-
Ich bin der Weg | Dan Schmid
»Ich bin der Weg« Eine Predigt aus der Serie »#JESUS2019« mit Dan Schmid vom 31.03.2019.
Auf der Erde sind wir wie heimatlos. Jesus beschreibt in seiner Aussage, dass sich jeder von uns nach einer wahren Heimat sehnt, diesen Ort wo wir so sein können wie wir sind, wo wir uns geborgen fühlen, bedingungslos geliebt sind und dass die Gegenwart Gottes dieser Ort ist („Wohnungen bei Gott“). Jesus ist der einzige Weg dorthin
❯❯ Wo und Wann? Jeden Sonntag im ICF Stuttgart in Stuttgart. Die 3 Celebrations starten jeweils: 11:00 | 16:00 | 18:00
Mehr unter: https://www.icf-stuttgart.de/celebrat...
#ICFStuttgart #DanSchmid #Jesus2019
published: 31 Mar 2019
-
How to escape education's death valley | Sir Ken Robinson
Sir Ken Robinson outlines 3 principles crucial for the human mind to flourish -- and how current education culture works against them. In a funny, stirring talk he tells us how to get out of the educational "death valley" we now face, and how to nurture our youngest generations with a climate of possibility.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more.
Find closed captions and translated subtitles in many languages at http://www.ted.com/translate
Follow TED news on Twitter: http://www.twitter.com/tednews
Like TED on Faceboo...
published: 10 May 2013
-
NirvanaFitness® NES Vivian Rockrohr
http://nirvana.fitness
NirvanaFitness® – Wissenschaftliche Hintergründe Medizinische Belege zeigen ....
80% der Bevölkerung atmet falsch - flach und ineffizient, nur im oberen Brustbereich.
Durchschnittlich 20.000 Atemzüge pro Tag und wir machen es falsch?! Wie kommt das?
Stress ... Reaktion ... Stress ... Reaktion, ein Teufelskreis, der mit der Zeit zu einem stressbedingten, flachen Atemmuster führt.
Es wird mit 12-18 Atemzügen pro Minute zu unserer täglichen Gewohnheit.– Und das obwohl die Wissenschaft belegt, dass wir nur 6 tiefe Atemzüge in der Minute brauchen um unseren Bedarf zu decken.
All der Zusatzaufwand durch eine flache, oberflächliche Atmung kostet uns wertvolle Energie. Es bilden sich Giftstoffe, erhöht das Risiko an Herzkreislauferkrankungen zu leiden, fördert depr...
published: 22 Jul 2016
-
How Will the Universe End? | Space Time
Viewers like you help make PBS (Thank you 😃) . Support your local PBS Member Station here: https://to.pbs.org/DonateSPACE
Thanks to Wix for supporting PBS Digital Studios. You can go to https://bit.ly/2o1DSHZ to get started on Wix Code!
In 100 trillion years the era of stars will be over.
We live in an unusual age – the age when the stars still shine. We should count ourselves lucky – nearly all of future history will be dark. But events will still unfold in that long, cooling darkness, and civilizations may endure. So how will the universe and its far-future denizens spend eternity?
You can further support us on Patreon at https://www.patreon.com/pbsspacetime
Get your own Space Time t-shirt at http://bit.ly/1QlzoBi
Tweet at us! @pbsspacetime
Facebook: facebook.com/pbsspacetime
Ema...
published: 23 Aug 2018
-
Suspense: Pink Camellias / Angel of Death / The Pasteboard Box
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949.
The highest production va...
published: 23 Feb 2013
-
Suspense: Dead Ernest / Last Letter of Doctor Bronson / The Great Horrell
On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger...
published: 04 Mar 2013
-
Zaha Hadid: Sketching the Future
Hans Ulrich Obrist traces how Zaha Hadid’s futuristic architecture evolved from ‘superfluid’ sketches.
---------------------------------------------------------------------------------------------
Award-winning documentaries which reveal the stories of art and art history.
