WVSC is an adult hits formatted radio station known as "SC 103" targeted towards the South Carolina Lowcountry.
The station signed on in 1985 on 92.1 with a 3,000 watt signal broadcasting from St. Helena Island, about 10 miles east of Beaufort. Because it was so close to WSGA-FM on 92.3, the station was limited in its transmitter power. In 1999, the station swapped frequencies with WBHC-FM on 103.1 to get a better signal into Savannah. The station has difficulties reaching listeners in Savannah because of its inferior signal. In January 2006 the station was given permission by the Federal Communications Commission (FCC) to move its tower closer to Savannah.
On November 11, 2013, L & L Broadcasting sold WGZO to Apex Broadcasting; this marks Apex Broadcasting's first entry into the Savannah/Hilton Head market. The sale, at a price of $450,000, was consummated on January 8, 2014.
On February 15, 2014, WGZO changed their call letters to WVSC. On February 21, 2014, WVSC changed their format to adult hits, branded as "SC 103".
The Drive refers to an offensive series in the fourth quarter of the AFC Championship Game played on January 11, 1987 at Cleveland Municipal Stadium between the Denver Broncos and Cleveland Browns. Broncos quarterback John Elway, in a span of 5 minutes and 2 seconds, led his team 98 yards in 15 plays to tie the game with 37 seconds left in regulation. Denver won the game in overtime with a field goal, 23–20.
The 98-yard drive ranks as pro football's prototypical clutch performance. Elway and his team spanned almost all of the 100-yard football field. According to an article by Sports Illustrated columnist and Colorado resident Rick Reilly, when Elway started the drive, Broncos offensive guard Keith Bishop said of the Browns, "We got 'em right where we want 'em!" Of note is that Cleveland could not force a fourth down against Denver.
The Browns had jumped to a 20–13 lead and Denver had muffed the ensuing kickoff when Elway took over, first-and-10 on their own 2-yard line, with 5:32 to play in the game.
The Drive is a television documentary franchise on the Pac-12 Network. American football and men's basketball within the Pac-12 Conference are chronicled by The Drive: Pac-12 Football and The Drive: Pac-12 Basketball, respectively, in a series of weekly 30-minute episodes. The football series debuted in 2013, while its basketball counterpart began in 2015.
In its inaugural season in 2013, The Drive: Pac-12 Football featured the Arizona State Sun Devils and the California Golden Bears. In its second season, The Drive followed the UCLA Bruins, while 2015 has Utah and Oregon State.
The show is patterned after Hard Knocks, an HBO series with behind-the-scenes access to National Football League training camps. Production of The Drive is led by Pac-12 Networks’ Senior Coordinating Producer Michael Tolajian, who won two Emmy Awards as producer for NBA Entertainment and HBO’s Real Sports with Bryant Gumbel. His production team includes Jim Jorden, who helped launch Hard Knocks and has won 16 Emmys.
Life's Too Good, released in April 1988, was the first album by the Icelandic alternative rock-pop band The Sugarcubes, which brought fame to lead vocalist Björk. Through the first single, "Birthday", the Sugarcubes received attention in Europe and the United States.
"Ammæli", afterwards released in English as "Birthday", entered the charts outside Iceland, leading the band to put Icelandic music on the world map. "Birthday" was chosen as "single of the week" by both NME and Melody Maker in August 1987 and was also selected Number 1 in John Peel's Festive Fifty for 1987. The album was featured as one of the 1001 Albums You Must Hear Before You Die.
Besides the regular green sleeve, the UK and American LPs were released in blue, yellow, orange, and pink.
I Want can refer to:
Up All Night is the debut studio album by English-Irish group One Direction, released by Syco Records in November 2011 in Ireland and the United Kingdom, followed by a worldwide release during 2012. Four months after finishing third in the seventh series of British reality singing contest The X Factor in December 2010, One Direction began recording the album in Sweden, UK and the United States, working with a variety of writers and producers. The album is predominantly a pop music album which orientates into pop rock, dance-pop, teen pop and power pop. The album's lyrical content regards being young, relationships, heartbreak and empowerment. Staged in support of the album, One Direction performed the album's songs live on televised shows, at awards ceremonies, and during their worldwide Up All Night Tour.
The album received generally favourable reviews from contemporary music critics, many of whom appreciated the album's combination of melodic song craft and catchy, pop-oriented material that, while slickly produced, avoided the commercial cynicism and adult contemporary posturing of some of their '80s and '90s forebears. An international success, the album topped the charts in sixteen countries and, by December 2012, has sold over 4.5 million copies worldwide. The album bowed at number two on the UK Albums Chart and ultimately became the UK's fastest-selling debut album of 2011. Up All Night debuted to number one on the United States Billboard 200, selling 176,000 copies in its first week. According to the International Federation of the Phonographic Industry (IFPI), Up All Night was the third global best-selling album of 2012 with sales of 4.5 million copies.
A reason is all I need to try and stop letting myself leave and say goodnight.
A need to know where this leads is weighing down on me I can't breath.
I'm sick of the same old conversations winding up with these old frustrations.
Lets take the time to to see. If we can believe all the fine points made;
If we can acheive anything today; If we can stand up to the test of time;
If we can get down to the bottom line-are we as one?
I thought about all the things you've said and done as times gone by.
I wanted to make you see how much you are few and far between
And sleep by your side and not say goodbye.
The taste of a sweet life.
The sound of the sea.
The reason to stay here's not dying in me.
So can we move onwards and upwards not back down this beaten tarck?
Why did this argument happen anyway!
If this small mismatch can destroy our dreams.
If this tiny hole swallows anything at all.
If he can be happy then why can't I?
It's not all that easy because I've tried.