speak to my lawyer Agent... Agent Dougie.

Tess Carlisle: I have some exciting news for you. I have an inoperable brain tumor. [pause] I have bought you and your men a scud missile launcher. [pause] We are going to the opera in Columbus. Which of those do you think is true?::Doug Chesnic: When?

Once Upon a Secretary (1983)

Actors: Ron Jeremy (director), Ron Jeremy (composer), Ron Jeremy (producer), Ron Jeremy (writer), Alan Adrian (actor), Samantha Fox (actress), Kelly Nichols (actress), Alan Adrian (actor), Jerry Butler (actor), Bobby Astyr (actor), Ron Jeremy (actor), Robert Kerman (actor), Veronica Hart (actress), Michael Morrison (actor), Jeffrey Wallach (actor),

Plot: Nina is a porn star. Sharon is a secretary who wants more than just sex from her married boss Mr. Murphy. Meanwhile, tired Nina falls asleep before sex with her boyfriend Brad. He therefore calls in their neighbor Elaine as substitute. Nina wakes up but just joins in until falling asleep again. Pressured for a less tiresome job, Nina applies for a strip bar, but gets too comfortable with the clients. Meanwhile, Mr. Murphy rewards Sharon after asking her to pleasure two businessmen. Realizing she's getting paid for sex, Sharon accepts her coworker Steve's offer to become a porn star. Steve introduces Sharon to Nina who shows Sharon the ropes. They decide trading jobs. Brad comes working for Mr. Murphy too, to protect Nina from the boss who has to overhear the couple's own office sex. Sharon convinces Steve to get on camera with her.

Keywords: adult-filmmaking, anal-sex, bar, breast-fondling, breast-suckling, ejaculation, employer-employee-sex, exotic-dancer, fellatio, female-masturbation
Genres: Adult,

I'll Be Yours (1947)

Actors: Adolphe Menjou (actor), Charles Miller (actor), William Bailey (actor), John Hamilton (actor), Walter Catlett (actor), William Bendix (actor), Ralph Brooks (actor), Cyril Delevanti (actor), Douglas Carter (actor), Dudley Dickerson (actor), Tom Dillon (actor), Tom Drake (actor), George Chandler (actor), Joseph Granby (actor), Franklin Pangborn (actor),

Genres: Comedy, Musical, Romance,
Taglines: SHE CROSSES UP MENJOU...KISSES DRAKE...AND CONNIVES WITH BENDIX (original poster - all caps) Heaven Protects the Working Girl...but who protects the guy she's WORKING to get? Deanna Sings "SARI WALTZ" "GRANADA" "BRAHAM'S LULLABY" "IT'S DREAM TIME" (original poster) DEANNA!....dream-teamed with the screen's new young star sensation...and matched for mirth with your favorite laugh-makers! (original poster)

Random Harvest (1942)

Actors: Herbert Evans (actor), Sidney D'Albrook (actor), Hooper Atchley (actor), Alec Craig (actor), Charles Bennett (actor), Harry Allen (actor), Matthew Boulton (actor), John Burton (actor), Jimmy Aubrey (actor), Lowden Adams (actor), Wallis Clark (actor), David Clyde (actor), Ronald Colman (actor), Melville Cooper (actor), Al Ferguson (actor),

Plot: A veteran of World War I marries and settles happily into a tidy, humble life until an accident brings back memories of a former life of wealth and privilege while blocking all recollection of his existence since the war. Thus one man disappears, and another man long missing turns up and claims his vast inheritance. What does his devoted wife, whom he no longer recognizes, do?

Keywords: 1910s, 1920s, 1930s, amnesia, armistice-day-1918, baby, baby-crib, backstage, bagpipes, ballet
Genres: Drama, Romance,
Taglines: It's Great. Great Stars . . . A Great Story . . . A Great Author! He had found love - lost it - and now had found it again!

Quotes:

Paula: Oh Smithy, You're ruining my makeup.

Paula: Smithy, do I always have to take the initiative? You're supposed to kiss me.

Smithy: [beaming while registering his son's birth] Writer, in a small way, of course. Writer and parent. Parent in a big way.

Paula: [in the verge of tears] He'd resent me. He'd accept me. He'd pity me... And he'd resent me.

Paula: You are from the asylum, aren't you? Aren't you?

Smithy: Isn't there something morbid in burying one's heart with the dead?::Paula: That's a strange thing for you to say. Your capacity for loving, your joy in living, is buried in a little space of time you've forgotten.::Smithy: In some vague way, I still have...::Paula: ...hope?::Smithy: Yes, I suppose that's it.::Paula: Have you, Charles? Do you feel that there... really is someone? That someday you may find her? You may have... come so near her, may even have brushed her on the street... You might even have met her, Charles. Met her and not known her. It might be someone you know, Charles. It might... it might even be me.

Smithy: [Rainier proposed to Ms. Hanson] You and I are in the same boat, Miss Hanson; we're both ghost-ridden. We are prisoners of our past. What if we were to pool our loneliness, and give each other what little we have to give support, friendship? I'm proposing marriage, Miss Hanson, or should I call it a merger? A Member of Parliament should have a wife, Margaret; so I'm told on all sides. He needs a clever hostess; you have exceptional gifts. Would it interest you to have a wider field for them? You need have no fear that I would make any emotional demands upon you. I have only sincere friendship to offer. I won't ask any more from you.

Kitty Chilcet: Sometimes, especially when we've been closest, I've had the curious feeling that I remind you of someone else - someone you once knew... someone you loved as you'll never love me. I am nearly the one, Charles. But nearly isn't enough for a lifetime.

Smithy: 1920. Three years gone. Three years. France - I remember distinctly. But after that - what after that? Liverpool - what am I doing here? Where have I been? Better go home. Yes - may clear things up. Better go home - .

Smithy: Paula, it's - it's a lot of nerve, but - I'm - I've fallen in love with you. I'm asking you to marry me, on a - on a check for two guineas.::Paula: Smithy, don't ask me, please. I might take you up on it. I'm just that shameless. I've run after you from the very beginning; you know I have. I've never let you out of my sight since I first saw you in that little shop.