Make bite-sized art discoveries. http://bit.ly/Instagram_HENITalks
Keep your finger on the pulse of art. http://bit.ly/Twitter_HENITalks
Become part of the HENI Talks community. http://bit.ly/Facebook_HENITalks
Find the HENI Talks for you with advanced search options. Explore wider reading around our Talks topics and find that key reference. http://bit.ly/Website_HENITalks
Be the first to know when our latest talk is ready.
http://bit.ly/YouTube_HENITalks
-------------------------------------------------------------...
published: 25 May 2018
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Batman v Superman: Dawn of Justice
From director Zack Snyder comes “Batman v Superman: Dawn of Justice,” starring Ben Affleck as Batman/Bruce Wayne and Henry Cavill as Superman/Clark Kent in the characters’ first big-screen pairing. Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it’s ever known before.
published: 28 Jun 2016
29:12
Ich bin der Weg | Dan Schmid
»Ich bin der Weg« Eine Predigt aus der Serie »#JESUS2019« mit Dan Schmid vom 31.03.2019.
Auf der Erde sind wir wie heimatlos. Jesus beschreibt in seiner Aussag...
»Ich bin der Weg« Eine Predigt aus der Serie »#JESUS2019« mit Dan Schmid vom 31.03.2019.
Auf der Erde sind wir wie heimatlos. Jesus beschreibt in seiner Aussage, dass sich jeder von uns nach einer wahren Heimat sehnt, diesen Ort wo wir so sein können wie wir sind, wo wir uns geborgen fühlen, bedingungslos geliebt sind und dass die Gegenwart Gottes dieser Ort ist („Wohnungen bei Gott“). Jesus ist der einzige Weg dorthin
❯❯ Wo und Wann? Jeden Sonntag im ICF Stuttgart in Stuttgart. Die 3 Celebrations starten jeweils: 11:00 | 16:00 | 18:00
Mehr unter: https://www.icf-stuttgart.de/celebrat...
#ICFStuttgart #DanSchmid #Jesus2019
https://wn.com/Ich_Bin_Der_Weg_|_Dan_Schmid
»Ich bin der Weg« Eine Predigt aus der Serie »#JESUS2019« mit Dan Schmid vom 31.03.2019.
Auf der Erde sind wir wie heimatlos. Jesus beschreibt in seiner Aussage, dass sich jeder von uns nach einer wahren Heimat sehnt, diesen Ort wo wir so sein können wie wir sind, wo wir uns geborgen fühlen, bedingungslos geliebt sind und dass die Gegenwart Gottes dieser Ort ist („Wohnungen bei Gott“). Jesus ist der einzige Weg dorthin
❯❯ Wo und Wann? Jeden Sonntag im ICF Stuttgart in Stuttgart. Die 3 Celebrations starten jeweils: 11:00 | 16:00 | 18:00
Mehr unter: https://www.icf-stuttgart.de/celebrat...
#ICFStuttgart #DanSchmid #Jesus2019
- published: 31 Mar 2019
- views: 240
19:12
How to escape education's death valley | Sir Ken Robinson
Sir Ken Robinson outlines 3 principles crucial for the human mind to flourish -- and how current education culture works against them. In a funny, stirring talk...
Sir Ken Robinson outlines 3 principles crucial for the human mind to flourish -- and how current education culture works against them. In a funny, stirring talk he tells us how to get out of the educational "death valley" we now face, and how to nurture our youngest generations with a climate of possibility.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more.
Find closed captions and translated subtitles in many languages at http://www.ted.com/translate
Follow TED news on Twitter: http://www.twitter.com/tednews
Like TED on Facebook: https://www.facebook.com/TED
Subscribe to our channel: http://www.youtube.com/user/TEDtalksDirector
https://wn.com/How_To_Escape_Education's_Death_Valley_|_Sir_Ken_Robinson
Sir Ken Robinson outlines 3 principles crucial for the human mind to flourish -- and how current education culture works against them. In a funny, stirring talk he tells us how to get out of the educational "death valley" we now face, and how to nurture our youngest generations with a climate of possibility.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more.
Find closed captions and translated subtitles in many languages at http://www.ted.com/translate
Follow TED news on Twitter: http://www.twitter.com/tednews
Like TED on Facebook: https://www.facebook.com/TED
Subscribe to our channel: http://www.youtube.com/user/TEDtalksDirector
- published: 10 May 2013
- views: 5601198
1:42
NirvanaFitness® NES Vivian Rockrohr
http://nirvana.fitness
NirvanaFitness® – Wissenschaftliche Hintergründe Medizinische Belege zeigen ....
