"Give Me Your Love" was the Swedish entry at the Eurovision Song Contest 2003. The song was performed by Jessica Andersson and Magnus Bäcklund as 'Fame' and was composed by Carl Lösnitz and Calle Kindbom.
The song was performed 25th on the night of the contest, following Romania's Nicola with "Don't Break My Heart" and preceding Slovenia's Karmen Stavec with "Nanana". At the close of the voting the song had received 107 points, placing 5th out of 26 countries competing.
This song was succeeded as the Swedish Eurovision representative by Lena Philipsson with "It Hurts".
Superfly is the third studio album by American soul and funk musician Curtis Mayfield, released in July 1972 on Curtom Records. It was released as the soundtrack for the Blaxploitation film of the same name. Widely considered a classic of 1970s soul and funk music, Super Fly was a nearly immediate hit. Its sales were bolstered by two million-selling singles, "Freddie's Dead" (#2 R&B, #4 Pop) and the title track (#5 R&B, #8 Pop). Super Fly is one of the few soundtracks to out-gross the film it accompanied.
Superfly, along with Marvin Gaye's What's Going On, was one of the pioneering soul concept albums, with its then-unique socially aware lyrics about poverty and drug abuse making the album stand out. The film and the soundtrack may be perceived as dissonant, since the Super Fly film holds rather ambiguous views on drug dealers, whereas Curtis Mayfield's position is far more critical. Like What's Going On, the album was a surprise hit that record executives felt had little chance at significant sales. Due to its success, Mayfield was tapped for several film soundtracks over the course of the decade.
Give Me Your Love is a 1973 album by Barbara Mason. Buddha Records' decision to record an album was due to the success of Mason's version of the Curtis Mayfield title song. The album included mature subject matter such as "Bed and Board", and "You Can Be With the One You Don't Love", expressing the desire for a lover outside of marriage. She was the first soul singer to record in the heavy breathing disco style later adopted by Donna Summer among others.
(Adlibs)
Verse 1:
You know my album got pushed back for months,
My royalties are still captured,
I got dissed on the Net—I guess now I'm a real rapper!
With my haphazard delivery, no hot beats to speak of,
I couldn't beat up the mic with a brick tucked in each
glove.
My AV-club recording was boring,
Snoring like sleeping pills,
And Grip swallowed six in the morning to delete my
skills,
My tired loops, and my four-track.
I'm like every wack rapper you ever heard of, but more
wack.
Don't buy it! My album, that is—you won't like it.
Every sample you'll recognize,
'Cuz the fans are all cool psychic record guys.
I mean, I am, too, man, I'd never lie.
My whole albums's a jack.
Impeach the President? Yo, how done is that?
Tribute to early rap? DIY ethic?
No, a piss-poor producer—take my name off the credits.
Shouldn't have let 'em put out my demo,
I should've said "Listen, don't.
My friends understand why it sucks, but the critics
won't!"
It isn't a cheap shot—my whole style is weak spots.
Infuriating, leave 'em steamin' like a teapot!
Gab Wiz, my high-pitched sidekick? He's bad biz.
"Alter-ego? Yo, that's him! He think he Madlib!"
I'm doin' it wrong, unless I'm tryin' to ruin the song—
If that's the case, then my career is really movin'
along.
I'm no Edan, MF Doom, Thirstin' Howl and shit,
Or all the other lo-fi rappers whose styles I bit.
I'm just Grip—thanks for noticing.
Thanks for your time.
We don't see eye-to-eye, but it ain't 'cuz you're
blind.
And, yo, thanks for the inspiration, if not the
dissent.
I guess it wasn't a total waste of the promo I sent.
I bet you probably could rock it better with your own
mic.
I know it sucks to get a free CD that you don't like.
I make the music for myself. I guess I should've kept
it that way,
And listened to my wack tape alone inside of my Bat-
cave.
You're so astute, bra. Every minute flaw, you heard it.
Can't wait to hear your album…