TAMMY GRIMES I can't remember ever loving you (1966)
Written by
Randy Newman, arranged by
Jack Nitzsche
Tammy Grimes is a veteran actress and singer with a long list of credits in theater, film, and television. For purposes of musical and recording work, her primary efforts have been appearances on a series of cast albums, notably
The Unsinkable Molly Brown, which preserves her
Tony Award-winning performance, and many children's and audio book recordings.
Often thought to be
British,
Grimes is in fact an
American who owes her accent to her birth into a prominent
New England family, though the unique husky timbre of her voice is her own. Her father managed a country club, and she was a debutante who came out into
Boston society at age 17. She wanted to become an actress, however, and studied drama at
Stephens College in
Missouri, then went to
New York, where she continued her training at the
Neighborhood Playhouse School of the
Theatre. She first stepped on a
Broadway stage as a replacement for
Kim Stanley in the starring role in the drama
Bus Stop in
1955. An early television appearance came in "
The Bride Cried," an episode of
The United States Steel Hour, on August 17, 1955. She got her first chance to display her musical abilities in the off-Broadway show The Littlest
Revue (May 22,
1956), which ran 32 performances and had a cast
album released by
Epic Records. The Littlest Revue was still running when she appeared in the television musical
Holiday on
NBC on June 9, 1956. That August, she married
Canadian actor
Christopher Plummer. Their daughter,
Amanda Plummer, was born March 23,
1957. Like both of her parents, she went on to become a Tony Award-winning performer. Grimes divorced Christopher Plummer in
April 1960. She has since been married to actor
Jeremy Slade and musician
Richard Bell.
Grimes was part of
The Amazing Adele, a Broadway-bound musical that closed out of town in December 1956. She returned to television in another original musical,
Richard Adler's
The Gift of the Magi, broadcast on
CBS on
December 9,
1958. Her appearance in a
1959 TV production of
George M. Cohan's
Forty-Five Minutes From Broadway was recorded and later released on a soundtrack album by
AEI Records.
Nöel Coward personally cast her in his play
Look After Lulu (Mar 3, 1959), which marked her Broadway debut in a role she originated. It ran only five weeks, but she won a
Theatre World award for her performance. She continued to appear on television, co-starring in the variety special "Four for
Tonight" on
NBC's Star Parade with
Cyril Ritchard,
Beatrice Lillie, and
Tony Randall on
February 24, 1960, and in a 1960 TV production of the 1957
Broadway musical Shinbone Alley that was recorded and later issued by
Sound of Broadway Records, along with the show Shangri-La. But her greatest success came with her casting in the title role of
Meredith Willson's follow-up to his Broadway hit
The Music Man, The Unsinkable Molly Brown (
November 3, 1960). The show ran 532 performances, and Grimes won the
Tony Award for supporting or featured actress in a musical. The Unsinkable Molly Brown was recorded by
Capitol Records for a cast album that reached the Top Ten and remained in the charts almost a year.
The recognition Grimes achieved with The Unsinkable Molly Brown translated into more Broadway stage work, notably the drama
Rattle of a Simple Man (April 17,
1963), and guest appearances on
TV series (e.g.,
The Andy Williams Show,
November 15, 1962;
The Virginian, January 9, 1963;
Route 66,
October 18 and
December 13, 1963;
Destry,
February 14, 1964). She starred in her second Broadway musical with
High Spirits (April 7, 1964), an
adaptation of Nöel Coward's comic play
Blithe Spirit, with songs by
Hugh Martin and
Timothy Gray. It ran for 375 performances, and the cast album, released by
ABC Records, made the
Top 20.
Her stardom further burnished by her success in a second Broadway musical, Grimes was offered her own television series, and the situation comedy
The Tammy Grimes Show premiered on
ABC on
September 8, 1966.
Unfortunately, it earned disastrous ratings and was canceled after only four episodes. While on the
West Coast for the series, she appeared in her first motion picture,
Three Bites of the Apple, which opened in May 1967, and in a 1967
Los Angeles stage production of the revue
The Decline and Fall of the Entire
World as
Seen Through the Eyes of
Cole Porter, which was recorded live and later released by
Painted Smiles Records. Then she returned to New York and to Broadway in the play
The Only Game in Town (May 20,
1968).
The following year, she appeared in a revival of Nöel Coward's play
Private Lives that won her a second Tony Award for actress in a drama, making her one of the few performers to win
Tonys in both musical and dramatic categories.