80% der Bevölkerung atmet falsch - flach und ineffizie...
http://nirvana.fitness
NirvanaFitness® – Wissenschaftliche Hintergründe Medizinische Belege zeigen ....
80% der Bevölkerung atmet falsch - flach und ineffizient, nur im oberen Brustbereich.
Durchschnittlich 20.000 Atemzüge pro Tag und wir machen es falsch?! Wie kommt das?
Stress ... Reaktion ... Stress ... Reaktion, ein Teufelskreis, der mit der Zeit zu einem stressbedingten, flachen Atemmuster führt.
Es wird mit 12-18 Atemzügen pro Minute zu unserer täglichen Gewohnheit.– Und das obwohl die Wissenschaft belegt, dass wir nur 6 tiefe Atemzüge in der Minute brauchen um unseren Bedarf zu decken.
All der Zusatzaufwand durch eine flache, oberflächliche Atmung kostet uns wertvolle Energie. Es bilden sich Giftstoffe, erhöht das Risiko an Herzkreislauferkrankungen zu leiden, fördert depressive Verstimmungen und sogar ein potenzielles Burnout-Syndrom.
Die Atmung ist die einzige rhythmische Körperfunktion, die wir bewusst beeinflussen können.
Eine tiefe, langsame (bewusste) Atmung ist ein bewährtes Mittel der Wahl in einen ruhigeren körperlichen und geistigen Zustand zu kommen.
Nirvana Fitness entspringt der Erkenntnis wie wichtig unsere Atmung für uns ist und ihrem einzigartigen Einfluss auf das Leben selbst.
Uns geht es darum, dafür ein Bewusstsein zu schaffen. Chillout-Musik mit der Nirvana Thetawellen Technologie & binauralen Klängen begleiten Dich durch Deine Nirvana Stunde.
Hinweisgebende Klänge in der Musik unterstützen Deine Atemphasen im Bewegungszyklus, was Dich fließend in Richtung Entspannung bringt.
Nirvana hat eine einzigartige Sound-Technologie mit Hilfe von Klangforschern und Ingenieuren entwickelt. Es werden Theta-Wellen eingesetzt, um einen besonders tiefen und effektiven Entspannungszustand zu erreichen.
Wie?
Durch positive Suggestion – es werden die Gehirnwellen in Tiefenentspannung nachgeahmt. Nur langsame und tiefe Atmung garantiert dem Körper eine richtige Sauerstoffversorgung. Erst so kann er sich von Giftstoffen befreien und alle Funktionen optimal aufrechterhalten.
Unabhängige Studien belegen, dass Du so Deine Chance auf ein längeres und gesünderes Leben deutlich erhöhst und gleichzeitig Depressionen und Krankheit vorbeugst.
Gehört hast Du das sicher schon – also warum tust Du es nicht einfach? Es ist nicht leicht eine Gewohnheit zu ändern... aber mit ein wenig Motivation und etwas Unterstützung schaffst Du es. Nirvana Atemfitness hilft Dir dabei!
Visit Nirvana® Cloud #7 website:
http://nirvana.fitness/Cloud7/
Get your free version of Nirvana® Cloud #7 app:
GooglePlay/Android: https://goo.gl/4aorHb
Appstore/iOS: https://goo.gl/mnB2WU
Web version: https://cloud7.nirvana.fitness/
Learn more about Nirvana® Cloud #7 app (presentation videos):
Nirvana® Cloud #7 Trailer: https://youtu.be/mRfQDjFTlcY
Nirvana® Cloud #7 Quick Walkthrough: https://youtu.be/HfPaAC5R_ZM
Why breathing fitness?: https://youtu.be/4riAUIVnBC0
https://wn.com/Nirvanafitness®_Nes_Vivian_Rockrohr
http://nirvana.fitness
NirvanaFitness® – Wissenschaftliche Hintergründe Medizinische Belege zeigen ....
80% der Bevölkerung atmet falsch - flach und ineffizient, nur im oberen Brustbereich.
Durchschnittlich 20.000 Atemzüge pro Tag und wir machen es falsch?! Wie kommt das?
