Andrew Austen Luck (born September 12, 1989) is an American football quarterback for the Indianapolis Colts of the National Football League (NFL). He played college football for Stanford University, won the Maxwell Award and Walter Camp Award as college football's player of the year, and was recognized as an All-American. He was the runner-up for the Heisman Trophy in both 2010 and 2011. He was named the Offensive Player of the Year in the Pac-12 (Pac-10) Conference in both 2010 and 2011. CBS Sports draft analyst Rob Rang called Luck the best prospect he has ever scouted, while the Kansas City Star puts him in line with LeBron James and Bryce Harper as "the most hyped amateurs in recent sports memory". Although widely projected as the No. 1 selection in the 2011 NFL Draft, Luck decided to return to Stanford for his redshirt junior season.

Luck was born in Washington, D.C., the son of Oliver Luck, current athletic director and a former quarterback at West Virginia University and former NFL quarterback for the Houston Oilers, and Kathy Wilson Luck. Andrew Luck spent his early childhood in London, England and Frankfurt, Germany, where his father was general manager of two World League of American Football teams prior to becoming president of the league. He is the oldest of four children, Mary Ellen, Emily, and Addison, who currently reside in Houston. In London, he attended The American School in London.

Theodore "Teddy" Smith (January 22, 1932, Washington DC - August 24, 1979, Washington, D.C.) was an American jazz double-bassist.

Smith played with Betty Carter in 1960, and with Clifford Jordan (with whom he recorded the LP Bearcat in 1962) and Kenny Dorham in 1961-62. In 1962-63 he played with Jackie McLean and Slide Hampton. Following this he played with Horace Silver, including at the 1964 Montreux, Antibes, and Paris jazz festivals and on the album Song for My Father. Following this Smith played with Sonny Rollins (1964-65) and Sonny Simmons (1966).

Smith's performance on the title track of Song for My Father, beginning with the opening unison figure between Smith's bass and Silver's piano, has been one of the most widely heard pieces of jazz music in the world for nearly a half-century and an influence on such artists as Stevie Wonder and Steely Dan.