Vanessa is an American opera in three (originally four) acts by Samuel Barber, opus 32, with an original English libretto by Gian-Carlo Menotti. It was composed in 1956–1957 and was first performed at the Metropolitan Opera in New York City on January 15, 1958 under the baton of Dimitri Mitropoulos in a production designed by Cecil Beaton and directed by Menotti. Barber revised the opera in 1964, reducing the four acts to the three-act version most commonly performed today.
For the Met premiere, Sena Jurinac was contracted to sing the title role. However, she cancelled six weeks before the opening night and Eleanor Steber replaced her, making it her own for a long time. In the role of Erika, Vanessa's niece, was Rosalind Elias, then a young mezzo-soprano. Nicolai Gedda sang the lover Anatol, mezzo Regina Resnik sang the Baroness, Vanessa's mother, while bass, Giorgio Tozzi, sang the old doctor.
The premiere "was an unqualified success with the audience and with many of the critics as well although they were somewhat qualified in their judgment. Of the final quintet, however, New York Times critic Howard Taubman said it is '...a full-blown set-piece that packs an emotional charge and that would be a credit to any composer anywhere today.' ". Other reports substantiate this and it won Barber the Pulitzer Prize. In Europe, however, it met with a chillier reception.
Vanessa (1868) is a painting by John Everett Millais in Sudley House, Liverpool. It is a fancy portrait depicting Jonathan Swift's correspondent Esther Vanhomrigh (1688-1723), who was known by that pseudonym.
Vanessa represents a major departure in Millais's art because he abandons fully for the first time the detailed finish that was still to be seen in Waking and Sleeping, exhibited in the previous year. Influenced by the work of Diego Velázquez and Joshua Reynolds, Millais paints with dramatic, visible brush strokes in vivid colours, creating what has been described as an "almost violently modern" handling of paint.
Esther Vanhomrigh is known as "Swift's Vanessa" because of the fictional name he gave her when he published their correspondence. The portrait is wholly imaginary. No actual image of Esther Vanhomrigh exists. She is holding a letter, presumably written to or from Swift. Her sad expression is related to the fraught nature of the relationship, which was broken up by Swift's relationship to another woman, Esther Johnson whom he called "Stella". Millais also painted a companion piece depicting Stella.
Vanessa is a feminine given name, especially popular in the United States, Germany and Brazil. It was invented by the Anglo-Irish writer Jonathan Swift for Esther Vanhomrigh, whom Swift had met in 1708 and whom he tutored. The name was created by taking "Van" from Vanhomrigh's last name and adding "Essa", a pet form of Esther.
In 1726 the name Vanessa appeared in print for the first time in Cadenus and Vanessa, an autobiographical poem about Swift's relationship with Vanhomrigh. Swift had written the poem in 1713, but it was not published until three years after Vanhomrigh died. Vanessa has been adopted later as the name of a genus of butterfly by Johan Christian Fabricius in 1807.
Vanessa was the 71st most popular name for girls born in the United States in 2007. It has been among the top 200 names for girls in the United States since 1953 and among the top 100 names for girls since 1977. It first appeared among the top 1,000 names for girls in the United States in 1950, when it appeared on the list ranked in 939th place.
Backë is a village in the former municipality of Potom in Berat County, Albania. At the 2015 local government reform it became part of the municipality Skrapar.
In the sport of association football, a defender is an outfield player whose primary role is to prevent the opposing team from scoring goals.
There are four types of defenders: centre-back, sweeper, full-back, and wing-back. The centre-back and full-back positions are essential in most modern formations. The sweeper and wing-back roles are more specialised for certain formations.
A centre-back (also known as a central defender or centre-half) defends in the area directly in front of the goal, and tries to prevent opposing players, particularly centre-forwards, from scoring. Centre-backs accomplish this by blocking shots, tackling, intercepting passes, contesting headers and marking forwards to discourage the opposing team from passing to them.
With the ball, centre-backs are generally expected to make short and simple passes to their teammates, or to kick unaimed long balls down the field. For example, a clearance is a long unaimed kick intended to move the ball as far as possible from the defender's goal.
Back is the name of a studio album by country music singer Lynn Anderson, released in 1983.
This album was Anderson's first in three years. She had since been in brief retirement to start a family with her second (and now ex-husband), Harold "Spook Stream", and raise her other children. Thus, Anderson left her old record company (Columbia) in 1980. In 1983, Anderson decided to record again and release a comeback album, as the title "Back" implied. The album brought Anderson back into the country market, along with a few more hits under her belt.
Three singles were released from this album, all in 1983. The first, "You Can't Lose What You Never Had", just missed the Country Top 40 at No. 42. The next single, "What I've Learned From Loving You", peaked at No. 18 on the Billboard country charts. The third and final single, "You're Welcome to Tonight", was a duet with 1980s country star Gary Morris and the album's most successful single. The single reached the Top 10 on the Billboard country charts in early 1984, peaking at No. 9. The album reached No. 61 on the "Top Country Albums" chart in 1983.
Gewürztraminer [ɡəˈvʏɐtstʁaˈmiːnɐ][p] is an aromatic wine grape variety, used in white wines, and performs best in cooler climates. In English, it is sometimes referred to colloquially as Gewürz (this is never the case in German, because "Gewürz" means "herb" or "spice"), and in French it is written Gewurztraminer (without the umlaut). Gewürztraminer is a variety with a pink to red skin colour, which makes it a "white wine grape" as opposed to the blue to black-skinned varieties commonly referred to as "red wine grapes". The variety has high natural sugar and the wines are white and usually off-dry, with a flamboyant bouquet of lychees. Indeed, Gewürztraminer and lychees share the same aroma compounds. Dry Gewürztraminers may also have aromas of roses, passion fruit and floral notes. It is not uncommon to notice some spritz (fine bubbles on the inside of the glass).
Gewürztraminer's sweetness may offset the spice in Asian cuisine. It goes well with Hirtenkäse,Münster cheese, and fleshy, fatty (oily) wild game.
Back to nature
I can't go on like this
I want to walk where the power is
Back to nature
I don't know where to start
Back to nature
I don't have that kind of heart
Back to nature
Back to somewhere else
Back to nature
And right back on top of yourself
Back to nature
I've got to look down
See where I am
Or just hit the ground
And I'm telling you
I know what you've been going through
In my heart of hearts
When I was here
And you were there
Nothing was between us
We're up in the air
We're down on the ground
Here are your friends again
Inching in the bedroom door
Ah they wont to touch me
And you show me their hands
How warm and soft and foreign they are
Cubans in surgical gloves
One on top of two an top of three
Well I've got more than you
Back to nature
The voyeur will realise
This is not a sight for his sore eyes
Back to nature
Getting back at you
I couldn't act naturally if I wanted to
Back to nature
A trip that I can't take
People are thinking
That they've dreamed of this place
Back to nature
It was somewhere else
Back to nature
Right back on top of yourself
And I'm telling you
I know what you've been going through
In my heart of hearts
When I was here
And you were there
Nothing was between us