Stress ... Reaktion ... Stress ... Reaktion, ein Teufelskreis, der mit der Zeit zu einem stressbedingten, flachen Atemmuster führt.
Es wird mit 12-18 Atemzügen pro Minute zu unserer täglichen Gewohnheit.– Und das obwohl die Wissenschaft belegt, dass wir nur 6 tiefe Atemzüge in der Minute brauchen um unseren Bedarf zu decken.
All der Zusatzaufwand durch eine flache, oberflächliche Atmung kostet uns wertvolle Energie. Es bilden sich Giftstoffe, erhöht das Risiko an Herzkreislauferkrankungen zu leiden, fördert depressive Verstimmungen und sogar ein potenzielles Burnout-Syndrom.
Die Atmung ist die einzige rhythmische Körperfunktion, die wir bewusst beeinflussen können.
Eine tiefe, langsame (bewusste) Atmung ist ein bewährtes Mittel der Wahl in einen ruhigeren körperlichen und geistigen Zustand zu kommen.
Nirvana Fitness entspringt der Erkenntnis wie wichtig unsere Atmung für uns ist und ihrem einzigartigen Einfluss auf das Leben selbst.
Uns geht es darum, dafür ein Bewusstsein zu schaffen. Chillout-Musik mit der Nirvana Thetawellen Technologie & binauralen Klängen begleiten Dich durch Deine Nirvana Stunde.
Hinweisgebende Klänge in der Musik unterstützen Deine Atemphasen im Bewegungszyklus, was Dich fließend in Richtung Entspannung bringt.
Nirvana hat eine einzigartige Sound-Technologie mit Hilfe von Klangforschern und Ingenieuren entwickelt. Es werden Theta-Wellen eingesetzt, um einen besonders tiefen und effektiven Entspannungszustand zu erreichen.
Wie?
Durch positive Suggestion – es werden die Gehirnwellen in Tiefenentspannung nachgeahmt. Nur langsame und tiefe Atmung garantiert dem Körper eine richtige Sauerstoffversorgung. Erst so kann er sich von Giftstoffen befreien und alle Funktionen optimal aufrechterhalten.
Unabhängige Studien belegen, dass Du so Deine Chance auf ein längeres und gesünderes Leben deutlich erhöhst und gleichzeitig Depressionen und Krankheit vorbeugst.
Gehört hast Du das sicher schon – also warum tust Du es nicht einfach? Es ist nicht leicht eine Gewohnheit zu ändern... aber mit ein wenig Motivation und etwas Unterstützung schaffst Du es. Nirvana Atemfitness hilft Dir dabei!
Visit Nirvana® Cloud #7 website:
http://nirvana.fitness/Cloud7/
Get your free version of Nirvana® Cloud #7 app:
GooglePlay/Android: https://goo.gl/4aorHb
Appstore/iOS: https://goo.gl/mnB2WU
Web version: https://cloud7.nirvana.fitness/
Learn more about Nirvana® Cloud #7 app (presentation videos):
Nirvana® Cloud #7 Trailer: https://youtu.be/mRfQDjFTlcY
Nirvana® Cloud #7 Quick Walkthrough: https://youtu.be/HfPaAC5R_ZM
Why breathing fitness?: https://youtu.be/4riAUIVnBC0
- published: 22 Jul 2016
- views: 527
17:53
How Will the Universe End? | Space Time
Viewers like you help make PBS (Thank you 😃) . Support your local PBS Member Station here: https://to.pbs.org/DonateSPACE
Thanks to Wix for supporting PBS Digi...
Viewers like you help make PBS (Thank you 😃) . Support your local PBS Member Station here: https://to.pbs.org/DonateSPACE
Thanks to Wix for supporting PBS Digital Studios. You can go to https://bit.ly/2o1DSHZ to get started on Wix Code!
In 100 trillion years the era of stars will be over.
We live in an unusual age – the age when the stars still shine. We should count ourselves lucky – nearly all of future history will be dark. But events will still unfold in that long, cooling darkness, and civilizations may endure. So how will the universe and its far-future denizens spend eternity?
