T34

T34 may refer to:

Originality

Originality is the aspect of created or invented works by as being new or novel, and thus can be distinguished from reproductions, clones, forgeries, or derivative works. An original work is one not received from others nor one copied from or based upon the work of others.. It is a work created with a unique style and substance. The term "originality" is often applied as a compliment to the creativity of artists, writers, and thinkers. The idea of originality as we know it was invented by Romanticism, with a notion that is often called romantic originality.

The concept of originality is culturally contingent. It became an ideal in Western culture starting from the 18th century. In contrast, at the time of Shakespeare it was common to appreciate more the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".

Originality in law

In law, originality has become an important legal concept with respect to intellectual property, where creativity and invention have manifest as copyrightable works. In the patent law of the United States and most other countries, only original inventions are subject to protection. In addition to being original, inventions submitted for a patent must also be useful and nonobvious.

Ghost

In folklore, mythology, and modern media such as literary fiction, a ghost (sometimes known as a spectre [British English] or specter [American English], phantom, apparition, spirit, spook, or haunt) is the soul or spirit of a dead person or animal that can appear, in visible form or other manifestation, to the living. Descriptions of the apparition of ghosts vary widely from an invisible presence to translucent or barely visible wispy shapes, to realistic, lifelike visions. The deliberate attempt to contact the spirit of a deceased person is known as necromancy, or in spiritism as a séance.

The belief in manifestations of the spirits of the dead is widespread, dating back to animism or ancestor worship in pre-literate cultures. Certain religious practices—funeral rites, exorcisms, and some practices of spiritualism and ritual magic—are specifically designed to rest the spirits of the dead. Ghosts are generally described as solitary essences that haunt particular locations, objects, or people they were associated with in life, though stories of phantom armies, ghost trains, ghost ships, and even ghost animals have also been recounted.

Steps Ahead

Steps Ahead (originally known as Steps) is a jazz fusion group and the brainchild of vibraphonist Mike Mainieri. According to the liner notes of the group's 1983 debut album (for worldwide release), entitled Steps Ahead, "Steps began as a part-time venture in 1979 at Seventh Avenue South, a New York City nightclub." The group began releasing recordings in Japan as far back as 1980.

The first line-up of Steps in the period 1979-1981, as can be read on the live album Smokin' in the Pit, consisted of Michael Brecker (tenor sax), Steve Gadd (drums), Eddie Gómez (bass), Don Grolnick (piano), Mike Mainieri (vibraphone), and special guest Kazumi Watanabe (guitar). This double live album was recorded on 15 and 16 December 1979 at The Pit Inn Tokyo. A second studio recording was made on 17 December 1979, called Step by Step. Smokin' in the Pit was released in 1980 and awarded a gold record. The studio album Step by Step was released shortly after, followed in the summer of 1980 by another live recording called Paradox. These three albums (see Mike Mainieri's notes in the booklet of the 1999 cd release of Smokin' in the Pit) were the only albums released by the group under the name of Steps. In 1982 they learned that the name Steps had been trademarked by a band in North Carolina, and therefore changed their name to Steps Ahead.

Peter-Paul Pigmans

Peter-Paul Pigmans (January 31, 1961 – August 27, 2003) was a Dutch gabber music producer, best known for his production under the pseudonym 3 Steps Ahead.

Born in Berkel and based out of Rotterdam, Pigmans' music is widely considered one of the most innovative specimens of the gabber genre; while many gabber producers favor raw force and little virtuosity when creating a song, Pigmans' music always had a strong technical side, and his songs often featured atmospherical elements, an unusual thing in the genre at the time. He was also known for his extremely wild live shows.

Pigmans was diagnosed with brain cancer in 1999. On July 18, 2003 in Zaandam at the Hemkade stadium, fellow Dutch producers organized a fundraising event for him where the cream of the Dutch gabber scene performed (for free - all income was spent on his treatment in hope of curing him) and paid respect to him. A couple of weeks later, he died. Two months later the annual Thunderdome started with a one-minute silence in his memory.