Jme (MC)

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Jamie Adenuga (born 4 May 1985), better known by his stage name Jme, is an English grime MC. He is the co-founder of the crew and label Boy Better Know. Jamie was previously part of the grime crew Meridian along with his brother, Joseph Adenuga (also known as Skepta) and Joe Knowles. As well as working with Boy Better Know, Adenuga now focuses mainly on his own solo ambitions.

In October 2008, he became one of a small number of unsigned artists to headline at the London Astoria. As his fanbase has grown, Jme has travelled throughout Europe and to New York with Tim Westwood to perform.

Jme's third studio album, Integrity>, was released on 4 May 2015. It entered the UK Albums Chart at number twelve.

Early life

Jamie Adenuga was born in Hackney, into a family who are originally from Nigeria. He grew up in Tottenham, North London where he lived in a council house. He attended St. Paul's School and then Winchmore School in Winchmore Hill, Enfield along with his brother Skepta. Adenuga subsequently graduated from University of Greenwich receiving First Class Honours in 3D Digital Design.

Integrity (1824 ship)

The Integrity was a 220-ton merchant ship built at Redbridge, Southampton, England in 1824. She made two voyages transporting convicts from Mauritius to Australia. She was wrecked in the Torres Strait in August 1841.

Career

Under the command of John Pearson, she left Mauritius on 4 June 1837 with five military convicts, passengers and cargo. She sailed via Hobart Town on 9 August and arrived at Sydney on 17 August. One convict died on the voyage. Integrity sailed from Port Jackson, after refitting, on 12 January 1838, bound for Calcutta in ballast.

On her second convict voyage under the command of John Pearson, she left Mauritius on 18 April 1828 with three male convicts, passengers and cargo. She sailed via Hobart Town on 20 June arrived at Sydney on 5 July. No convicts died on the voyage. Integrity left Port Jackson on 20 November for New Zealand.

Fate

Integrity was lost in the Torres Strait on 22 August 1841 while on a voyage from Sydney to Singapore, under the command of John Pearson. The crew left in her long boat and were picked up by the Thomas Crisp.

Klinik

Klinik, (sometimes called The Klinik), is an industrial music band from Belgium, originally formed around 1982 by electro-synthpop practitioner Marc Verhaeghen, who is the only constant member.

History

Marc Verhaeghen originally formed Klinik in the early-to-mid 1980s; the exact date varies depending on the source. The group is normally described as one of the most influential Belgian industrial bands in history.

In 1985, Verhaeghen joined forces with two other bands, Absolute Body Control (with Dirk Ivens and Eric van Wonterghem), and "The Maniacs" (Sandy Nys) to form one "super group" "Absolute Controlled Clinical Maniacs". This rather unwieldy name was soon dropped in favour of the shorter name "The Klinik". Nys soon left the band to form "Hybryds", followed in 1987 by van Wonterghem, leaving The Klinik as the "classic" duo of Dirk Ivens and Marc Verhaeghen.

The Klinik soon made a name for themselves with their cold and harsh EBM sound and their live shows, where both Ivens and Verhaeghen performed with their heads wrapped in gauze, wearing long black leather coats. Ivens' hissing vocals and minimalist lyrics were complemented by Verhaeghen's synthesizer skills and distorted trombone playing. This however, did not last forever; after Time, an album neither member was fully pleased with, musical differences became too great, and they decided to go their separate ways. In a 2013 interview, Ivens said the due were moving in different directions musically, and that compromise between only two members was challenging.

Fear (1917 film)

Fear (German: Furcht) is a 1917 German silent horror film written and directed by Robert Wiene and starring Bruno Decarli, Conrad Veidt and Bernhard Goetzke. It is also the first known appearance of Conrad Veidt on screen, cast by producer Oskar Messter (famous for discovering actors who became big stars in the 1920s).

The original soundtrack for the film was lost and replaced by another donated by collectionist Leslie Shepard. The sets were designed by Ludwig Kainer.