You can further support us on Patreon at https://www.patreon.com/pbsspacetime
Get your own Space Time t-shirt at http://bit.ly/1QlzoBi
Tweet at us! @pbsspacetime
Facebook: facebook.com/pbsspacetime
Email us! pbsspacetime [at] gmail [dot] com
Comment on Reddit: http://www.reddit.com/r/pbsspacetime
Help translate our videos!
https://www.youtube.com/timedtext_cs_...
Previous Episode:
Quantum Theory's Most Incredible Prediction
https://www.youtube.com/watch?v=7UwigY4SjKY
What does the future of our Universe hold? Alas Lewis & Barnes
https://youtu.be/hCXRnwpmJTc
Hosted by Matt O'Dowd
Written by Matt O'Dowd
Graphics by Luke Maroldi
Assistant Editing and Sound Design by Mike Petrow
Made by Kornhaber Brown (www.kornhaberbrown.com)
In 100 trillion years the last star in the universe will expand the final atoms of its hydrogen fuel and settle quietly into a dim white dwarf, before slowly fading to black over as it radiates away its remnant heat. The era of stars will be over. That 100 trillion years is 10,000 times the current age of the universe, and so the days of starlight and warmth have a way to go. But even when they are done, the universe will be young in comparison to the long, dark ages to follow. In fact our universe will spend almost all of its infinite time in darkness, slowly crawling towards maximum entropy and ultimate heat death.
Special thanks to our Patreon Big Bang, Quasar and Hypernova Supporters:
Big Bang
Anton Lifshits
CoolAsCats
David Nicklas
Fabrice Eap
Quasar
Dean Fuqua
Mark Rosenthal
Mayank M. Mehrota
Roman Pinchuk
Tambe Barsbay
Vinnie Falco
Hypernova
Chuck Zegar
Donal Botkin
Edmund Fokschaner
Eugene Lawson
John Hofmann
Jordan Young
Joseph Salomone
Matthew O’Connor
Ratfeast
Thanks to our Patreon Gamma Ray Burst Supporters:
Alexander Rodriguez
Alexey Eromenko
Benoit Pagé-Guitard
Brandon Cook
Brandon Labonte
Daniel Lyons
David Crane
Deborah Whittaker
Fabian Olesen
Greg Allen
Greg Weiss
Ian Anoan
James Flowers
James Hughes
JJ Bagnell
Jon Folks
Kevin Warne
Malte Ubl
Mark Vasile
Nicholas Rose
Nick Virtue
Scott Gossett
Shannan Catalano
سلطان الخليفي
https://wn.com/How_Will_The_Universe_End_|_Space_Time
Viewers like you help make PBS (Thank you 😃) . Support your local PBS Member Station here: https://to.pbs.org/DonateSPACE
Thanks to Wix for supporting PBS Digital Studios. You can go to https://bit.ly/2o1DSHZ to get started on Wix Code!
In 100 trillion years the era of stars will be over.
We live in an unusual age – the age when the stars still shine. We should count ourselves lucky – nearly all of future history will be dark. But events will still unfold in that long, cooling darkness, and civilizations may endure. So how will the universe and its far-future denizens spend eternity?
You can further support us on Patreon at https://www.patreon.com/pbsspacetime
Get your own Space Time t-shirt at http://bit.ly/1QlzoBi
Tweet at us! @pbsspacetime
Facebook: facebook.com/pbsspacetime
Email us! pbsspacetime [at] gmail [dot] com
Comment on Reddit: http://www.reddit.com/r/pbsspacetime
Help translate our videos!
https://www.youtube.com/timedtext_cs_...
Previous Episode:
Quantum Theory's Most Incredible Prediction
https://www.youtube.com/watch?v=7UwigY4SjKY
What does the future of our Universe hold? Alas Lewis & Barnes
https://youtu.be/hCXRnwpmJTc
Hosted by Matt O'Dowd
Written by Matt O'Dowd
Graphics by Luke Maroldi
Assistant Editing and Sound Design by Mike Petrow
Made by Kornhaber Brown (www.kornhaberbrown.com)
In 100 trillion years the last star in the universe will expand the final atoms of its hydrogen fuel and settle quietly into a dim white dwarf, before slowly fading to black over as it radiates away its remnant heat. The era of stars will be over. That 100 trillion years is 10,000 times the current age of the universe, and so the days of starlight and warmth have a way to go. But even when they are done, the universe will be young in comparison to the long, dark ages to follow. In fact our universe will spend almost all of its infinite time in darkness, slowly crawling towards maximum entropy and ultimate heat death.
