David Briggs

David Briggs may refer to:

David Briggs (headmaster)

John Davidson Briggs (born 1917) (known as David Briggs), is a former Headmaster of King's College School, Cambridge.

Early life and education

He was born in Norwich, England, son of Canon George Wallace Briggs and Constance Barrow. One of his godfathers was the Archbishop of Canterbury Randall Davidson. He sang in King’s College Choir both as a chorister, from 1927 to 1931, and as a choral scholar, from 1936 to 1939. He attended Marlborough College as a Foundation scholar, and then studied classics and history at King's College, Cambridge, where he held simultaneously an academic exhibition and a choral scholarship.

He sang in the first broadcast Christmas Eve carol service from King’s College Chapel in 1928, and continues to sing in a church choir. He was interviewed by Mishal Husain in A Celebration of Christmas Carols broadcast on BBC Radio 2 on 25 December 2013, making his broadcasting career span 85 years. He was again interviewed on the BBC Today programme on 24 December 2015 in which Briggs, aged 98, believes he is the last survivor of the 1928 choir.

David Briggs (English musician)

David John Briggs (born November 1, 1962) is an English organist and composer. He started his career as a cathedral organist as Assistant Organist in Hereford Cathedral before becoming the organist of Truro and Gloucester Cathedrals. Heavily influenced by Jean Langlais and Pierre Cochereau, Briggs is regarded as one of the world's finest improvisors, and now works as a concert organist. Briggs is a composer of choral and organ music, and has also transcribed many orchestral works into versions for solo organ, and has also transcribed many of Cochereau's recorded improvisations.

Biography

David Briggs was educated at Solihull School. He was organ scholar at King's College, Cambridge from 1981-84. At the relatively early age of 17 he was awarded the Fellowship of the Royal College of Organists (FRCO). He was also sometime Principal Viola of the National Youth Orchestra.

Whilst at university, he toured Australia, New Zealand, Belgium, the Netherlands and Germany with the college choir. In 1983 he received the Countess of Munster Award to study Interpretation and Improvisation with Jean Langlais in Paris, with whom he furthered in his interest in the art of improvisation by his transcriptions of the recordings of the late Pierre Cochereau. Transcribing the remarkable improvisations from Cochereau's cassette recordings took eleven years. Briggs' subsequent performances and recordings of them earned him his initial acclaim. He was also the first British organist to win the Tournemire prize for improvisation at the St Albans International Organ Festival.

David of Bulgaria

David (Bulgarian: Давид) (died 976) was a Bulgarian noble, brother of Emperor Samuel and eldest son of komes Nicholas. After the disastrous invasion of Rus' armies and the fall of North-eastern Bulgaria under Byzantine occupation in 971, he and his three younger brothers took the lead of the defence of the country. They executed their power together and each of them governed and defended a separate region. He ruled the southern-most parts of the realm from Prespa and Kastoria and was responsible for the defence the dangerous borders with Thessalonica and Thessaly. In 976 he participated in the major assault against the Byzantine Empire but was killed by vagrant Vlachs between Prespa and Kostur.

Family tree

Another theory

However, there's also another version about David’s origin. David gains the title "comes" during his service in the Byzantine army which recruited many Armenians from the Eastern region of the empire. The 11th-century historian Stepanos Asoghik wrote that Samuel had one brother, and they were Armenians from the district Derjan. This version is supported by the historians Nicholas Adontz, Jordan Ivanov, and Samuil's Inscription where it’s said that Samuel’s brother is David. Also, the historians Yahya and Al Makin clearly distinguish the race of Samuel and David (the Comitopouli) from the one of Moses and Aaron (the royal race):

David, Chiriquí

David (Spanish pronunciation: [daˈβið]) officially San José de David is a city and corregimiento located in the west of Panama. It is the capital of the province of Chiriquí and has an estimated population of 144,858 inhabitants as confirmed in 2013. It is a relatively affluent city with a firmly established, dominant middle class and a very low unemployment and poverty index. The Pan-American Highway is a popular route to David.

The development of the banking sector, public construction works such as the expansion of the airport and the David-Boquete highway alongside the growth of commercial activity in the city have increased its prominence as one of the fastest growing regions in the country. The city is currently the economic center of the Chiriqui province and produces more than half the gross domestic product of the province, which totals 2.1 billion. It is known for being the third-largest city in the country both in population and by GDP and for being the largest city in Western Panama.

David (Bernini)

David is a life-size marble sculpture by Gian Lorenzo Bernini. The sculpture was one of many commissions to decorate the villa of Bernini's patron Cardinal Scipione Borghese – where it still resides today, as part of the Galleria Borghese It was completed in the course of seven months from 1623 to 1624.

The subject of the work is the biblical David, about to throw the stone that will bring down Goliath, which will allow David to behead him. Compared to earlier works on the same theme (notably the David of Michelangelo), the sculpture broke new ground in its implied movement and its psychological intensity.

Background

Between 1618 and 1625 Bernini was commissioned to undertake various sculptural work for the villa of one of his patrons, Cardinal Scipione Borghese. In 1623 – only yet 24 years old – he was working on the sculpture of Apollo and Daphne, when, for unknown reasons, he abandoned this project to start work on the David. According to records of payment, Bernini had started on the sculpture by mid–1623, and his contemporary biographer, Filippo Baldinucci, states that he finished it in seven months.