Plot

Count Greven (Bruno de Carli) returns to his old castle after spending several years touring the world. The servants note how the count has changed: he is now withdrawn and fearful. He orders that the doors to the castle be kept locked and no one admitted. When he is left alone in his room, Greven opens a chest he brought from his travels, inside it there is a strange statue that he adds to his vast collection of rare works of art. Several days pass and a worried servant (Bernhard Goetzke) informs the town's minister (Hermann Picha) about his master's melancholia. The old man visits the castle looking to help. The count confesses the minister how, during his stay in India, he had heard of a statue of Buddha that was so beautiful that it made the sick well and the sad joyous; while visiting the temple, he stole the figure and smuggled it back home. The count tells the minister that the temple's priest swore a terrible revenge upon him for his sacrilege, and he has been living in fear of their secret powers ever since. The minister leaves shocked, believing that Greven has gone mad. The count screams in despair that he no longer wants to live, since the agony of suspense is worse than death.

Fear (anthology)

Fear: 13 Stories of Suspense and Horror is a 2010 horror anthology edited by R. L. Stine. Thirteen different authors contributed stories to the anthology, including Meg Cabot, Heather Graham, F. Paul Wilson, and Stine himself. Stine began writing the anthology after the International Thriller Writers asked him to write a book with several stories. Critical reception for the novel was positive, with one reviewer stating the stories were highly suspenseful, inventive, easy to understand, and fast-paced.

Plot

The beginning of the book starts with an introduction from R. L. Stine. At the end of the book, there is an "About the Authors" section that includes a brief description of the contributors to the anthology along with some of their works.

Background

R. L. Stine started writing the book after he was asked by the professional association International Thriller Writers (ITW) to write a book with several stories. The book was published on September 1, 2010, and is available in three formats: paperback, hardcover, and turtleback. Half the proceeds from book sales go to ITW, whereas the other half goes to Reading is Fundamental (RIF), a non-profit literacy organization. In 2010, RIF hosted a party celebrating the release of the book in New York City.

Velocifero

Velocifero is the fourth studio album by English electronic band Ladytron and their first to be released by Nettwerk. The album was made available on the iTunes Store as of 19 May 2008, followed by a physical release on 2 June in the United Kingdom and on 3 June elsewhere. Velocifero peaked at number seventy-five on the UK Albums Chart, becoming the band's second highest-charting album to date in the UK (after Gravity the Seducer reached number seventy-two in 2011). It was also their first album to chart on the US Billboard 200, reaching number 131.

According to band member Reuben Wu, "velocifero" literally means "bringer of speed", and is also the name of a classic retro-styled scooter. "Black Cat" and "Kletva" are both sung entirely in Bulgarian. "Kletva" (which means "oath") is a cover of a song from a solo album by Kiril Marichkov of Bulgarian rock band Shturtzite. Daniel Hunt provided additional vocals on "Versus".

Velocifero produced three singles: "Ghosts", "Runaway" and "Tomorrow".

Tomorrow (song from Annie)

"Tomorrow" is a song from the musical Annie, with music by Charles Strouse and lyrics by Martin Charnin, published in 1977. The number was originally written as "The Way We Live Now" for the 1970 short film Replay, with both music and lyrics by Strouse.

Production history in the musical

It had appeared in prominence in productions of the musical throughout its history: it was heard in several versions in the original 1977 Broadway production, including ending the show. It was the entry and concluding credits score for the 1982 film adaptation.

Discussion

The song apparently pronounces an optimistic view of life through its main themes, 'hang on until tomorrow' and 'when I'm stuck with a day that's grey and lonely, I just stick out my chin and grin'. It appears to be in unison with another song in the score, "You're Never Fully Dressed Without a Smile", which again pronounces the importance of smiling, though in a much lighter and cheerful tone.

The lyrics were likely influenced by the song "There's a Great Big Beautiful Tomorrow", written by the Sherman Brothers for Disney's Carousel of Progress attraction for the 1964 New York World's Fair. The songs have very similar themes, stressing the importance of looking forward optimistically to a shining future, and in some places use almost identical lyrical phrases (compare "just a dream away" and "only a day away," for example).