Special thanks to our Patreon Big Bang, Quasar and Hypernova Supporters:
Big Bang
Anton Lifshits
CoolAsCats
David Nicklas
Fabrice Eap
Quasar
Dean Fuqua
Mark Rosenthal
Mayank M. Mehrota
Roman Pinchuk
Tambe Barsbay
Vinnie Falco
Hypernova
Chuck Zegar
Donal Botkin
Edmund Fokschaner
Eugene Lawson
John Hofmann
Jordan Young
Joseph Salomone
Matthew O’Connor
Ratfeast
Thanks to our Patreon Gamma Ray Burst Supporters:
Alexander Rodriguez
Alexey Eromenko
Benoit Pagé-Guitard
Brandon Cook
Brandon Labonte
Daniel Lyons
David Crane
Deborah Whittaker
Fabian Olesen
Greg Allen
Greg Weiss
Ian Anoan
James Flowers
James Hughes
JJ Bagnell
Jon Folks
Kevin Warne
Malte Ubl
Mark Vasile
Nicholas Rose
Nick Virtue
Scott Gossett
Shannan Catalano
سلطان الخليفي
- published: 23 Aug 2018
- views: 1439829
1:28:59
Suspense: Pink Camellias / Angel of Death / The Pasteboard Box
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the ma...
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
https://wn.com/Suspense_Pink_Camellias_Angel_Of_Death_The_Pasteboard_Box
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
- published: 23 Feb 2013
- views: 44066
1:23:46
Suspense: Dead Ernest / Last Letter of Doctor Bronson / The Great Horrell
On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfre...
On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites.
Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution.
http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
https://wn.com/Suspense_Dead_Ernest_Last_Letter_Of_Doctor_Bronson_The_Great_Horrell
On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' "The Lodger." Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites.
Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was "indecent" and "immoral" to present such a production without giving the solution.
http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
- published: 04 Mar 2013
- views: 122009
12:54
Zaha Hadid: Sketching the Future
Hans Ulrich Obrist traces how Zaha Hadid’s futuristic architecture evolved from ‘superfluid’ sketches.
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Hans Ulrich Obrist traces how Zaha Hadid’s futuristic architecture evolved from ‘superfluid’ sketches.
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https://wn.com/Zaha_Hadid_Sketching_The_Future
Hans Ulrich Obrist traces how Zaha Hadid’s futuristic architecture evolved from ‘superfluid’ sketches.
---------------------------------------------------------------------------------------------
Award-winning documentaries which reveal the stories of art and art history.
Make bite-sized art discoveries. http://bit.ly/Instagram_HENITalks
Keep your finger on the pulse of art. http://bit.ly/Twitter_HENITalks
Become part of the HENI Talks community. http://bit.ly/Facebook_HENITalks
Find the HENI Talks for you with advanced search options. Explore wider reading around our Talks topics and find that key reference. http://bit.ly/Website_HENITalks
Be the first to know when our latest talk is ready.
http://bit.ly/YouTube_HENITalks
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Produced by HENI.
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- published: 25 May 2018
- views: 7682
2:31:36
Batman v Superman: Dawn of Justice
From director Zack Snyder comes “Batman v Superman: Dawn of Justice,” starring Ben Affleck as Batman/Bruce Wayne and Henry Cavill as Superman/Clark Kent in the ...
From director Zack Snyder comes “Batman v Superman: Dawn of Justice,” starring Ben Affleck as Batman/Bruce Wayne and Henry Cavill as Superman/Clark Kent in the characters’ first big-screen pairing. Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it’s ever known before.
https://wn.com/Batman_V_Superman_Dawn_Of_Justice
From director Zack Snyder comes “Batman v Superman: Dawn of Justice,” starring Ben Affleck as Batman/Bruce Wayne and Henry Cavill as Superman/Clark Kent in the characters’ first big-screen pairing. Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it’s ever known before.
- published: 28 Jun 2016
- views: 0