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Pass the Dutchie

Pass the Dutchie is a song by the English reggae band Musical Youth, taken from their debut studio album, The Youth of Today (1982). The reggae song was a major hit worldwide, peaking at number one on the UK for three weeks, number ten on the U.S. Billboard Hot 100 and selling over 5 million copies worldwide.

Background

The song was the band's first release on a major label. It was a cover version of two songs: "Gimme the Music" by U Brown, and "Pass the Kouchie" by Mighty Diamonds, which deals with the recreational use of cannabis (kouchie being slang for a cannabis pipe). For the cover version, the song's title was bowdlerized to "Pass the Dutchie", and all obvious drug references were removed from the lyrics; e.g., when the original croons "How does it feel when you got no herb?", the cover version refers to "food" instead. Dutchie is used as a patois term to refer to a food cooking pot such as a Dutch oven in Jamaica and the Caribbean. It has since become a drug reference, denoting a blunt stuffed with marijuana and rolled in a wrapper from a Dutch Masters cigar, since American and British listeners assumed that the term was a drug reference.

Hoochie Coochie Man

"Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song references hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter.

The song is a classic of Chicago blues and one of Waters' first recordings with a full backing band. Dixon's lyrics build on Waters' earlier use of braggadocio and themes of fortune and sex appeal. The stop-time riff was "soon absorbed into the lingua franca of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. When Bo Diddley adapted it for "I'm a Man", it became one of the most recognizable musical phrases in blues.

After the song's initial success in 1954, Waters recorded several live and new studio versions. The original appears on the 1958 The Best of Muddy Waters album and many compilations. Numerous musicians have recorded "Hoochie Coochie Man" in a variety of styles, making it one of the most interpreted Waters and Dixon songs. The Blues Foundation and the Grammy Hall of Fame recognize the song for its influence in popular music and the US Library of Congress' National Recording Registry selected it for preservation in 2004.

Chuck Berry

Charles Edward Anderson "Chuck" Berry (born October 18, 1926) is an American guitarist, singer and songwriter, and one of the pioneers of rock and roll music. With songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958), Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive, with lyrics focusing on teen life and consumerism and utilizing guitar solos and showmanship that would be a major influence on subsequent rock music.

Born into a middle-class African-American family in St. Louis, Missouri, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student he was arrested, and served a prison sentence for armed robbery from 1944 to 1947. After his release, Berry settled into married life and worked at an automobile assembly plant. By early 1953, influenced by the guitar riffs and showmanship techniques of blues player T-Bone Walker, Berry began performing with the Johnnie Johnson Trio. His break came when he traveled to Chicago in May 1955, and met Muddy Waters, who suggested he contact Leonard Chess of Chess Records. With Chess he recorded "Maybellene"—Berry's adaptation of the country song "Ida Red"—which sold over a million copies, reaching number one on Billboard's Rhythm and Blues chart. By the end of the 1950s, Berry was an established star with several hit records and film appearances to his name as well as a lucrative touring career. He had also established his own St. Louis-based nightclub, called Berry's Club Bandstand. But in January 1962, Berry was sentenced to three years in prison for offenses under the Mann Act—he had transported a 14-year-old girl across state lines.