Underground

Underground most commonly refers to:

Underground may also refer to:

Places

Arts and entertainment

Film

The Underground (Cincinnati concert venue)

The Underground is a Christian-affiliated concert venue, operated in the Greater Cincinnati area of Forest Park, Ohio.

The Underground is located at 1140 Smiley Avenue in Cincinnati Ohio, with a slogan of "Music. Media. Faith." It is both a smoke- and alcohol-free environment offering free play pool tables, foosball, video game room, and ping pong, along with a coffee bar and concessions stand. The Underground has hosted a variety of musical acts including local artists and national acts like Twenty One Pilots, David Crowder Band, Switchfoot, TobyMac, LeCrae, Andy Mineo, Needtobreathe, Rend Collective, Demon Hunter, Thousand Foot Krutch, Jars of Clay, Project 86, The Devil Wears Prada, and many more. It holds a capacity of 1200 people, and typically has concerts on Fridays and Saturdays starting at 7:30 PM.

External links

The Underground (Left Behind: The Kids)

The Underground is the sixth book in the Left Behind: The Kids series.

The novel opens with Vicki feeling worried for her friend Shelly and overcome with an urge to pray for her.Judd decides to run with the idea Vicki mentioned at the end of Nicolae High (Left Behind: The Kids),namely the publication of an underground newspaper,which he calls 'the Underground.'

Vicki is annoyed by this as Judd is taking the idea over,after Judd spends a whole night 'mixing fonts' in order to produce a title page for the Underground,Vicki is not impressed. She wonders why so much time needs to be spend on 'the incidentals'. A fierce argument ensues,which results in Ryan and Vicki leaving the house for a walk,whilst Judd and Lionel stay to work on the Underground.

Lionel and Judd go shopping,Lionel reminds Judd of First John 1:9 and Judd confesses his sins and realises he needs to apologise to Vicki and Ryan. Lionel buys a copy of a magazine containing an article by Cameron "Buck" Williams.

Underground (1941 film)

Underground is a 1941 war film about the German Nazi Resistance opposing the Nazis in World War II. Jeffrey Lynn and Philip Dorn play two brothers initially on opposite sides.

Cast

External links

Underground (The Electric Prunes album)

Underground is the second studio album by the American garage rock band, The Electric Prunes, and was released in 1967 on Reprise Records. It would be the final album of any materialized input by band members until the 1969 "New Improved" Electric Prunes were formed. The album was a moderate chart hit, but, without a hit-ready single, the band could not repeat their past success.

Background

The album, Underground, brought changes to the band once recording began. Limited lyrical input plagued the band's creative process on their debut. Only one track, composed by Mark Tulin and James Lowe, called "Lovin'" was included on their first album. This changed with this album because Dave Hassinger, the group's producer, was not as active in the sessions resulting in nine of the 12 tracks becoming the band's own material. With so much more musical freedom, the band could mold their music into their own image. The final products were a more direct and cohesive set of songs that reflected the band's own design.

Underground (Phil Keaggy album)

Underground is an album by guitarist Phil Keaggy, released in 1983, on Nissi Records. It is a collection of demo tracks recorded by Keaggy in his home studio.

The album was re-released in 2000 on CD by the Phil Keaggy Club, and features a different track order.

Track listing

All songs written by Phil Keaggy.

1983 LP and cassette release

Side one

Side two

2000 CD re-release

Personnel

Gospel music

Gospel music is a music genre in Christian music. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music usually has dominant vocals (often with strong use of harmony) with Christian lyrics. Gospel music can be traced to the early 17th century, with roots in the black oral tradition. Hymns and sacred songs were repeated in a call and response fashion. Most of the churches relied on hand clapping and foot stomping as rhythmic accompaniment. Most of the singing was done a cappella. The first published use of the term ″Gospel Song" probably appeared in 1874. The original gospel songs were written and composed by authors such as George F. Root, Philip Bliss, Charles H. Gabriel, William Howard Doane, and Fanny Crosby. Gospel music publishing houses emerged. The advent of radio in the 1920s greatly increased the audience for gospel music. Following World War II, gospel music moved into major auditoriums, and gospel music concerts became quite elaborate.